NYC Weekend Watch is our weekly round-up of repertory offerings.
Brooklyn Center for Theatre Research
My screening series Amnesiascope partners again with Rohmer Fits for an encore presentation of Éric Rohmer shorts on Sunday.
Paris Theater
“Big & Loud!” returns with 70mm prints of Vertigo, Phantom Thread, and Boogie Nights, along with The Abyss, Close Encounters, and films by Don Hertzfeldt.
Bam
The controversial, remarkable The Spook Who Sat By the Door continues in a new restoration.
Roxy Cinema
Amalia Ulman has programmed prints of If… and The Holy Girl; “Explosive Cinema” offers First Reformed and The Battle of Algiers.
Film at Lincoln Center
As an essential restoration of Shinji Somai’s Moving continues, The Stranger and the Fog begins a run.
Museum of the Moving Image
Speed Racer and A Silent Voice have screenings.
Anthology Film Archives
Films by Buñuel, Chaplin, and Cocteau screen in “Essential Cinema“; Funeral Parade of Roses shows this Friday.
Brooklyn Center for Theatre Research
My screening series Amnesiascope partners again with Rohmer Fits for an encore presentation of Éric Rohmer shorts on Sunday.
Paris Theater
“Big & Loud!” returns with 70mm prints of Vertigo, Phantom Thread, and Boogie Nights, along with The Abyss, Close Encounters, and films by Don Hertzfeldt.
Bam
The controversial, remarkable The Spook Who Sat By the Door continues in a new restoration.
Roxy Cinema
Amalia Ulman has programmed prints of If… and The Holy Girl; “Explosive Cinema” offers First Reformed and The Battle of Algiers.
Film at Lincoln Center
As an essential restoration of Shinji Somai’s Moving continues, The Stranger and the Fog begins a run.
Museum of the Moving Image
Speed Racer and A Silent Voice have screenings.
Anthology Film Archives
Films by Buñuel, Chaplin, and Cocteau screen in “Essential Cinema“; Funeral Parade of Roses shows this Friday.
- 8/30/2024
- by Nick Newman
- The Film Stage
Election season is in the air and Turner Classic Movies is here to celebrate. Starting on September 6 and continuing every Friday up until this year’s general election, TCM will be running a nine-week limited series entitled “Making Change: The Most Significant Political Films of All Time.” This cinematic showcase is inspired by The New Republic rankings released in June 2023 and includes selections such as “All the King’s Men,” “Germany, Year Zero,” and “High and Low.”
To introduce the upcoming series, TCM host Ben Mankiewicz took to Washington D.C. for a trailer highlighting some of the films featured, as well as special guests like Stacey Abrams, Steven Spielberg, Spike Lee, and John Turturro.
“I grew up here in Washington D.C.,” Mankiewicz said, the Capitol Building behind him. “My father’s life was politics — capital P politics. Though I went in a different direction, I understood at an early age,...
To introduce the upcoming series, TCM host Ben Mankiewicz took to Washington D.C. for a trailer highlighting some of the films featured, as well as special guests like Stacey Abrams, Steven Spielberg, Spike Lee, and John Turturro.
“I grew up here in Washington D.C.,” Mankiewicz said, the Capitol Building behind him. “My father’s life was politics — capital P politics. Though I went in a different direction, I understood at an early age,...
- 8/23/2024
- by Harrison Richlin
- Indiewire
In the run-up to Election Day, TCM is going after the movie lovers’ popular vote by showing 50 films over nine successive Fridays under the banner Making Change: The Most Significant Political Films of All Time.
The series runs Sept. 6 to Nov. 1 — four days before America votes for its next president — and features TCM host Ben Mankiewicz in conversation with the likes of Steven Spielberg, Spike Lee, Lee Grant, Sally Field, Andy Garcia, Melissa Etheridge, John Turturro, Bill Maher, Alexander Payne, Diane Lane, Josh Mankiewicz, Barry Levinson, Maureen Dowd, Stacey Abrams and former Secretary of Defense Robert Gates.
Watch the trailer here.
