Come Play (2020) Poster

(2020)

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7/10
Something different, good movie
movie_ape5 November 2020
I think this was a good horror movie, which had something new in it that kept it interesting. The general presentation was very good.

The pacing is a slow burn with more and more weird stuff happening as it goes on, which I liked a lot. Being someone who hates jump scares I was glad this one didn't really have any. The horror aspect was well done but some might find it mild maybe, and it was scary.

I like that there seems to be an allegory happening in the background of technology causing people to become more isolated and lonely; which of course is sad but true. The demon could be interpreted as a representation of loneliness perhaps as you get older.

I'm not sure why this one was lower on the ratings, but I think it is underrated and I enjoyed it.

7/10 a good novel horror.
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7/10
Much better than expected
garethlittle1 November 2020
I really enjoyed Come Play, I thought it was orignal and had a really creepy vibe to it. Yes it was a very simple plot but either way it was enjoyable.
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6/10
Just watch it (5 maybe 6 out of 10)
marbanks296 November 2020
No, it's not a masterpiece that would deserve 10/10 as some have rated it here. But it's not a total crap either so it doesn't deserve 1/10 ratings either. The story as a whole is actually good, something different. There are few jumps scares, some better than others, there's some creepiness at times. It's supposed to be a horror movie but at times it felt more as fantasy - I think that might be one of the reasons why this movie is rather weak, the director couldn't make up his mind what genre to choose. The main actors, unfortunately, are terrible. The few ones that are actually ok play only secondary roles. The parents are annoying, you actually hope that at least one of them would die - they're so unlikable (I won't say if anyone dies or not because I don't want to give spoilers). Some the dialogues would make your eyes roll as well. I don't know what went wrong, the movie had so much potential to be so much better. I thought it might have been the budget but for 9mil (to compare: Babadook had only 2mil) I would expect something better. In short: it's an "ok" movie. Definitely something different. The 5.9 score it has at the moment is fair.
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6/10
Not bad not great
Draysan-Jennings3 November 2020
I thought this movie was just alright, nothing really special about it. The movie felt a little repetitive and predictable at times. I didn't find it very scary either. The monster was cool but didn't really do anything. Mostly just creeped around the entire time. Generous 6 stars.
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6/10
Above average, but not great
urizennz14 November 2020
Most characters have a story arch which is a rare thing in recent movies. The plot is simple and very predictable, but it doesn't hurt the overall enjoyment of the flick.

The horror is tense yet offers nothing new to the genre. The monster's design could remind you of some early 2010 creepypastas (you decide if that's good or bad to you).

Overall, it resembles The Babadook (2014), switching the book to everyday tech.
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4/10
Not as clever as it pretends it is
blakelywilliams-2977323 November 2020
The movie has a decent, but flimsy, premise that sets up some good early scares. The problem is that these characters barely act like people, let alone parents of a pre teen autistic child. Even when the film tries to put a twist on a few cliches in some scenes it doubles down on those same cliches in the rest of the film. Solid CGI and a few good ideas make this horror flick at least entertaining, but too inconsistent to be more than passable.
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6/10
Short on Scares, but Surprisingly Uplifting Message
QuadeC201030 October 2020
I've seen better and worse, but for what it is, as a PG-13 horror movie, I think it does really well. It's short on scares, so don't go into this hoping to be scared out of your mind, but I think the emotional power that the message conveys is definitely worth a viewing. Definitely struck my heart strings by the ending. It's definitely derivative of several movies, but it's pretty good for sure.
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4/10
semi-enjoyable bad movie
FeastMode20 May 2021
I was surprisingly into it for the first 75% of the movie. I knew it wasn't good, but i was still enjoying it, cared about the characters, became tense when stuff is about to go down, a bunch of good setups and payoffs.

