Philip Madoc plays his part to perfection, as Solon single mindedly gets to work on Morbius, his very own Frankenstein's monster. It's been a terrific story, packed with rich content and dark, in this part, it gets darker, and violent, Mary Whitehouse must have done her nut with one or two scenes here.
So well made, so well acted, I'm not sure if the classic series was ever as good as the Hinchcliffe era, not just the writing or tone, but the tightness of it, the fact that everyone takes it so seriously, nobody is sending it up, it's all serious, and on point.
It ends with one of the most iconic scenes from Doctor Who, the fact that Sarah is impaired, and the unknown surrounding Morbius, he's on his feet, but what sort of state is he in after the trauma?
It has done its job, and set up the concluding episode very well. 9/10
So well made, so well acted, I'm not sure if the classic series was ever as good as the Hinchcliffe era, not just the writing or tone, but the tightness of it, the fact that everyone takes it so seriously, nobody is sending it up, it's all serious, and on point.
It ends with one of the most iconic scenes from Doctor Who, the fact that Sarah is impaired, and the unknown surrounding Morbius, he's on his feet, but what sort of state is he in after the trauma?
It has done its job, and set up the concluding episode very well. 9/10