(Spoilerific)
PLOT/SUBJECT MATTER: Firstly, I'd like to comment on an issue in the film that some reviewers found objectionable that of the suppression of the Welsh language and culture for British ideals and the English language. I think the film needs to be looked at as is a commentary, a reaction to this. Knowing but a little about the Welsh way of life in those times, I cannot say for certain, but I think most people, especially the lower classes depicted in the film, had very little opportunity or means to fight the acquisition of the British culture, language and influence. This does NOT make the argument correct. It is merely a sad fact. The film's inhabitants represent a microcosm of this sector, and the audience is meant to see how they were forced into assimilating into a new way of life, regardless of whether or not they wanted to. This is what the film depicts, and it should be judged accordingly.
PERFORMANCES: John Dall Let me say that after watching this movie how surprised I am that John Dall (Morgan Evans) didn't become a major star. He is wonderful, and does a good job with the accent. Dall is another actor who conveys so much with just his eyes or a turn of the head. Watch his reactions to Bette Davis in their big confrontation scene damn, he's good. Amazingly, The Corn is Green was his first film. I keep missing Gun Crazy whenever it's on, but can't wait to catch it someday. Dall was excellent in Rope as well. Too bad he only made a few films. Here he is formidable as coal miner turned Oxford-bound student, playing the unglamorous role with both subtlety and ease.
Bette Davis gives an outstanding performance here. Once you get past the makeup (she's supposed to be older than she was at the time), the feisty Davis can be seen. She plays the determined teacher with pure conviction. Another strong-willed role for her to sink her teeth into Davis' forte.
Joan Lorring This was Lorring's first movie, and her reprehensible character, Bessie Watty (what a name!) is one you love to hate. The venom in her eyes! She makes the false, `Oh! I've hurt my knee!' and `I'm in a coma!' lines unforgettable. However, I did feel a little sorry for Bessie because of her mother's comments about never liking her. It's easy to see why she was so cold-hearted. Lorring is great in Three Strangers with Peter Lorre, Geraldine Fitzgerald and Sidney Greenstreet, too. Check that one out.
CHARACTER ANALYSIS: Lilly Moffat (Bette Davis) is a flawed character indeed. She is a take-no-prisoners powerhouse. When need arises, she plays both the bull* artist (innocent, helpless woman-folk, to gain the squire's benefaction) and cautious, dangerous protector (threatening Bessie's life to shield Morgan from what she perceives as harm). She stands behind her convictions, rightly or wrongly, 100%. Miss Moffat's motives are often questionable. In the film, she explains them all away, yet this viewer was left with quite some mixed feelings about her character. This is a good thing, mind you, as the film as a whole certainly left a big impression on me due to several unresolved issues. That's one sign of a good movie.
Morgan Evans (John Dall) is also a flawed character. Has he sold out, given in, given up, or done the best thing? The film seems to say his choice was correct (he did not waste his potential), yet it is up to the viewer to decide. Dall plays the whole spectrum of the character's conflicts so believably that it is easy to sympathize with Morgan, who is torn between two worlds and two completely different sets of ideals.
Davis and Dall have great chemistry together, and all of their scenes ignite a spark. As Lilly and Morgan, it is great to watch two stubborn rams lock horns, then reach a difficult arrangement that perfectly suits no one. An appropriately bittersweet ending to a visceral film.
Irving Rapper's direction is superb. The sweeping shots of the countryside and the miners going to and from work, the claustrophobic atmosphere of the tiny school, and the hostile environment of the local public house (great fight scene!) all lend the film a sense of realism.
Nigel Bruce is very witty as the Squire (`the impertinence!'), and Mildred Dunnock and Rhys Williams as the hapless Miss Ronberry and Mr. Jones are also very good.
One final note: I love the song the coal miners (and Bessie) sing, even though I do not understand the words. A very nice song I would love to get my hands on a copy. Diolch and goodnight.
