(Possible Spoiler!)
The atmosphere of 1950's Paris, a truly beautiful actress, a well-balanced plot and the ultimate Jazz soundtrack, recorded in one go by Miles Davis.
The 1958 Louis Malle masterpiece, more than 40 years later, is still one of the best police films ever, Hollywood included. If only more films could seek inspiration from it!
Every moment, from the time the nearly perfect crime is committed to the end, oozes with elegant Parisian sophistication and beauty, and artful camera work. The silences, punctuated with Davis' magnificent trumpet playing, gives the audience time to breathe without reaching boredom. The overall relatively slow pace is actually enthralling. Tension rises as the main protagonists gradually travel to their scaffold. As they finally are arrested and led to their cruel fate, one cannot but feel pity and even sympathy for the killer couple, for such is the sense of involvement that Malle manages to pass on to the audience.
The absence of the now necessary action scenes is also wonderfully refreshing, and the plot is thorough and intelligent.
"Ascenseur pour l'Echafaud" is masterpiece and reference in "Film Noir" type films. It is, along with "Aurevoir les Enfants" undoubtedly a Louis Malle "Chef d'Oeuvre".
The atmosphere of 1950's Paris, a truly beautiful actress, a well-balanced plot and the ultimate Jazz soundtrack, recorded in one go by Miles Davis.
The 1958 Louis Malle masterpiece, more than 40 years later, is still one of the best police films ever, Hollywood included. If only more films could seek inspiration from it!
Every moment, from the time the nearly perfect crime is committed to the end, oozes with elegant Parisian sophistication and beauty, and artful camera work. The silences, punctuated with Davis' magnificent trumpet playing, gives the audience time to breathe without reaching boredom. The overall relatively slow pace is actually enthralling. Tension rises as the main protagonists gradually travel to their scaffold. As they finally are arrested and led to their cruel fate, one cannot but feel pity and even sympathy for the killer couple, for such is the sense of involvement that Malle manages to pass on to the audience.
The absence of the now necessary action scenes is also wonderfully refreshing, and the plot is thorough and intelligent.
"Ascenseur pour l'Echafaud" is masterpiece and reference in "Film Noir" type films. It is, along with "Aurevoir les Enfants" undoubtedly a Louis Malle "Chef d'Oeuvre".