Right from the start, I realized this film would be a flop due to the frustratingly amateur-hour directing by George Gallo. The constant back and forth location transitions from Europe to America were poorly executed and edited, and almost every scene screamed inexperienced directing. Gallo also failed miserably to direct his cast effectively, that is seemed like this was Cole Hauser's first ever acting job. His entire tone, demeanor and dialogue was too monotonic. Sure, part blame goes to the actor, but it's the directors job to know when an actor needs to act better or in a certain way. Only seasoned actors like Freeman rarely need cast direction, as he was the only one that was somewhat convincing in his character. Everyone else seemed inconvenienced to be on set.
The next huge disappointment was how three writers couldn't get a fairly decent premise, executed properly. Aside from the writing being cliched and having elements from pretty much every film in this genre with little to no originality, it was the ridiculous ending that the three writers, Bob Bowersox, Francesco Cinquemani and Luca Giliberto gave their viewers. It was by far the laziest, asinine, and idiotic ending I've ever seen. A fifth grade drama class could've done better.
Almost every element of this film - except the score, which was surprisingly fitting, should be examined in film schools on what not to do. It's a generous 3/10 from me, mostly as pity that Freeman has to live with this mess on his resume.
The next huge disappointment was how three writers couldn't get a fairly decent premise, executed properly. Aside from the writing being cliched and having elements from pretty much every film in this genre with little to no originality, it was the ridiculous ending that the three writers, Bob Bowersox, Francesco Cinquemani and Luca Giliberto gave their viewers. It was by far the laziest, asinine, and idiotic ending I've ever seen. A fifth grade drama class could've done better.
Almost every element of this film - except the score, which was surprisingly fitting, should be examined in film schools on what not to do. It's a generous 3/10 from me, mostly as pity that Freeman has to live with this mess on his resume.