Directed by
| Bill Douglas | ||
Writing Credits (in alphabetical order)
| Bill Douglas | ||
Cast (in credits order) complete, awaiting verification
Produced by
| Patrick Cassavetti | ... | associate producer |
| David Hannay | ... | associate producer: Australia |
| Redmond Morris | ... | associate producer |
| Simon Relph | ... | producer |
Music by
| David Graham | ||
| Hans Werner Henze | ||
Cinematography by
| Gale Tattersall | ||
Editing by
| Mick Audsley | ||
Production Design by
| Michael Pickwoad | ||
Art Direction by
| Derek Chetwynd | ... | (Australia) |
| Henry Harris | ||
Set Decoration by
| Clive Winter | ||
Costume Design by
| Bruce Finlayson | ||
| Doreen Watkinson | ||
Makeup Department
| Tricia Cameron | ... | hair stylist |
| Elaine Carew | ... | makeup artist |
| George Deacon | ... | period music advisor |
| Isobel Deacon | ... | period music advisor |
| Alan John | ... | hairdressing assistant |
| Cheryl Williams | ... | Hairdresser: Australia |
Production Management
| Donna Grey | ... | production manager |
| Charles Hannah | ... | production manager |
| Danny Lockett | ... | assistant unit manager |
Second Unit Director or Assistant Director
| Christopher Hall | ... | third assistant director |
Art Department
| Alan Chesters | ... | construction manager |
| Marcus Erasmus | ... | set constructor |
| Bert Gadsden | ... | property master |
| David Ned Kelly | ... | stand-by carpenter |
| Jill Quertier | ... | Production buyer |
Sound Department
| Alan Bell | ... | sound editor |
| Neil Castell | ... | assistant dubbing editor |
| Richard Dunford | ... | dubbing editor |
| Peter Maxwell | ... | re-recording mixer |
| Peter Musgrave | ... | additional post-production sound editor |
| Jupiter Sen | ... | dubbing editor |
| Elaine Thomas | ... | assistant dubbing editor |
| Clive Winter | ... | production sound mixer / sound |
Special Effects by
| Peter Ch. Arnold | ... | special effects |
| Martin Gutteridge | ... | special effects |
| Garth Inns | ... | special effects |
| Brian Warner | ... | special effects |
Stunts
| Peter Armstrong | ... | stunts |
Camera and Electrical Department
| David Appleby | ... | still photographer |
| Ian Bird | ... | grip |
| Ray Brown | ... | key grip |
| Jeremy Gee | ... | assistant camera |
| Russell j Lyster | ... | gaffer (as Russ Lyster) |
| Billy Merrell | ... | best boy |
| Ralph Ramsden | ... | clapper loader: England |
| John 'Porky' Rivers | ... | grip: England (as John Rivers) |
Casting Department
| Rae Davidson | ... | Casting: Australia |
| Susie Figgis | ... | casting |
| Michael Lynch | ... | Casting: Australia |
| Gail Stevens | ... | casting |
Costume and Wardrobe Department
| Julie Barton | ... | key costumer |
| Catherine Halloran | ... | wardrobe supervisor: England |
Editorial Department
| Simon Clayton | ... | post-production editor |
| Michael Ellis | ... | additional editor |
| Michael Ellis | ... | post-production editor |
Location Management
| Michael McGennan | ... | location manager |
| Rachel Neale | ... | location manager |
Music Department
| George Deacon | ... | composer: additional music |
| Hans Werner Henze | ... | conductor |
Script and Continuity Department
| Penny Eyles | ... | script supervisor |
| Peter Jewell | ... | script editor |
Additional Crew
| Mike Dempsey | ... | title designer |
| Sarah Nichols | ... | assistant accountant (as Sarah Lucraft) |
Thanks
| Byron Upton | ... | dedicatee |