But like i said, it's not good. The acting is pretty bad, which is sad to say since i love gillian jacobs. And there are a ton of stupid moments and things that don't make sense. I laughed out loud at unintentionally hilarious parts (1 viewing, 5/19/2021)
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7/10
Harmless fun, in spite of how heavy and dark it can get
mrashtastic8926 December 2020
I like how this movie deals with real issues, like autism, I thought this movie was solid.
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5/10
isn't this Babadook?
ansirahka16 November 2020
I kinda forgot how the story went but i'm pretty sure this is just Babadook with iphones and fwends. The sfx isn't that great and some of the characters actions are questionable, but the spooks are pretty good, just the right amount of cheap jump-scares and smart atmospheric spoopiness here and there. Still, if you haven't seen Babadook i'd recommend that over this.
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8/10
I wish people here would stop trying to be producers and directors...
chrisgilmer15 November 2020
And the acting police. 1. For all the crappy movies I have to wade through to actually find something worth watching these days is like finding a particular needle in a stack of needles. 2. This movie had an original plot, decent acting (despite what another "reviewer" had complained), it was creepy, and you didn't know the ending 30 minutes into it. 3. I gave this movie an eight because it's actually one of the better creepy movies I've seen in three months. I don't know about all of you, but indie movies are starting to grind on my nerves. I have to turn on the subtitles because I can't understand what they're saying most of the time. And then you have these user reviewers who critically acclaim movies where there's some hidden meaning in the ending that leaves you asking, "wtf was that and why did I just waste ninety minutes of my life I'll never get back to watch that bunk?"

So, this movie is not fantasy as another review suggests. It's a very decent horror movie that I think most people will enjoy.
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6/10
Trying too hard
Just-A-Girl-1426 November 2021
Warning: Spoilers
I'm really tired of movies trying so hard to be creative. I wish there was more focus on quality than creativity and originality. It's actually accomplishing the opposite intention. Instead of being wowed by the underlying social commentary, I'm finding myself rolling my eyes over and over again. I get the message here, we live in a time when people spend too much time staring at their screens instead of actually interacting with each other. People are lonely. It's true and it's a real problem but you don't watch a horror movie because you want to think about the deep troubling problems that we all face. You watch it because you want to be entertained. Period. Once in a million can a horror movie be both entertaining and make you think about life. The only horror movie that comes to mind that managed to do that in recent years was Before I wake (2016). Come and play is an ok movie but it's not as special as it made out to be. It's hardly the first horror movie to use loneliness, electricity and electronic devices to create monsters or facilitate their interaction and entrance to our world. Imho, the script needs more work. If loneliness created Larry, why is he only focusing on Oliver? If he doesn't exist in our world how can he move things or screw in light bulbs? Why is finishing the story so important? If the phones and tablets are his way in why breaking them didn't work? Why did taking the mom stop him from wanting Oliver? If the mom can come back, why won't he?

Overall, it's just an ok mediocre horror movie. It's not the worst I've ever seen but it's also not the best. If you've never watched the movie Before I wake, I would definitely recommend watching it. It's a sort of a similar concept but it's much better then this one.

Pros: decent CGI, no gore, creepy at times, family centered movie, good looking slendermanish monster.

Cons: mediocre acting, mediocre dialogue, too many cliches, some plot holes, unoriginal storyline that feels like it's trying too hard.
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5/10
It Means Well but Doesn't Perform Well
Spidenus8169 November 2020
Come Play tries to be something more substantial than just another cheap horror flick, and for that, I give it due credit. It's unfortunate, then, that it's often slow and boring. It's clear that it makes an effort at connecting on an emotional level, but again, it simply fails.
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6/10
Watchable, promising, but frustrating at times
josephbrewster-8827918 December 2020
Warning: Spoilers
If you're a fan of the horror genre, like me, the premise of this movie will not impress you. You've seen a lot of it before in movies like Babadook (family psychology myths), The Conjuring (retro clothing and things going bump in the night), Insidious (boy targeted by spirit trying to come through from another dimension), and there are even echoes of Sixth Sense (hiding under blankets, walking around a house at night). So no, this premise is not original. But that doesn't mean you won't like it. I love a good genre flick done well, and I felt like this one did some shining (pun) and some stumbling. Overall, it wasn't a waste of money and I would recommend it, depending on your taste.

DO WATCH IT if you enjoy: 1. Horror with a deeper underlying meaning 2. Family-centric plots 3. Worlds where humans turn out to be mostly good people 4. Jump scares 5. Slow burn moody movies 6. An ending that actually ends and doesn't unnecessarily set up a sequel, just in case the film does well and the studio wants to cash in (sorry, rant over) 7. Believable acting (mostly)

However, DON'T watch it if any of the following grates on you: 1. Lights always flicker when monster is near 2. Parent, although terrified for child, constantly leaves child alone in rooms, outdoors, etc so they are conveniently vulnerable 3. Vague family drama where parents can't stay together for some unexplained reason 4. Always walking toward the dark closet/corner where you think a terrifying monster might be instead of running 5. Standing and staring where monster is instead of running 6. Phones don't work right when monster is near 7. No clear rules on how monster appears, what it can affect or how it goes away, but still it goes away...maybe

SPOILER ALERT When a struggling, well intentioned, couple with an autistic child find themselves stressed out over family life, they decide to take some time apart. Meanwhile their sun, Oliver, is unable to speak yet due to his disability and is having trouble making friends. Enter bullies, but not like you'd think. There's no hardcore bullying here, and the bully aspect is half-hearted at best. In any case, Oliver is lonely. But he's not the only one.