Making Change showcases half of the movies unveiled by The New Republic in the rankings it released in June 2023. The films on TCM span the years 1915 to 2016 (from D.W. Griffith’s The Birth of a Nation to Raoul Peck’s I Am Not Your Negro); the whole thing kicks off with the No.
The series runs Sept. 6 to Nov. 1 — four days before America votes for its next president — and features TCM host Ben Mankiewicz in conversation with the likes of Steven Spielberg, Spike Lee, Lee Grant, Sally Field, Andy Garcia, Melissa Etheridge, John Turturro, Bill Maher, Alexander Payne, Diane Lane, Josh Mankiewicz, Barry Levinson, Maureen Dowd, Stacey Abrams and former Secretary of Defense Robert Gates.
Watch the trailer here.
Making Change showcases half of the movies unveiled by The New Republic in the rankings it released in June 2023. The films on TCM span the years 1915 to 2016 (from D.W. Griffith’s The Birth of a Nation to Raoul Peck’s I Am Not Your Negro); the whole thing kicks off with the No.
- 8/23/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
It’s every movie lover’s dream to go into The Criterion Collection closet. And while the vast majority never will, we can at least celebrate its purpose: to engage cinephiles with famous film aficionados in a way they never could anyplace else. Well it’s about to get even more intimate, as The Criterion Collection is celebrating their 40th anniversary by releasing a massive box set that also serves as an ode to those who have entered the famed closet and shared their favorite movies for us to see. Sorry, no Criterion Channel exclusives!
As per The Criterion Collection: “This monumental forty-film box set celebrates forty years of the Criterion Collection by gathering an electrifying mix of classic and contemporary films, and presenting them with all their special features and essays in a deluxe clothbound, slipcased edition. CC40’s eclectic selection includes the releases most frequently chosen by the hundreds of filmmakers,...
As per The Criterion Collection: “This monumental forty-film box set celebrates forty years of the Criterion Collection by gathering an electrifying mix of classic and contemporary films, and presenting them with all their special features and essays in a deluxe clothbound, slipcased edition. CC40’s eclectic selection includes the releases most frequently chosen by the hundreds of filmmakers,...
- 8/9/2024
- by Mathew Plale
- JoBlo.com
With nearly 1,700 titles in their catalog, it’s hard to discern where exactly to start when exploring the Criterion Collection. To celebrate their 40th anniversary, the company has now made it a bit easier as they’ve unveiled CC40, a 40-film, 49-disc collection retailing for around $640 that is now the new go-to gift for that budding cinephile in your life.
“This monumental forty-film box set celebrates forty years of the Criterion Collection by gathering an electrifying mix of classic and contemporary films, and presenting them with all their special features and essays in a deluxe clothbound, slipcased edition,” they note. “CC40’s eclectic selection includes the releases most frequently chosen by the hundreds of filmmakers, actors, writers, and other movie-loving luminaries who have visited Criterion over the years, as documented in our popular Closet Picks video series. Neither a historical survey nor a top-forty compilation, this exciting, personal, unpredictable anthology...
“This monumental forty-film box set celebrates forty years of the Criterion Collection by gathering an electrifying mix of classic and contemporary films, and presenting them with all their special features and essays in a deluxe clothbound, slipcased edition,” they note. “CC40’s eclectic selection includes the releases most frequently chosen by the hundreds of filmmakers, actors, writers, and other movie-loving luminaries who have visited Criterion over the years, as documented in our popular Closet Picks video series. Neither a historical survey nor a top-forty compilation, this exciting, personal, unpredictable anthology...
- 8/8/2024
- by Leonard Pearce
- The Film Stage
“A fart joke is easy.”
This may be, but executed by Mel Brooks, it can get a crowd going more than anything on view at this summer’s Paris Olympics. So was the case this past weekend at a 50th anniversary screening of his western comedy classic, “Blazing Saddles,” which played at the Peacock Theater in Los Angeles and was followed by a Q&a with the 98 year-old filmmaker himself. Moderated by Brooksfilms producer Kevin Salter, Brooks dazzled and enraptured the audience with tidbits on the making of the film and stories from his colorful past. One such story involved his hard-to-believe Oscar win for his first film, “The Producers.”
