This movie has two halves to evaluate. The first half is brilliant, among the best scenes ever put on film. Boyer gives the performance of his life as the "Little Corporal" trying to woo an obscure (and obscurely beautiful) Polish Countess. Sadly, once she is wooed the movie is lost in a muddle of syrupy sentiment and questionable history lessons.
Boyer is outstanding all the way through the movie. This is the role he was born to play. He is funny, abrupt, insane, and believeable. He puts his whole body into this role. But Garbo - *sigh* - she's better at portraying melancholy than happiness. When she's in love in this movie, it's irritating. Excepting her scene with Dame May Whitty as Napoleon's mother, I just can't stand it.
The second half is just mush. It's plodding, for the most part uninteresting, and sheds no light on Napoleon as a historical figure. Maybe the first half of the movie had so much energy that it was impossible to sustain. In any case, I recommend this movie, if only for Boyer's performance and the opening sequence.
Boyer is outstanding all the way through the movie. This is the role he was born to play. He is funny, abrupt, insane, and believeable. He puts his whole body into this role. But Garbo - *sigh* - she's better at portraying melancholy than happiness. When she's in love in this movie, it's irritating. Excepting her scene with Dame May Whitty as Napoleon's mother, I just can't stand it.
The second half is just mush. It's plodding, for the most part uninteresting, and sheds no light on Napoleon as a historical figure. Maybe the first half of the movie had so much energy that it was impossible to sustain. In any case, I recommend this movie, if only for Boyer's performance and the opening sequence.