Sarah, his mom, is also lonely; frustrated that she's bearing the brunt of raising Oliver and trying to determine what's best for him while her husband Marty is at work. Marty isn't a typical absentee father-he cares for Oliver and wants to help, but doesn't understand the strain Sarah is under.

But there is another character in the family: a malicious being trapped in cell phones and iPads, reaching out with an offer of friendship to Oliver. It's a horrifying slenderman of a creature that no child in their right mind would EVER intentionally go toward, except Oliver...oh and Byron, Oliver's schoolmate and bully-turned-friend. For some inexplicable reason Oliver constantly goes toward the dark closets and creepy hallways this monster menaces. Oh, and the monster's name is Larry.

At this point, The Babadook should be coming to mind, and it certainly is reminiscent of that movie in many ways. The overall vibe is a weird mashup of 70's meets 2020 as bowl haircuts and vintage clothing and furniture are featured throughout, while idevices constantly remind us we aren't in the area the movie says we are. I liked the vibe, actually. It was like a horror remix of familiar elements in odd juxtapositions.

The leads were more than passable, with Azhy Robertson doing a fine job of being autistic, which is not an easy role to nail.

The horror cliches were there, front and center, but the real pit in the cherry for me was the plot holes surrounding the monster myth.

He seems to drain electricity, so whenever he's near the lights flicker and eventually pop (why, horror movies? Why must lights ALWAYS flicker?), however reading his story also seems to give him power, so that half the time I can't tell if he runs off of electricity or literary curiosity. Initially he is able to flicker lights and make noise without his story even being read, later we are made to believe he can only come through to our world when his story is finished, but that's just not the way it happens. He is able to move large, heavy objects, break things, open things, chase people, and move freely about the world. He can pick up Oliver, he has mass, he can screw in light bulbs for God's sake, but just chooses to do random stupid stuff instead of what he's there for. Initially, you have to turn the pages of his book and willingly read the story, but by the end he is forcefully turning the pages so they see the story even though they don't want to. He should have been able to end this movie in the first five minutes. All he needed was to turn enough pages to get to the end, which he can obviously do. Also, he's capable of trailing, attacking and wrecking Marty, for no apparent reason, while Oliver is the one he wants and in a completely different location.

This family ping pongs from "devices are dangerous" to "devices are the only way to see the problem" then back to "break all the devices" and still they don't seem to affect the creature in any predictable way. He emerges from dead (unplugged) devices to attack them in the real world, and is seen moving INSANELY fast in several scenes, only to lumber around aimless when the plot calls for it. The monster and rules regarding the monster are so inexplicable that they, at times, broke my ability to really enjoy the beauty of this story.

Because the story is good. It's often told well. The acting is enjoyable, but not award-winning. The character development is lacking, but still better than a lot of horror. The jump scares are...well, what you'd expect.

Why watch it? Because it's a decent entry into the genre. Not original, not ground-breaking, but it's not horrible. It's got scary moments and heart-warming moments, and most of the characters are likable.

Overall, watchable.
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7/10
Jacob Chase delivers one of the biggest surprises of 2020 with Come Play!
msbreviews1 November 2020
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2020 is undoubtedly one of the worst years ever for movies, not even in terms of quality, but the infinite delays of highly anticipated films automatically make this year more underwhelming than what it would ever be. Nevertheless, it still delivered a few surprises along the way. Movies that I wasn't really expecting to like as much as I did (Underwater, The Call of the Wild), or even films that I knew I'd enjoy them but eventually end up absolutely loving them (The One and Only Ivan, Palm Springs, The Personal History of David Copperfield). Jacob Chase's feature directorial debut is amongst the former group. I only knew the premise and the cast, which I have to admit didn't really convince me, but I still gave it a go since this could be my last trip to a film theater this year...

If it ends up truly being my last time watching a movie on the big screen this year, then it's a wonderful final film. Come Play is one of the biggest surprises of 2020. There are so many aspects that I absolutely love about it, but it doesn't escape from several issues as well. I'll start with the impressive performance of Azhy Robertson (Oliver) as a non-verbal autistic kid. As someone who has shared some time with a young autistic girl, I left the theater fully believing that Azhy was, in fact, autistic in real-life (I didn't recognize him from Marriage Story). I was mind-blown when I found out he wasn't. His display feels so realistic and authentic that I never thought his portrayal was pure acting.