“I didn’t have a speech because Stanley Kubrick was in the same category for ‘2001,’” Brooks said of being nominated for Best Original Screenplay. “There was a brilliant director called Pontecorvo who did ‘The Battle of Algiers,’ a great picture...
This may be, but executed by Mel Brooks, it can get a crowd going more than anything on view at this summer’s Paris Olympics. So was the case this past weekend at a 50th anniversary screening of his western comedy classic, “Blazing Saddles,” which played at the Peacock Theater in Los Angeles and was followed by a Q&a with the 98 year-old filmmaker himself. Moderated by Brooksfilms producer Kevin Salter, Brooks dazzled and enraptured the audience with tidbits on the making of the film and stories from his colorful past. One such story involved his hard-to-believe Oscar win for his first film, “The Producers.”
“I didn’t have a speech because Stanley Kubrick was in the same category for ‘2001,’” Brooks said of being nominated for Best Original Screenplay. “There was a brilliant director called Pontecorvo who did ‘The Battle of Algiers,’ a great picture...
- 7/29/2024
- by Harrison Richlin
- Indiewire
Furiosa: A Mad Max Saga director George Miller is currently in Las Vegas attending CinemaCon where he has received an award for International Career Achievement in Filmmaking. During the Q&a, George Miller touched upon his influences and explained why Pinocchio is his favourite movie.
“It’s because it was one of the first stories I saw that ticked every box,” Miller explained. “When we watch a film, we watch it as a full human being. We watch it viscerally, emotionally, intellectually, mythologically, in every way. And the stories that seem to endure are those that basically have that richness right through all the storytelling.“
Miller continued, saying Pinocchio has “got surface charm, the journey of the character going from a wooden boy to a real boy, going through terrible temptations, getting very brutal, exciting, his father in the whale, and so on. It’s just about as epic a story as you can get.
“It’s because it was one of the first stories I saw that ticked every box,” Miller explained. “When we watch a film, we watch it as a full human being. We watch it viscerally, emotionally, intellectually, mythologically, in every way. And the stories that seem to endure are those that basically have that richness right through all the storytelling.“
Miller continued, saying Pinocchio has “got surface charm, the journey of the character going from a wooden boy to a real boy, going through terrible temptations, getting very brutal, exciting, his father in the whale, and so on. It’s just about as epic a story as you can get.
- 4/8/2024
- by Kevin Fraser
- JoBlo.com
If would be hard to name an artist in any medium who illustrated Flaubert’s famous maxim of creativity better than Ennio Morricone. Morricone, who died in 2020 (at 91), was certainly one of the greatest composers of movie soundtracks who ever lived. But even if you consider him next to his fellow giants, Morricone scaled his own wild peak, inventing his own kind of beauty, his own transcendent cacophony. Yet you would never have guessed it to look at him.
“Ennio,” directed by Guiseppe Tornatore (“Cinema Paradiso”), is a 156-minute portrait of Morricone built around an extensive interview with the composer. (It also includes comments from a murderers’ row of filmmakers and artists.) The movie opens on a beating metronome, which seems to set the orderly, clockwork rhythm of Morricone’s life. Strolling into his ornately furnished living room, he walks quickly, not like a man of 90, and his voice is light and direct.
“Ennio,” directed by Guiseppe Tornatore (“Cinema Paradiso”), is a 156-minute portrait of Morricone built around an extensive interview with the composer. (It also includes comments from a murderers’ row of filmmakers and artists.) The movie opens on a beating metronome, which seems to set the orderly, clockwork rhythm of Morricone’s life. Strolling into his ornately furnished living room, he walks quickly, not like a man of 90, and his voice is light and direct.
- 2/9/2024
- by Owen Gleiberman
- Variety Film + TV
Ava DuVernay has only made five narrative features, but she’s one of the busiest women in Hollywood.
