Tsugaru Jongarabushi, Tsugaru Folksong is a creative outstanding multi faceted drama. Best film of 1973 in the Kinema Junpo poll of critics, and deservedly so, the ATG production winning Best Film, Best Director, and Best Actress for Kyoko Enami. When a city woman returns to her remote past partnered with an aloof young boyfriend an absorbing drama unfolds within the close knit fishing community. Cast with a diverse group of characters they build a compelling story, enhance a touching tale. Captured with stunning location filming the human dramas are heightened by the dynamic energy of the natural setting, shaped by natures many moods. With a brief historical note the film is accompanied with traditional shamisen folk song creating a rich atmospheric tone. A beautifully composed classic film, Highly Recommended...
edit Nov 2019..two years on re-watch, Superlative Cinematic Art 11/10
2 Reviews
Dislocation in a country village
sharptongue9 August 2006
This tale begins in a slow and confusing manner. A young girl is being asked about a man with whom she was keeping company, as her grandmother plays a lament on a shamisen. Then the focus changes to a couple arriving from Tokyo - the woman returning to her home, the man an escapee from the yakuza. The man doesn't seem to mind when the woman sells her favours to tourists at the local bar, just as she seems to take his attentions to Yuki, a blind girl, with equanimity.
It takes until well into the second half before the story gels, and it is worth the effort to get there.
Laments accompanied by the shamisen feature prominently in the soundtrack and they illustrate the story well. Also, they sound great. The songs point to what Yuki's life would be like, had she lived in an earlier age.
There are terrific performances from most of the actors, particularly Kyoko Enami as the put-upon prodigal trying hard to do the right thing. The cumulative effect of the music, the story slowly gelling, the touching portrait of a small town drained of its fit young people and the performances makes this film, though no classic, certainly worth the effort.
It takes until well into the second half before the story gels, and it is worth the effort to get there.
Laments accompanied by the shamisen feature prominently in the soundtrack and they illustrate the story well. Also, they sound great. The songs point to what Yuki's life would be like, had she lived in an earlier age.
There are terrific performances from most of the actors, particularly Kyoko Enami as the put-upon prodigal trying hard to do the right thing. The cumulative effect of the music, the story slowly gelling, the touching portrait of a small town drained of its fit young people and the performances makes this film, though no classic, certainly worth the effort.
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