John Gallagher Jr. (Marty) is really good as well, but he doesn't have as much screentime as Gillian Jacobs (Sarah). The latter isn't exactly awful, but she definitely disappoints in the more sentimental moments. She's great during the horror sequences, adding to the suspenseful atmosphere, but when the time comes to really deliver heartfelt dialogues and passionate expressions, Gillian fails to offer a convincing performance. The other kids in the movie are also quite cringe-worthy, but not every young actor can be incredible at such a young age.

Despite the cast's irregular interpretations, none ruins the captivating story behind Larry, the "misunderstood monster" on the other side of the screen. The social commentary is loud and clear, giving the film a whole other layer. Jacob Chase's commitment and dedication to this work (based on his own short) are palpable throughout the runtime, visible through the numerous tiny details spread across each storyline. I found myself astonishingly invested in the narrative. However, Chase often repeats scenes meant to pass that social message he so desperately wants to transmit, transforming many scenes that could be genuine into something extremely forced.

This last aspect is compensated with innovative horror sequences with highly creative use of today's technology to generate an incredibly tense environment. There aren't many jumpscares, but most are pretty effective. Nevertheless, it's the suspenseful atmosphere throughout the entire movie that elevates the overall horror vibe. Chase also employs long takes, which ultimately leaves viewers at the edge of their seats due to some excellent camera work (Maxime Alexandre) and seamless editing (Gregory Plotkin). I really like the score (Roque Baños), but there are a couple of moments where the almost silent music weirdly becomes an adventure tune.

Another brilliant technical decision comes from Chase's work with the VFX team. As expected from a low-budget production, the visual effects would never reach today's standards if they decided to show the monster in plain sight during daylight. If you go into the film expecting a monster movie where the latter is the protagonist, forget it. The crew was intelligent and humble enough to acknowledge the not-that-good VFX quality, so Chase "hides" the monster with low lighting and "shows" him during night sequences and/or through a smartphone/tablet's camera. It might be a disappointing aspect for many people, but I was delighted with this smart decision.

It's more of a family drama than a generic horror flick. There's a fair attempt at delivering something special, and I do believe it was very close to being one of the best films of the year. The treatment of the autistic character is near-perfect. I love the fact that not only the movie shows every problem that a condition like this brings, but it also demonstrates the extraordinary qualities that autistic people possess. Even though he cannot speak, Oliver is exceptionally clever, fun, and brave, something I believe most of today's society doesn't think autistic kids can be. The ending is both bold and surprising, finishing on a significant emotional moment that will leave viewers with a bittersweet reaction.

In the end, Come Play is one of my favorite surprises of this year. Jacob Chase proves that he's a dedicated filmmaker who knows his craft. With exceptional preparation, Chase presents an extremely captivating narrative, distinct from the generic horror flicks that flood every year. By focusing on the emotionally compelling story instead of the formulaic jumpscares, the horror sequences have a much more significant impact due to the viewer's connection with the main characters, especially Azhy Robertson's. The latter delivers one of the best young performances of 2020, interpreting an autistic kid with remarkable authenticity. However, the rest of the cast is not up to the task, especially Gillian Jacobs, who disappoints with an overall emotionally underwhelming display. The social commentary is important and efficiently transmitted, despite Chase eventually losing his balance and exaggerating the number of scenes that ultimately become forced. Technically, the suspenseful atmosphere steals the spotlight from the few yet effective jumpscares. Ends with a surprisingly bold, emotionally bittersweet moment. As long as you don't expect a "monster flick" packed with predictable scares, I sincerely recommend it to anyone looking for a Halloween plan.

Rating: B+
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4/10
I don't know who this is for?
heratyplant8 November 2020
It's very child focused, but is probably too scary for little ones, all of the adults feel like they're being portrayed as childish fools & teens would most likely laugh at it, so who is Come Play for?

Without looking, It feels like this is from a very junior team of writers, production staff & directors, but having said that, it does look good, but it's only a very thin veneer of horror with regular appearances of Sponge Bob & an over reliance of tech to allow the stories plot. The scene where the parents explain what they think is happening to each other is totally laughable, in fact I did!