Before 2023, the California-born filmmaker’s last feature was her “A Wrinkle in Time” adaptation, released in theaters in 2018 — a five-year gap between releases that’s partially attributable to projects that sputtered in development like DC’s “New Gods” film and a Prince biopic. And yet, DuVernay has remained a constant presence during that relatively long gap, translating her numerous talents to producing and TV work. She created and directed the acclaimed Netflix miniseries “When They See Us,” about the controversial Central Park Five case. Several other TV projects followed, including OWN’s “Cherish the Day,” Netflix’s “Colin in Black and White,” and The CW’s “Naomi.” But while many of those projects have been terrific, it’s great to see the director of great films like “Middle of Nowhere” and “Selma...
Before 2023, the California-born filmmaker’s last feature was her “A Wrinkle in Time” adaptation, released in theaters in 2018 — a five-year gap between releases that’s partially attributable to projects that sputtered in development like DC’s “New Gods” film and a Prince biopic. And yet, DuVernay has remained a constant presence during that relatively long gap, translating her numerous talents to producing and TV work. She created and directed the acclaimed Netflix miniseries “When They See Us,” about the controversial Central Park Five case. Several other TV projects followed, including OWN’s “Cherish the Day,” Netflix’s “Colin in Black and White,” and The CW’s “Naomi.” But while many of those projects have been terrific, it’s great to see the director of great films like “Middle of Nowhere” and “Selma...
- 1/25/2024
- by Wilson Chapman
- Indiewire
Giuliano Montaldo, the admired Italian filmmaker who wrote and directed Sacco & Vanzetti, the John Cassavetes-starring Machine Gun McCain and every episode of the big-budget 1982 miniseries Marco Polo, has died. He was 93.
Montaldo died Wednesday at his home in Rome, his family announced.
His big-screen résumé also included The Reckless (1965), starring Renato Salvatori; Grand Slam (1967), starring Janet Leigh; Giordano Bruno (1973), starring Gian Maria Volonté and Charlotte Rampling; And Agnes Chose to Die (1976), starring Ingrid Thulin; and The Gold Rimmed Glasses (1987), starring Philippe Noiret, Rupert Everett, Stefania Sandrelli and Valeria Golino.
Of the 20 films Montaldo helmed, 16 were set to music by Ennio Morricone; no other director collaborated with the famed composer more.
Montaldo also served as president of Italy’s Rai Cinema from 1999-2004.
Montaldo’s gangster tale Machine Gun McCain (1969), which also starred Britt Ekland, Gena Rowlands and Peter Falk, and Sacco & Vanzetti (1971), about the Massachusetts trial and 1927 execution of...
Montaldo died Wednesday at his home in Rome, his family announced.
His big-screen résumé also included The Reckless (1965), starring Renato Salvatori; Grand Slam (1967), starring Janet Leigh; Giordano Bruno (1973), starring Gian Maria Volonté and Charlotte Rampling; And Agnes Chose to Die (1976), starring Ingrid Thulin; and The Gold Rimmed Glasses (1987), starring Philippe Noiret, Rupert Everett, Stefania Sandrelli and Valeria Golino.
Of the 20 films Montaldo helmed, 16 were set to music by Ennio Morricone; no other director collaborated with the famed composer more.
Montaldo also served as president of Italy’s Rai Cinema from 1999-2004.
Montaldo’s gangster tale Machine Gun McCain (1969), which also starred Britt Ekland, Gena Rowlands and Peter Falk, and Sacco & Vanzetti (1971), about the Massachusetts trial and 1927 execution of...
- 9/6/2023
- by Alberto Crespi
- The Hollywood Reporter - Movie News
Giuliano Montaldo, the prolific Italian director, actor and film industry executive, whose works comprise powerful political drama “Sacco and Vanzetti” about the Massachusetts trial and execution in 1927 of accused Italian anarchists Nicola Sacco and Bartolomeo Vanzetti, has died at his home in Rome. He was 93.
His death was announced Wednesday by his family and reported by multiple Italian media outlets. No cause of death was revealed.
Born in 1930 in Genoa, Montaldo was still a Turin university student when, in 1950, director Carlo Lizzani gave him a role in the film “Achtung Banditi!.” Montaldo then moved to Rome in 1954, where he worked as a journalist for Italian newspaper Il Tempo and after a few years decided to pursue a filmmaking career.
