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Directed by | |||
| Rob Zombie | |||
Writing credits(WGA) | ||
| Rob Zombie | (screenplay) | |
| John Carpenter | (1978 screenplay) and | |
| Debra Hill | (1978 screenplay) | |
Produced by | |||
| Malek Akkad | .... | producer | |
| Patrick Esposito | .... | associate producer | |
| Andy Gould | .... | producer | |
| Andrew G. La Marca | .... | line producer (as Andy La Marca) | |
| Matthew Stein | .... | executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Rob Zombie | .... | producer | |
Original Music by | |||
| Tyler Bates | |||
Cinematography by | |||
| Phil Parmet | (director of photography) | ||
Film Editing by | |||
| Glenn Garland | |||
Casting by | |||
| Monika Mikkelsen | |||
Production Design by | |||
| Anthony Tremblay | |||
Art Direction by | |||
| T.K. Kirkpatrick | |||
Set Decoration by | |||
| Lori Mazuer | |||
| Stephanie Ziemer | |||
Costume Design by | |||
| Mary E. McLeod | (as Mary McLeod) | ||
Makeup Department | |||
| Michael Deak | .... | makeup effects technician (as Mike Deak) | |
| Yvonne Depatis-Kupka | .... | department head hair stylist | |
| Renee Ferruggia | .... | key hair stylist | |
| Luis García | .... | key makeup artist | |
| Vickie Mynes | .... | key hair stylist | |
| Douglas Noe | .... | makeup department head | |
| Brian Rae | .... | makeup effects technician | |
| Wayne Toth | .... | special makeup effects artist | |
| Chris Zega | .... | makeup effects technician | |
| Silvi Knight | .... | makeup artist (uncredited) | |
Production Management | |||
| Patrick Esposito | .... | post-production supervisor | |
| Andrew G. La Marca | .... | production manager (as Andy LaMarca) | |
| Richard Saperstein | .... | executive in charge of production | |
| Ed Tapia | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Alexander H. Gayner | .... | first assistant director (as Alex Gayner) | |
| Emily McGovern | .... | second assistant director | |
| Korey Scott Pollard | .... | second second assistant director (as Korey Pollard) | |
| Tommy Harper | .... | first assistant director: additional photography (uncredited) | |
| Rawn Hutchinson | .... | second unit director (uncredited) | |
| John Pontrelli | .... | first assistant director: second unit (uncredited) | |
| David Waters | .... | second assistant director: additional photography (uncredited) | |
Art Department | |||
| John Brunot | .... | property master | |
| Robert J. Carlyle | .... | construction coordinator | |
| Don 'Tex' Clark | .... | leadman: re-shoot | |
| Kirstin Mooney | .... | art department coordinator | |
| Nick Principe | .... | props | |
| Mark Richardson | .... | assistant property master | |
| Andre Sowards | .... | on-set dresser: additional photography | |
| Vanessa Velez Boswell | .... | assistant property master | |
| Joel Venti | .... | storyboard artist | |
Sound Department | |||
| Barney Cabral | .... | supervising sound editor | |
| Patrick Cyccone Jr. | .... | sound re-recording mixer | |
| Paul Drenning | .... | adr mixer | |
| Rickley W. Dumm | .... | sound effects editor | |
| Richard Dwan Jr. | .... | supervising dialogue editor | |
| Alan Freedman | .... | adr mixer | |
| Michael Kreple | .... | foley mixer | |
| Daniel J. Leahy | .... | sound re-recording mixer | |
| Brian Magerkurth | .... | sound mix technician | |
| Sterling Moore | .... | utility sound | |
| Nick Neutra | .... | foley supervisor | |
| Rick Owens | .... | foley artist | |
| Perry Robertson | .... | supervising sound editor | |
| Brian Robinson | .... | boom operator | |
| Buck Robinson | .... | sound mixer | |
| Scott Sanders | .... | supervising sound designer | |
| Steve Schatz | .... | sound mixing recordist: predubs | |
| Eric Thompson | .... | adr mixer | |
| Kevin Zimmerman | .... | assistant sound editor | |
Special Effects by | |||
| Rachel Leigh Arnold | .... | graphic designer | |
| Mark R. Byers | .... | special effects coordinator | |
| Mark Byers | .... | special effects coordinator | |
| Wayne Toth | .... | special effects makeup | |
Visual Effects by | |||
| Jamie Baxter | .... | digital compositor | |
| Ryan Beadle | .... | digital I/O | |
| Sam Dabbs | .... | digital compositor | |
| Shaina Holmes | .... | digital compositor | |
| Nicholas Kim | .... | digital compositor | |
| Paulina Kuszta | .... | visual effects coordinator | |
| Amani Williams | .... | digital compositor | |
Stunts | |||
| Michael H. Barnett | .... | stunts | |
| Ashley Cusato | .... | stunts | |
| Joe Davis | .... | stunt performer | |
| Alexandria DeFabiis | .... | stunt performer | |
| Casey Hendershot | .... | stunt double: Tyler Mane | |
| Sara Holden | .... | stunt double | |
| Rawn Hutchinson | .... | stunt coordinator | |
| James Logan | .... | stunt double | |
| Deborah L. Mazor | .... | stunt double: Daryl Sabara | |
| Cassandra McCormick | .... | stunt double: Hanna R. Hall | |
| Chris Nielsen | .... | stunt double | |
| Chris Nielsen | .... | stunts | |
| Brandon Sebek | .... | stunt double | |
| Michelle Sebek | .... | stunt double | |