It's not bad bad & it's not funny bad, but it's just very so-so; if the point is to say get off of screens & gadgets, well we can all agree with that, so let's go........
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7/10
Babadook and sixth sense
nickyb-791312 November 2020
If you like those two you'll like this. Not in terms of story line but has that vibe. I was expecting it to be more sci fi from the premise. Good quality movie fully budgeted for big screen viewing
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5/10
Come Play
bartrkottelaar10 November 2020
The field of horror movies is dominated by mediocrity. A lot of horrors are actually awful, and only a select few are actually good or great. This one is perfectly medicore in every aspect. It's exactly what you can expect from a mediocre horror movie, nothing more, nothing less.
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6/10
Decent but nothing new
borgolarici12 July 2021
We have yet another "problematic" family (whose members still look perfect and youthful despite being supposedly poor and stressed), haunted by another metaphor for loneliness and family issues.

While this is a decent horror, with some well executed jump scares and an interesting entity, it's also basically "already seen".
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3/10
Falls flat
Leofwine_draca25 May 2022
Another family horror film about a kid being menaced by a digital monster. Reminded me of THE BABADOOK a bit and although I didn't like that movie very much it's better than this dud. All attempts at atmosphere that fall flat, along with too-dark cinematography, dull characters and routine jump scares.
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8/10
While it appears on the surface as just another cliché cash grab horror film aimed at teens/kids, Come Play actually has a deeper emotional core with some solid scares.
tresm8730 October 2020
While we all want something terrifying from the horror films we watch, it is nice to get some psychological and emotional aspects intertwined within the scares to give it that extra depth. This particular story is very reminiscent to Mike Flanagan's style where he places just as much importance into the heart and soul of the characters as the amount of detail in the creepy creatures or hauntings. It's definitely a great and promising first feature effort from Jacob Chase.

The film still does have its classic clichés with many predictable timed jump scares and the all too common tech themes of late , but it still wraps everything together nicely with some interesting concepts. There are some tremendous moments of authentic emotion portrayed by the main actors as well which is an underrated aspect especially in horror films. There's also a very interesting entity with a great backstory with some decent enough CGI to present it. The atmosphere and tension is prevalent and there are some clever camera choices.

Overall it's way better than many will think it will be after seeing the very cliche trailer, and people shouldn't take it for just a kids horror. If this is the one wide release horror film we get for Halloween, it does serve its purpose well enough.
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6/10
Great little film with small budget but big surprises!
omendata10 June 2021
I did not have much hope going into this, i thought it was just going to be another haunted child retread but I was wrong, the idea was refreshingly new and had quite a few wrinkles I have not seen before; loved the scene with the paper blowing in the wind and eventually sticking to the Demon and revealing its body in the first few scenes, a rather nice touch, simple but effective.

And that is what the film is, simple but effective, a decent nights horror viewing with at least 2 rather nasty jump scares that did actually make us jump so a fair above average 6 hatchets on the chopping scale for this one!
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3/10
Typical
Tor-Steinar2 March 2021
Warning: Spoilers
So the very average plot: Someone tries to warn everyone. Typically a "hysterical" wife who tries to warn a strong and protective (aka I am trying to assert myself as the protector), or a child who is told "it's just bad dreams". Seen it 1500 times before. Then in the last 20 minutes everyone realises, but the it is too late. So unoriginal.
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7/10
Larry Is Looking For A Friend
stevendbeard31 October 2020
Warning: Spoilers
I saw "Come Play", starring Azhy Robertson-Marriage Story, Beyond the Night; Gillian Jacobs-Community_tv, Hot Tub Time Machine 2; John Gallagher Jr.-10 Cloverfield Lane, Jonah Hex and Eboni Booth-The Punisher_tv, Daredevil_tv. This is a horror movie that is based on a 2017 short film. It's a little different than the usual monster movies because Larry-the name of the creature-is just looking for a friend. 'Won't you be my neighbor....Ahem, I mean friend?' Azhy is a child with a speaking problem; he doesn't speak. He uses an app on his phone to do his speaking for him. He also uses an iPad, which is where he first comes across Larry. Larry lives in another dimension and uses smart phones and other mobile devices to try to materialize into our world. He uses incredible amounts of electricity while doing so-lights will dim or break when he is near. Gillian and John are Azhy's parents, who don't know how to handle him so they seek out the help of a professional doctor, Eboni. You might wonder how everyone knows anything about Larry. That's because there is a story on the iPad that explains everything you need to know about Larry-it's written much like a children's story, with pictures. Whenever Larry finds a candidate to be his friend, all he has to do is touch hands-like shaking a friends' hand-and they will accompany Larry back to his dimension. It's rated "PG-13" for terror, frightening images and language and has a running time of 1 hour & 36 minutes. I enjoyed it enough that I would buy it on DVD.
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