Directed by
| Tom Noonan | ||
Writing Credits
| Tom Noonan | ... | (screenplay) |
| Tom Noonan | ... | (play) |
Cast (in credits order) verified as complete
| Karen Sillas | ... | Jackie Marsh | |
| Tom Noonan | ... | Michael | |
Produced by
| Ted Hope | ... | executive producer |
| Scott Macaulay | ... | producer |
| Robin O'Hara | ... | producer |
| James Schamus | ... | executive producer |
Music by
| Tom Noonan | ... | (as Ludovico Sorret) |
Cinematography by
| Joe DeSalvo | ||
Editing by
| Tom Noonan | ... | (as Richmond Arrley) |
Production Design by
| Daniel Ouellette | ... | (as Dan Ouellette) |
Set Decoration by
| Andras Kanegson | ||
Costume Design by
| Kathryn Nixon | ||
Makeup Department
| Kathryn Nixon | ... | hair stylist / makeup artist |
| Nina Port | ... | hair stylist / makeup artist |
Production Management
| Sarah Lavery | ... | unit manager |
Second Unit Director or Assistant Director
| Steve Apicella | ... | first assistant director |
Art Department
| Nico Accardi | ... | scenic artist |
| David Doernberg | ... | props (as Dave Doernberg) |
| Robin Goldwasser | ... | scenic artist |
| Gatis Gudets | ... | scenic artist |
| Constance LeMasson | ... | set dresser |
| Dan McGuire | ... | carpenter |
| Marco North | ... | carpenter |
| Chris O'Neal | ... | scenic artist |
| Ed Strosser | ... | scenic artist |
Sound Department
| Felix Andrew | ... | production sound mixer (as Felix Andrews) |
| Rick Bradley | ... | boom operator |
| Peter Dorgen | ... | boom operator |
| Tony Faulkner | ... | assistant sound editor |
| Jeanne Gilliland | ... | boom operator |
| Tom Paul | ... | post-production sound recordist |
| Jacob Ribicoff | ... | sound editor |
| Rick Stevenson | ... | sound designer |
Visual Effects by
| Paul B. Clay | ... | visual consultant (as Paul Clay) |
Camera and Electrical Department
| Mara Catalan | ... | still photographer |
| Mike Cohen | ... | additional assistant camera |
| Pat Donovan | ... | best boy grip (as Patrick Donovan) |
| Sean Donovan | ... | key grip |
| Joe Foley | ... | gaffer |
| Zsolt Kadar | ... | grip |
| Maddy Lederman | ... | grip |
| Heather Norton | ... | second assistant camera |
| John Pirozzi | ... | grip |
| Sally Reed | ... | key grip |
| Jack Reichert | ... | first assistant camera |
| Joel Tishcoff | ... | key grip (as Joel Tischoff) |
Casting Department
| Leonard Finger | ... | casting consultant |
Editorial Department
| Roger Doran | ... | video mastering |
| Pamela Martin | ... | associate editor (as Pam Martin) |
| Dave Pultz | ... | color timer: DuArt (as David Pultz) |
| Lesley Topping | ... | additional editor |
Location Management
| Anthony Bregman | ... | location scout: Good Machine |
| Allan R. McKinnon | ... | location scout: Goiod Machine (as Allan McKinnon) |
| Bill Rouady | ... | location scout: Good Machine |
| Scott Wyles | ... | location scout: Good Machine |
Music Department
| Geoff Mattoon | ... | musician: solo sax |
Script and Continuity Department
| Martha Griffin | ... | continuity |
Additional Crew
| Eric Cahan | ... | additional footage |
| Joyce Hsieh | ... | production accountant |
| W. Wilder Knight II | ... | legal counsel (as Wilder Knight II) |
| Mike Lavery | ... | production assistant |
| Johnny Santiago | ... | production assistant |
| Arna Svingen | ... | production assistant |
| Alexandra White | ... | production office coordinator |
Thanks
| Karen Young | ... | dedicatee |