Montaldo cut his teeth as a director working as an assistant to Lizzani and then to Gillo Pontecorvo, Sergio Leone, and Francesco Rosi, learning the ropes from some of the masters of Italian cinema.
His death was announced Wednesday by his family and reported by multiple Italian media outlets. No cause of death was revealed.
Born in 1930 in Genoa, Montaldo was still a Turin university student when, in 1950, director Carlo Lizzani gave him a role in the film “Achtung Banditi!.” Montaldo then moved to Rome in 1954, where he worked as a journalist for Italian newspaper Il Tempo and after a few years decided to pursue a filmmaking career.
Montaldo cut his teeth as a director working as an assistant to Lizzani and then to Gillo Pontecorvo, Sergio Leone, and Francesco Rosi, learning the ropes from some of the masters of Italian cinema.
- 9/6/2023
- by Nick Vivarelli
- Variety Film + TV
While we’ve known the results of Jeanne Dielman Tops Sight and Sound‘s 2022 Greatest Films of All-Time List”>Sight & Sound’s once-in-a-decade greatest films of all-time poll for a few months now, the recent release of the individual ballots has given data-crunching cinephiles a new opportunity to dive deeper. We have Letterboxd lists detailing all 4,400+ films that received at least one vote and another expanding the directors poll, spreadsheets calculating every entry, and now a list ranking how many votes individual directors received for their films.
Tabulated by Genjuro, the list of 35 directors, with two pairs, puts Alfred Hitchcock back on top, while Chantal Akerman is at number two. Elsewhere in the top ten are David Lynch, Francis Ford Coppola, Jean-Luc Godard, Agnès Varda, Orson Welles, Yasujirō Ozu, and Stanley Kubrick, and tied for the tenth spot is Wong Kar Wai and Ingmar Bergman.
Check out the list below,...
Tabulated by Genjuro, the list of 35 directors, with two pairs, puts Alfred Hitchcock back on top, while Chantal Akerman is at number two. Elsewhere in the top ten are David Lynch, Francis Ford Coppola, Jean-Luc Godard, Agnès Varda, Orson Welles, Yasujirō Ozu, and Stanley Kubrick, and tied for the tenth spot is Wong Kar Wai and Ingmar Bergman.
Check out the list below,...
- 3/5/2023
- by Jordan Raup
- The Film Stage
Oliver Wood, an English cinematographer whose credits include “Die Hard 2,” “Face/Off,” “The Other Guys” and the original “Bourne” trilogy, died Monday, Feb. 13, at his home in Hollywood following a battle with cancer. He was 80.
With a career spanning across seven decades, Wood worked across a wide variety of projects, collaborating with directors like John Woo, Adam McKay, Antoine Fuqua, Barry Sonnenfeld and Larry Cohen. He was nominated for a BAFTA award for best cinematography for his work on 2007’s “The Bourne Ultimatum,” directed by Paul Greengrass.
Born in London, Wood moved to New York City when he was 19. His first major credit came on Leonard Kastle’s 1970 crime film “The Honeymoon Killers,” making a strong impression for his technique of using available light to give the anachronistic dark comedy the look of a newsreel.
Wood shot numerous B-movies and independent films throughout the late 1970s and ’80s, frequently collaborating...
With a career spanning across seven decades, Wood worked across a wide variety of projects, collaborating with directors like John Woo, Adam McKay, Antoine Fuqua, Barry Sonnenfeld and Larry Cohen. He was nominated for a BAFTA award for best cinematography for his work on 2007’s “The Bourne Ultimatum,” directed by Paul Greengrass.
Born in London, Wood moved to New York City when he was 19. His first major credit came on Leonard Kastle’s 1970 crime film “The Honeymoon Killers,” making a strong impression for his technique of using available light to give the anachronistic dark comedy the look of a newsreel.
Wood shot numerous B-movies and independent films throughout the late 1970s and ’80s, frequently collaborating...
- 2/18/2023
- by Jazz Tangcay and J. Kim Murphy
- Variety Film + TV
The film world lost one of its most versatile cinematographers this week, with the death of British veteran Oliver Wood at 80.
