"Law & Order" Humiliation (TV Episode 1995) Poster

(TV Series)

(1995)

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8/10
Witness for the prosecution
TheLittleSongbird27 January 2021
Season 6 saw Rey Curtis being introduced, replacing Mike Logan. My thoughts on him in Season 6 were a bit up and down particularly to begin with, and the same goes with the chemistry between him and Briscoe. The previous episodes of Season 6, all ranging between decent ("Paranoia") and outstanding ("Savages" in particular of the three outstanding episodes in a row), saw this yo-yoing on both counts and it stayed that way for a good deal of the season.

Luckily, "Humiliation" is one of the Season 6 episodes that sees Curtis going forward as a character (rather than the regression seen in "Paranoia"). It also sees his and Briscoe's chemistry better gelled. Comparing "Humiliation" with the previous episodes, it is on par with "Bitter Fruit" (though marginally better perhaps as Curtis and his chemistry with Briscoe fare better here) and better than "Rebels" and "Paranoia". While not being as good as "Savages", "Jeopardy" and "Hot Pursuit".

By all means "Humiliation" is not a perfect episode. 'Law and Order' had a fair share of powerful climaxes/endings, but this was one of the cases where the climax didn't leave me too fond of it. Just found it too obvious and very over-acted, and the writing uncharacteristically for the show at this stage of its run is quite overripe.

Do agree too Clare Wren overdoes it in her role and makes it too unsubtly obvious that her character at the very least knows more than initially let on.

Jill Hennessy and Bob Dishy on the other hand are splendid. Hennessy makes one wonder as to why she didn't last longer on the show, whenever Kincaid was spotlighted or when her role was meatier Hennessy never showed any signs of being taxed and is quite authoritative. Dishy has a blast as Weaver and their chemistry in the courtroom entertains and nail bites. Other than Wren, the acting is with few issues with those two being the standouts. The script is tight and intelligent, faltering only at the climax. Shining particularly with the dialogue for Kincaid and Weaver and of course Briscoe's one-liners. Likewise with Kincaid's later doubts.

The case is a compelling one and a case of the policing and legal elements being equally good, rather than one being better than the other (a problem that a few of the previous episodes of the season had). Briscoe can do no wrong in my eyes and Curtis is closer to the progressed character he was in "Scavengers", "Jeopardy" and "Hot Pursuit" than the regressed one in "Paranoia". Likewise with the chemistry between them.

"Humiliation" looks good, with the usual slickness and subtle grit. Really liked too that the photography was simple and close up but doing so without being claustrophobic. The music has presence when used, and luckily it isn't constant, and when it is used it doesn't feel over-scored. The direction allows the drama to breathe while still giving it momentum as well.

Overall, very good. 8/10
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7/10
Hell Hath No Fury.
rmax30482316 December 2012
Warning: Spoilers
Nice job, this story of a young prostitute found murdered. Briscoe and Curtis manage to track down the likely culprit, a plastic surgeon who, among the many perks available to those in his profession, enjoys including an occasional tryst with some down-home hooker in Hell's Kitchen.

But it looks like he may have polished his last female uvula because the prostitute was found with two thousand dollars on her person and the identical amount was withdrawn from an account held jointly by the doc and his devoted blond wife. Looks like blackmail to the cops. What's more, the murder weapon was a .22 caliber pistol registered to the doc and now missing from his home. The wife desperately tries to provide hubby with an alibi but she fumbles the ball on the witness stand and the doc waits for sentencing.

However, not all is what it seems. (Here comes a spoiler.) The devoted blond wife has known about these assignations for some time and she took the doc's gun and did the dirty deed herself, out of a jealous despondency. She'd been everything the wife of a prominent plastic surgeon should be, even serving him breakfast in bed, and here he is patronizing whores.

It's well up to the standards of the series except that the blond wife, Clare Wren, gives the role of the lying spouse everything she's got -- and it's a little too much. That she's lying is immediately obvious. And when she explodes at the climax, it isn't really convincing. There's also a bit of a loose end in the plot. The hooker was found with an improbable two thousand dollars on her person. The wife withdrew exactly that amount in the weeks before the murder, yet she spent twelve hundred on some antiques. The money is treated as an important element of the story but it's dropped without resolution.

Small points, though, in an engaging story of marital jealousy, resentment, humiliation, hubris, and murder.
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6/10
Jill Is given her wings
bkoganbing2 December 2011
This episode Humiliation belongs to Jill Hennessey and to guest star Bob Dishy who made the first of several appearances as high priced criminal attorney Lawrence Weaver. In this episode Hennessey is given her wings to take the lead and try Dr. Jonathan Walker who is a high priced plastic surgeon accused of killing a prostitute.

The episode unusual for a Law and Order story lacks verisimilitude because of the lengthy investigation that Jerry Orbach and Benjamin Bratt go through in finding a culprit and making an arrest. Prostitute homicide are sadly never dealt with by law enforcement this thoroughly in real life.

Hennessey takes on the F. Lee Bailey type lawyer and wins, but she starts to question some things afterward. Eventually however the justice system gets this one right.

Dishy would be back again and I wish he'd come back more to the series. Look also for nice performances by Walker and by Clare Wren as Walker's beauty queen of a wife.
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4/10
A Perry Mason ending
mloessel1 June 2018
Warning: Spoilers
Whgen a L&O episode ends prematurally you know something is amiss. In this case Kincaid is not convinced the hubby did it. She does some further checking and sets he sights on the wife. In the final scene the wife suddenly produces the weapon that was used. Rather then continue her lying ways she decides to justify why she shot the prostitute. Enter a Perry Mason look a like for his technical advisor fee.
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