| Tim Sitarz | .... | stunt double | |
| Jay Torrez | .... | stunt double | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Gene Vassilaros | .... | casting associate | |
Costume and Wardrobe Department | |||
| Artemio Carpio | .... | costumer | |
| Ivory Stanton | .... | costume ager/dyer | |
| Jennifer Wolf | .... | costumer | |
Editorial Department | |||
| Joel T. Pashby | .... | associate editor | |
| Joel T. Pashby | .... | first assistant editor: avid | |
| Joe Patnaud | .... | editorial assistant | |
| Matthew Schmidt | .... | assistant editor | |
Music Department | |||
| John Carpenter | .... | composer: theme music | |
| Amy Decker | .... | music coordinator | |
| Michael Farrow | .... | scoring mixer | |
| Darrell Hall | .... | music editor | |
| Tom Rowland | .... | music supervisor | |
| Robin Urdang | .... | music consultant | |
| Tim Williams | .... | conductor | |
| Tim Williams | .... | orchestrator | |
| Rob Zombie | .... | music supervisor | |
Transportation Department | |||
| Rob Byer | .... | transportation office coordinator | |
| Tina Peterson | .... | driver | |
| Richard C. Ryan | .... | transportation coordinator: additional photography | |
| Vicki Sousa | .... | driver | |
| Wayne Williams | .... | transportation coordinator | |
Thanks | |||
| Rima Akkad Monla | .... | thanks | |
| Patricia Akkad | .... | thanks | |
| Moustapha Monla | .... | thanks | |
| Tarek Monla | .... | thanks | |
| Ziad Monla | .... | thanks | |
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| Halloween | Cidade de Deus | The Departed | Sleepaway Camp | Yi boh laai beng duk |
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I'm not a big fan of the recent trend of remaking all the classic horror films of the '70s and '80s, but I decided to go see the new "Halloween" anyway, if for no other reason than I'd never seen any of the original films in a theater. (That, and I figured they couldn't do much worse than the god-awful "Halloween: Resurrection", the most recent entry before this remake.) IMHO the original "Halloween" is one of the greatest horror films ever, and certainly the best "slasher" movie (unless you count Hitchcock's "Psycho", but that's another topic.) I really expected to be let down, even though I haven't seen any of Rob Zombie's other movies.
For the first five minutes, I thought, "Great, they took this classic American slasher flick and turned it into a white trash festival." But once Michael started talking (which he never does in the original film) something clicked, and I was hooked. The new film takes the Michael Meyers "mythos" (if you will) and fleshes it out, giving the audience a frightening insight to the true horror that exists all around us before eviscerating us with the shocks and gore we really paid to see.
The movie loses some of its momentum when it jumps to the present day, when too often it reverts back to simply restaging some of the trend-setting scenes from its predecessor - Laurie staring out the window at school and seeing the weirdo in the coveralls and the white mask staring at her, only to vanish seconds later. But hold on, friends - just when you think you know what's coming, the new "Halloween" veers off on its own course, and from then on all bets are off.
One of the most significant updates to the "Halloween" legend is the development of Dr. Loomis, the Van Helsing to Meyers' Dracula. The original Loomis (played memorably by the late Donald Pleasance, who kept returning for sequel after sequel despite his age and - in later years - ill health) was little more than John Carpenter's answer to Captain Ahab. Each film saw him trying to convince another group of skeptical law enforcement officers of the imminent slaughter, never to be believed until the bodies started piling up. The new film's Loomis, however, is a more complex character; he's not the selfless hero the old Loomis was, but he's not quite a villain either, as long as one can forgive him for giving up on Michael to turn his experiences into a cottage industry of "true crime" books and public speaking engagements. When Loomis and Michael are reunited later on, there's more going on then can be seen in a first viewing.
Zombie's "Halloween" succeeds on all fronts. It brings modern touches to a format that had long since fallen into cliché without changing it so much that it becomes unrecognizable. It manages to restore the menace and dread of the iconic Michael Meyers character in an era when masked psychopaths usually prompt the audience to laugh rather than gasp. Most importantly, it delivers the goods horror fans demand but includes enough depth and subtext to make it more than just cinematic junk food.
In short, I was pleasantly surprised with this new version of "Halloween". Like Zach Snyder's redo of "Dawn of the Dead", the 2007 "Halloween" could never replace its predecessor, but does make for a very admirable companion piece to a horror classic, blending the old and the new into an entertaining and thought-provoking fright film.