Mission: Africa (1968) Poster

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1/10
The Worst WWII Film
SgtSlaughter28 September 2002
I saw this movie quite recently and was very appalled. Up to then the worst war movie I had seen was BRIDGE TO HELL, which I thought was a piece of trash. Then I saw this movie and almost attacked the videotape with a hammer!

The movie is about five American commandos who must trek across the North African desert, then blow up a German underground facility where a special kind of explosive is under development.

The film's lead role is played by Chuck Alford, who's appeared in a very few films, most of them low-budget trash (the kind of movies shown on MYSTERY SCIENCE THEATER: 3000). He plays the team leader and goes through his scenes sounding like he's reading off of a cue card. He faces off with a brash Lieutenant (Mike Meter) who's one of the worst actors in history. He, too, goes through his scenes as if reading a cue card. At one point he pauses in mid-sentence, looks at the camera with a disgusted look, then turns back to Alford and finishes his line! The rest of the team-members are actors that weren't even credited on IMDb until recently.

The cinematography is quite poor. The movie was obviously filmed in Nevada and looks nothing like the African desert. At one point several power lines can be seen in the background, too.

Costuming is pretty bad as well. The Americans wear ill-fitting helmets and their uniforms are camouflage suited for war in the Pacific rather than in the desert. The German uniforms consist of ordinary tan shorts and tan shirts. They look nothing like real uniforms. At least the weapons were correct.

The action scenes are quite poorly edited. A German will be standing behind a rock firing at the Americans. He will duck. Then there will be a quite obvious cut (while the extra moves away) followed by several squibs kicking up dirt on the rock. At one point Alford drowns a German soldier. There is a closeup of the "dead" soldier, face down in the water, "bleeding". He obviously is still breathing -- notice the sharp rise and fall of his chest. Also notice that grenades can explode thirty feet from a German vehicle and blow it over on its side but don't harm the Americans when they land only 2-3 feet away! The makeup is pretty poor, too. Blood stains look incredibly corny and laughable.

German vehicles are simply American jeeps painted yellow with Iron Cross decals slapped on the side. Same goes for the halftracks. The German plane seen at the end is clearly a small civilian transport -- it doesn't look at all military -- with an Iron Cross decal stuck to the side.

The music is pretty cheap and sounds like a typical 1960s instrumental.

Charles Nizet, the director, is credited for several other crew roles in the movie. His wife Susan Nizet (or daughter) is also credited for multiple jobs and there is also a Susan Tezin credited once or twice. Some crew member names also match those of the actors! When a movie can't afford separate actors and special effects crew members then you know immediately it's a piece of trash!

The video I saw was low-quality, but the movie was probably shot on low quality film and was undoubtably not well preserved, either.

Worth a look if you enjoy the kind of stuff on MST3K. Otherwise, an insult to all veterans and good moviemakers.
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2/10
An Explosive Dud of a World War II thriller
zardoz-1314 January 2006
Warning: Spoilers
"Commando Squad" ranks as one of the worst World War II movies ever lensed. Historically inaccurate wardrobe, amateurish acting, clumsy combat sequences, and disposable dialogue sabotage this war-time yarn from start-to-finish. Although the action takes place in North Africa during 1942, the U.S. Army soldiers here wear Pacific Theater of Operations Marine Corps' camouflage fatigues with helmets that look like fiber-glass replicas. (In one shot, you can spot the shadow of a boom mike on one of those ersatz helmets.) The German soldiers wear either solid black outfits or khaki school boy shorts with no Afrika Korps insignias in sight. As Sgt. Slaughter has indicated in his critique, the producers managed to get the weapons correct: Thompson machine guns for the G.I.s and MP-40s for the Krauts. All the Wehrmacht vehicles are U.S. Army surplus with the worst Iron Cross emblems imaginable. Indeed,the Iron Crosses resemble black Red Cross markings!

