The film basically tells youngsters who fall into korean ways to find in the middle of the power balances the contradictions between the zombies who have been exposed to the virus and the local people who have not been exposed to the virus.
Mucahid Pehlivan, writer and director; after we have passed these stereotypes, we are leaving us with a 'character film'. I'm not even talking about the six young people who just fall in love. The local zombies are characterized by carrying them far beyond their peers abroad. These zombies can use tools, move with a hierarchy and a culture of allegiance, move forward without question on the leader's trail ...
"Sandik", without having to resort to any form of rape, harassment, sexual violence, or misplaced sex, despite the presence of three young actresses and mainly dark scenes in the various scenes, flux of the forehead is leaving the curtain.
Mucahid Pehlivan, writer and director; after we have passed these stereotypes, we are leaving us with a 'character film'. I'm not even talking about the six young people who just fall in love. The local zombies are characterized by carrying them far beyond their peers abroad. These zombies can use tools, move with a hierarchy and a culture of allegiance, move forward without question on the leader's trail ...
"Sandik", without having to resort to any form of rape, harassment, sexual violence, or misplaced sex, despite the presence of three young actresses and mainly dark scenes in the various scenes, flux of the forehead is leaving the curtain.
