HUNTER'S BLOOD middle-of-the-road example of a backwoods thriller along the lines of both John Boorman's DELIVERANCE and Walter Hill's SOUTHERN COMFORT. Obviously it can't even hope to come close to the raw, visceral power of either of those movies, but as an '80s-era B-movie I admit it does work rather well. It's packed out with familiar faces, has a decent set-up and worthwhile denouement, and is a film that's tough to dislike.
The plot concerns a group of city boys who decide to go into the wilderness to hunt deer, but of course they're menaced by some rednecks before long. The good guys are led by the ever-excellent Clu Gulager, a man who screams entertainment value, and the group includes John Travolta's less well-known brother Joey. The bad guys are even more interesting: led by Robocop's Lee de Broux, the group includes the hissable Billy Drago and the outrageously sleazy Bruce Glover.
Directorial duties are handled by B-movie maestro Robert C. Hughes, and given that this is a guy with the likes of MEMORIAL VALLEY MASSACRE under his belt, it's fair to say that HUNTER'S BLOOD is probably his best work. It's certainly no classic, and it is a film that has a tendency to fade from the imagination soon after viewing, but as an amiable timewaster it fulfils its duties admirably.
The plot concerns a group of city boys who decide to go into the wilderness to hunt deer, but of course they're menaced by some rednecks before long. The good guys are led by the ever-excellent Clu Gulager, a man who screams entertainment value, and the group includes John Travolta's less well-known brother Joey. The bad guys are even more interesting: led by Robocop's Lee de Broux, the group includes the hissable Billy Drago and the outrageously sleazy Bruce Glover.
Directorial duties are handled by B-movie maestro Robert C. Hughes, and given that this is a guy with the likes of MEMORIAL VALLEY MASSACRE under his belt, it's fair to say that HUNTER'S BLOOD is probably his best work. It's certainly no classic, and it is a film that has a tendency to fade from the imagination soon after viewing, but as an amiable timewaster it fulfils its duties admirably.