Mira Nair is a fine film-maker, with a lavish eye for detail, so evident in the opening scenes of The Reluctant Fundamentalist, but what was she thinking in butchering an intriguing, thought-provoking book by adding a sexed-up terrorist sub-plot that undermines the power and themes of the story.
This action movie subplot – about a kidnapped American professor and attempts by the CIA to find him – is Katherine Bigelow at her worst, and Hollywood at its most mediocre. Completely non-existent in the novel, it takes up half the movie, and ends with an implausible shoot-out, and some tedious speechifying beloved of bad American movies.
Nair should have stuck to the main story of how the war on terror soured the Pakistani middle class's love affair with America, as seen through the eyes of one man. Critical of America's response to 9/11, which alienated moderate Muslims, the movie is at its best when it explores the protagonist's struggle to succeed at Princeton and on Wall Street, and his subsequent disillusionment in the face of post-9/11 hostility. Riz Ahmed puts in a fine performance, as do most of the actors, with the exception of a miscast Kate Hudson as the somewhat-too-old girlfriend struggling to commit after the death of her high-school sweetheart.
The Pakistan scenes (shot in India) are wonderfully evocative, as is the use of Qawwali music on the stunning soundtrack, but a silly action story detracts from the main plot and characterizations, which required much more exploration and depth for this movie to really succeed.
This action movie subplot – about a kidnapped American professor and attempts by the CIA to find him – is Katherine Bigelow at her worst, and Hollywood at its most mediocre. Completely non-existent in the novel, it takes up half the movie, and ends with an implausible shoot-out, and some tedious speechifying beloved of bad American movies.
Nair should have stuck to the main story of how the war on terror soured the Pakistani middle class's love affair with America, as seen through the eyes of one man. Critical of America's response to 9/11, which alienated moderate Muslims, the movie is at its best when it explores the protagonist's struggle to succeed at Princeton and on Wall Street, and his subsequent disillusionment in the face of post-9/11 hostility. Riz Ahmed puts in a fine performance, as do most of the actors, with the exception of a miscast Kate Hudson as the somewhat-too-old girlfriend struggling to commit after the death of her high-school sweetheart.
The Pakistan scenes (shot in India) are wonderfully evocative, as is the use of Qawwali music on the stunning soundtrack, but a silly action story detracts from the main plot and characterizations, which required much more exploration and depth for this movie to really succeed.