Wood’s reps at Murtha Skouras Agency told Deadline he died February 13 of cancer.
Wood, who moved to New York when he was just 19, was best known for his work on Die Hard 2 (1990), Face/Off (1997), Freaky Friday (2003), Talladega Nights: The Ballad of Ricky Bobby (2006) and the Bourne franchise (2002-07).
Related Story Hollywood & Media Deaths In 2023: Photo Gallery & Obituaries Related Story Sony Pictures Entertainment Posts Strong Q1 Revenue And Profit Growth Despite Fewer Film Releases Related Story Hot Spots: Inside Space Studios Manchester, The High-End Production Facility That Has Housed 'Morbius', 'Peaky Blinders', 'The Crown' & More
Most recently, he teamed up with Daniel Espinoza on the 2022 Marvel film Morbius, the pair having previously worked together on Safe House (2012) and Child 44 (2015).
Wood got his first professional break...
Wood’s reps at Murtha Skouras Agency told Deadline he died February 13 of cancer.
Wood, who moved to New York when he was just 19, was best known for his work on Die Hard 2 (1990), Face/Off (1997), Freaky Friday (2003), Talladega Nights: The Ballad of Ricky Bobby (2006) and the Bourne franchise (2002-07).
Related Story Hollywood & Media Deaths In 2023: Photo Gallery & Obituaries Related Story Sony Pictures Entertainment Posts Strong Q1 Revenue And Profit Growth Despite Fewer Film Releases Related Story Hot Spots: Inside Space Studios Manchester, The High-End Production Facility That Has Housed 'Morbius', 'Peaky Blinders', 'The Crown' & More
Most recently, he teamed up with Daniel Espinoza on the 2022 Marvel film Morbius, the pair having previously worked together on Safe House (2012) and Child 44 (2015).
Wood got his first professional break...
- 2/18/2023
- by Caroline Frost
- Deadline Film + TV
Amazon and MGM may have completed their 8.5 billion merger in March, but don’t expect to see “Three Thousand Years of Longing,” the fantastical love story from director George Miller, streaming on Prime Video on Aug. 31 when the film opens.
Miller is a true believer in cinema and the movie theaters that house them. “It would be very painful to know that your movie will be first seen on streaming,” he tells Variety.
“There’s a commitment that they can’t change. MGM will release it at the end of August in 2,000 cinemas. There’s been no deal that MGM has made to stream the movie. At this moment, it will be a theatrical release. Seeing it in that cinema [the Palais], with that sound, that group of people, and knowing every little bit of work that we put into it, will be available to the audiences.”
The movie is adapted by...
Miller is a true believer in cinema and the movie theaters that house them. “It would be very painful to know that your movie will be first seen on streaming,” he tells Variety.
“There’s a commitment that they can’t change. MGM will release it at the end of August in 2,000 cinemas. There’s been no deal that MGM has made to stream the movie. At this moment, it will be a theatrical release. Seeing it in that cinema [the Palais], with that sound, that group of people, and knowing every little bit of work that we put into it, will be available to the audiences.”
The movie is adapted by...
- 5/22/2022
- by Clayton Davis
- Variety Film + TV
The maestro talks about what drove his famous scores while actors, directors and musical peers celebrate his contribution to cinema
This documentary represents a painstakingly detailed, fantastically entertaining, and profoundly exhausting deep dive into the career of the hyper-prolific Italian composer Ennio Morricone, known best perhaps for his orchestral scores for Sergio Leone (including the so-called Dollars Trilogy and Once Upon a Time in the West), Gillo Pontecorvo’s The Battle of Algiers, Bernardo Bertolucci’s 1900 – and a whole bunch of American films, ranging from the great to the abominable (Quentin Tarantino’s The Hateful Eight).
It’s not so much the running time of 156 minutes that will tire you out as the incredible sonic, visual and emotional overload generated by the work itself; perhaps this is ideally seen first in a cinema for maximum impact and then again in small, digestible chunks at home. It’s one huge...