Surprisingly,"Voodoo Heartbeat" director Charles L. Nizet (later murdered in Brazil)and scenarist Weed Peterson have contrived a forgettable behind-enemylines thriller that shares several similarities with the big-budget Richard Burton & Clint Eastwood epic "Where Eagles Dare" (1969) but shows no artistry. First, "Commando Squad" opens with a gabby big mission briefing scene where a curious G.I. inquires about the objective and its significance. Loquacious First Lieutenant Jim Ramsey (one-time actor Mike Meter) encapsulates everybody's expertise and reveals their new, more powerful, but ultra-secret explosive devices. The inevitable scene occurs where Ramsey tosses the explosives device provocatively at one G.I. Of course, the soldier fully expects it to blow-up in his face; only learn later it is completely harmless. How many times have we heard that familiar speech? Afterward, the demolitions guru explains that the device can only be detonated with an electric impulse. Second, our heroes parachute into the desert far enough away from the super secret underground Nazi chemical plant so that the Germans won't know about their presence. They bail out during the day. No doubt, the daylight jump sequence provided cinematographer J.P. Agostoni with prettier pictures. However, like a lot of things in "Commando Squad," this doesn't bolster realism. A night-time drop would have made better sense. Our heroes stumble onto two German patrols and shoot it out with them, before they reach the subterranean Nazi facility in an abandoned mine. Again, as Sgt. Slaughter has pointed out, the discrepancies between where the grenades explode and the proximity of those soldiers to the explosions remain woefully inconsistent. A constant clash between Lieutenant Ramsey and his seasoned C.O. Major Blake generates little suspense. (In another obvious error, Blake's name appears as Blake during the opening credits, but the actor identifies himself as Black!) When Blake (Chuck Alford—resembling a water buffalo with a pencil-thin mustache—of "The Corpse Grinders 2") accepts command of the mission, he meets with his old buddy, swagger stick wielding two-star general Al Ramsey who wants him to keep his green lieutenant of a son in line. (The closet thing to character consistency here is both General Ramsey and his son brandish their swagger sticks like orchestra conductors.) The general—wearing anachronistic cowboy sideburns--gives Blake full permission to chew out his shave-tail son whenever the opportunity arises. Unfortunately, Lt. Ramsey shows more smarts than his overbearing commander. Once our heroes enter the underground chemical site, they plant their special explosives, shoot up the place, and hightail it. Oh, yes, Nizet tosses in a gratuitous scene between a German general (Rodger Steele of "Love Camp 7") and a red-headed chick (April Adams) sporting more eye shadow than a raccoon. Essentially, she is the beautiful daughter of a brilliant scientist who apparently hates working with the enemy. When our heroes invade the complex, she catches the lecherous general off-guard and stabs him with a knife. He lives long enough to gun her down. The German antagonists here are mindless morons and rarely challenge the Americans, so "Commando Squad" qualifies as a cake walk for our protagonists. Incidentally, where are the British? They were stationed in North Africa long before the U.S. Army stormed ashore at Casablanca. A couple of war-time references, such as the phrase "In like Flynn"—referring to actor Errol Flynn's luck with the ladies—are designed to make the dialogue sound authentic to the period. After the protagonists blow up the underground complex, they have to blast a bridge, careen off to a small landing strip where they shoot it out with more idiotic Germans, steal a propeller-driven aircraft with those same shoddy looking Iron Cross decals, then fly off into the sunset over craggy mountainous terrain. Director Charles Nizet doesn't know how to stage an action scene, drum up either suspense or tension. Indeed, the low-budget, lackluster "Commando Squad" looks like it was produced in a fat, hot hurry. The performances are atrocious, with the actors uttering their dialogue with no sense of character. All too often—as Sgt. Slaughter has indicated—they appear to be staring at cue cards without appropriate prescription glasses. Their timing and delivery suggests that they had one take to get it right but fumbled it anyway. The best things about "Commando Squad" are its high body count—no shortage of dying Germans—and its huge explosions during the finale. The jazz soundtrack hits the mark sporadically, despite being wholly inappropriate for a war movie. The end credits make it clear that this inferior war-time drama was shot on location in Nevada near Las Vegas. The cast look like a flabby bunch of rednecks that probably blew their paychecks in Las Vegas casinos between set-ups gambling with their pittance of a salary. Watching this way below-average World War II military mishmash makes you appreciate even the worse dubbed European W.W. II thriller.
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5/10
Bad, but enjoyable
JohnSeal5 February 2007
Warning: Spoilers
Don't get me wrong: whether you call it Mission: Africa or Commando Squad, this is one bad low budget war picture. It's technically inept, the screenplay features some of the most stilted dialogue ever penned, and the acting runs the gamut from bad to hilarious. Of special note is Rodger Steel's performance as 'German General', in which he displays the most outrageous 'evil Nazi' accent imaginable, and April Adams as 'Scientist's Daughter', who wears an inordinate amount of sixties-style eye shadow and gets her blouse torn by German General shortly before he shoots her to death. However, the action is near non-stop, as a group of five Americans try to destroy a scientific base at the bottom of a mine shaft in North Africa. Each of the five has a particular skill needed to complete the mission, raising the question 'what happens if one of them comes up lame a few miles short of the target?', but thankfully they arrive intact and proceed to raise bloody hell. The concluding scene is as welcome as it is abrupt. Four out of ten for the shootin' and explodin', and one out of ten for everything else.
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