PLOT/SUBJECT MATTER: Firstly, I'd like to comment on an issue in the film that some reviewers found objectionable that of the suppression of the Welsh language and culture for British ideals and the English language. I think the film needs to be looked at as is a commentary, a reaction to this. Knowing but a little about the Welsh way of life in those times, I cannot say for certain, but I think most people, especially the lower classes depicted in the film, had very little opportunity or means to fight the acquisition of the British culture, language and influence. This does NOT make the argument correct. It is merely a sad fact. The film's inhabitants represent a microcosm of this sector, and the audience is meant to see how they were forced into assimilating into a new way of life, regardless of whether or not they wanted to. This is what the film depicts, and it should be judged accordingly.
PERFORMANCES: John Dall Let me say that after watching this movie how surprised I am that John Dall (Morgan Evans) didn't become a major star. He is wonderful, and does a good job with the accent. Dall is another actor who conveys so much with just his eyes or a turn of the head. Watch his reactions to Bette Davis in their big confrontation scene damn, he's good. Amazingly, The Corn is Green was his first film. I keep missing Gun Crazy whenever it's on, but can't wait to catch it someday. Dall was excellent in Rope as well. Too bad he only made a few films. Here he is formidable as coal miner turned Oxford-bound student, playing the unglamorous role with both subtlety and ease.
Bette Davis gives an outstanding performance here. Once you get past the makeup (she's supposed to be older than she was at the time), the feisty Davis can be seen. She plays the determined teacher with pure conviction. Another strong-willed role for her to sink her teeth into Davis' forte.
Joan Lorring This was Lorring's first movie, and her reprehensible character, Bessie Watty (what a name!) is one you love to hate. The venom in her eyes! She makes the false, `Oh! I've hurt my knee!' and `I'm in a coma!' lines unforgettable. However, I did feel a little sorry for Bessie because of her mother's comments about never liking her. It's easy to see why she was so cold-hearted. Lorring is great in Three Strangers with Peter Lorre, Geraldine Fitzgerald and Sidney Greenstreet, too. Check that one out.
CHARACTER ANALYSIS: Lilly Moffat (Bette Davis) is a flawed character indeed. She is a take-no-prisoners powerhouse. When need arises, she plays both the bull* artist (innocent, helpless woman-folk, to gain the squire's benefaction) and cautious, dangerous protector (threatening Bessie's life to shield Morgan from what she perceives as harm). She stands behind her convictions, rightly or wrongly, 100%. Miss Moffat's motives are often questionable. In the film, she explains them all away, yet this viewer was left with quite some mixed feelings about her character. This is a good thing, mind you, as the film as a whole certainly left a big impression on me due to several unresolved issues. That's one sign of a good movie.
Morgan Evans (John Dall) is also a flawed character. Has he sold out, given in, given up, or done the best thing? The film seems to say his choice was correct (he did not waste his potential), yet it is up to the viewer to decide. Dall plays the whole spectrum of the character's conflicts so believably that it is easy to sympathize with Morgan, who is torn between two worlds and two completely different sets of ideals.
Davis and Dall have great chemistry together, and all of their scenes ignite a spark. As Lilly and Morgan, it is great to watch two stubborn rams lock horns, then reach a difficult arrangement that perfectly suits no one. An appropriately bittersweet ending to a visceral film.
Irving Rapper's direction is superb. The sweeping shots of the countryside and the miners going to and from work, the claustrophobic atmosphere of the tiny school, and the hostile environment of the local public house (great fight scene!) all lend the film a sense of realism.
Nigel Bruce is very witty as the Squire (`the impertinence!'), and Mildred Dunnock and Rhys Williams as the hapless Miss Ronberry and Mr. Jones are also very good.
One final note: I love the song the coal miners (and Bessie) sing, even though I do not understand the words. A very nice song I would love to get my hands on a copy. Diolch and goodnight.