Combine the personalities of Sally Kellerman and Mackenzie Phillips, one a mellow dreamer, the other a gun-toting schemer, and you have Kellerman's entire character from the previous years' road movie, SLITHER, making her passive, affable performance seem like she's merely along for the ride, leaving all the edginess to her other/better half...
And basically making Alan Arkin's Rafferty, a boozing ex-Marine/DMV instructor kidnapped by the pair, along for the ride's ride as RAFFTERY AND THE GOLD DUST TWINS goes from scene to scene/town to town gathering mossy strangers along the way...
From victimized gas station attendants to Las Vegas con man Alex Rocco to irate Arizona rancher John McClliam to Texas barfly Harry Dean Stanton and young soldier Charles Martin Smith (sharing a terrific motel scene with AMERICAN GRAFFITI alumni Phillips), they all merely serve witness to the eclectic trio who find predictable camaraderie along the breezy trip...
Although Arkin lacks initial reluctance: Seconds after Phillips sticks a gun to his head (and even fires it off OVER his head), saccharine elevator music lazily orchestrates a wide shot of the freeway like a TV-production, which this often resembles a grungy and freewheeling version of...
Actually a good thing since RAFFERTY has nothing to lose or gain to either educate or annoy an audience, which refers to both the character and the movie -- one worth watching over and over for that reason alone: Lethargy on wheels can be infectious.
And basically making Alan Arkin's Rafferty, a boozing ex-Marine/DMV instructor kidnapped by the pair, along for the ride's ride as RAFFTERY AND THE GOLD DUST TWINS goes from scene to scene/town to town gathering mossy strangers along the way...
From victimized gas station attendants to Las Vegas con man Alex Rocco to irate Arizona rancher John McClliam to Texas barfly Harry Dean Stanton and young soldier Charles Martin Smith (sharing a terrific motel scene with AMERICAN GRAFFITI alumni Phillips), they all merely serve witness to the eclectic trio who find predictable camaraderie along the breezy trip...
Although Arkin lacks initial reluctance: Seconds after Phillips sticks a gun to his head (and even fires it off OVER his head), saccharine elevator music lazily orchestrates a wide shot of the freeway like a TV-production, which this often resembles a grungy and freewheeling version of...
Actually a good thing since RAFFERTY has nothing to lose or gain to either educate or annoy an audience, which refers to both the character and the movie -- one worth watching over and over for that reason alone: Lethargy on wheels can be infectious.