An unscrupulous genetic engineering firm, conducting cloning experiments with crocodiles as a means to resolve the world's impending food shortage accidentally releases a specimen into the woods surrounding a popular lake with predictable consequences. Executive produced by Roger Corman, you might have hoped for better than this limp wristed CGI-dependent cheapie that features some capable and familiar faces. The leads are so busy getting into each other's pants, that poor Michael (Jake Thomas) is left to search for his missing dog alone, ending up on the Dinocroc platter. A grieving brother (Borlenghi) then sets about taking revenge with the assistance of Aussie game-hunter doubling as an ichthyologist (Mandylor) and Corman veteran Charles Napier as the local sheriff.
Joanna Pacula's role as the firm's chief could have been a stroke of deft casting, but she receives so little air time, her role is reduced to a caricature of the stereotypical villain. But even more disappointing is the reliance on CGI animation and post-production effects to create the action sequences with the "Dinocroc". Much of the camp quality of the Corman-inspired monster movie was in the flimsy, plastic construction of the title beast. Some of the sequences on the lake (take the water skiing moment) would have been far more entertaining were it not for the clumsy computer animation.
Co-writer John Huckert does a misguided Peter Benchley inspired cameo as a journalist – now punters will know his face as well as his name, which could jeopardise future writing gigs once you witness the quality (or lack thereof) of this effort. Choral orchestral soundtrack layered over the attacking sequences give the beast an almost unholy reverence, but the CGI effects are out of sync and the result is anything but precision or grace. If there's any redemption at all, you might draw visual relief in the fresh-faced and feisty Jane Longenecker who in spite of her lower order billing, is the constant presence throughout (and much better looking than either Mandylor or the "dinocroc").
Joanna Pacula's role as the firm's chief could have been a stroke of deft casting, but she receives so little air time, her role is reduced to a caricature of the stereotypical villain. But even more disappointing is the reliance on CGI animation and post-production effects to create the action sequences with the "Dinocroc". Much of the camp quality of the Corman-inspired monster movie was in the flimsy, plastic construction of the title beast. Some of the sequences on the lake (take the water skiing moment) would have been far more entertaining were it not for the clumsy computer animation.
Co-writer John Huckert does a misguided Peter Benchley inspired cameo as a journalist – now punters will know his face as well as his name, which could jeopardise future writing gigs once you witness the quality (or lack thereof) of this effort. Choral orchestral soundtrack layered over the attacking sequences give the beast an almost unholy reverence, but the CGI effects are out of sync and the result is anything but precision or grace. If there's any redemption at all, you might draw visual relief in the fresh-faced and feisty Jane Longenecker who in spite of her lower order billing, is the constant presence throughout (and much better looking than either Mandylor or the "dinocroc").