This documentary represents a painstakingly detailed, fantastically entertaining, and profoundly exhausting deep dive into the career of the hyper-prolific Italian composer Ennio Morricone, known best perhaps for his orchestral scores for Sergio Leone (including the so-called Dollars Trilogy and Once Upon a Time in the West), Gillo Pontecorvo’s The Battle of Algiers, Bernardo Bertolucci’s 1900 – and a whole bunch of American films, ranging from the great to the abominable (Quentin Tarantino’s The Hateful Eight).
It’s not so much the running time of 156 minutes that will tire you out as the incredible sonic, visual and emotional overload generated by the work itself; perhaps this is ideally seen first in a cinema for maximum impact and then again in small, digestible chunks at home. It’s one huge...
- 4/20/2022
- by Leslie Felperin
- The Guardian - Film News
Move over, Clint Eastwood — the 91-year-old “Cry Macho” director isn’t the only nonagenarian American director intent on staying busy. At the age of 94, filmmaker Jerry Schatzberg hasn’t directed a movie since 2000’s “The Day the Ponies Come Back,” but still feels like he could make his swan song. “I’ve recently decided I’d really like to do one more film,” the New York-based director said in a phone interview with IndieWire last week, sounding a bit raspy but energized nonetheless. “I don’t know what it is yet.”
He added that he recently heard an interview on Wnyc with author Atticus Lish about his novel “The War for Gloria.” Curious, Schatzberg sought out the book and has been thinking about it adapting it. “Most of my friends can’t believe I’m the age I am because I don’t act it,” Schatzberg said. “I don’t really think about it.
He added that he recently heard an interview on Wnyc with author Atticus Lish about his novel “The War for Gloria.” Curious, Schatzberg sought out the book and has been thinking about it adapting it. “Most of my friends can’t believe I’m the age I am because I don’t act it,” Schatzberg said. “I don’t really think about it.
- 10/11/2021
- by Eric Kohn
- Indiewire
William Friedkin peaked in 1971 with his thrilling crime drama, known for its show-stopping car chase, but elevated by so much more
The advantage of shooting on location is that fiction films can have the texture of a documentary, preserving forever a specific time and place before it inevitably evolves or devolves or take a form that will render it unrecognizable. There are caveats that go along with it, like the details of set-dressing or camerawork that reinforce a film-maker’s specific impression – or, in the case of a film like Taxi Driver, a reflection of a single character’s twisted point of view. But the fundamental fact is that the camera is in front of real buildings and street corners and often actual residents. And when there’s a director of William Friedkin’s caliber behind it, the backdrop has a three-dimensional vividness to it.
The street realism of The French Connection,...
The advantage of shooting on location is that fiction films can have the texture of a documentary, preserving forever a specific time and place before it inevitably evolves or devolves or take a form that will render it unrecognizable. There are caveats that go along with it, like the details of set-dressing or camerawork that reinforce a film-maker’s specific impression – or, in the case of a film like Taxi Driver, a reflection of a single character’s twisted point of view. But the fundamental fact is that the camera is in front of real buildings and street corners and often actual residents. And when there’s a director of William Friedkin’s caliber behind it, the backdrop has a three-dimensional vividness to it.
The street realism of The French Connection,...
- 10/9/2021
- by Scott Tobias
- The Guardian - Film News
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
2021 Oscar-Nominated Short Films
Check out Jared Mobarak’s reviews of all of this Oscar-nominated short films, including Animation, Live-Action, and Documentary.
Where to Stream: Virtual Cinemas
Concrete Cowboy (Ricky Staub)
There is a moment of surreal wonder near the start of Concrete Cowboy, the TIFF premiere co-starring Idris Elba, that is never equaled again, a sequence of unexpected radiance conjuring a sense of astonishment. A troubled teenager has been sent from Detroit to Philadelphia to spend the summer with his long-absent father. He arrives at night to a nearly empty, rather foreboding street. Eventually he finds his (seemingly) menacing father and is led into a ramshackle, messy home. Suddenly...
2021 Oscar-Nominated Short Films
Check out Jared Mobarak’s reviews of all of this Oscar-nominated short films, including Animation, Live-Action, and Documentary.
Where to Stream: Virtual Cinemas
Concrete Cowboy (Ricky Staub)
There is a moment of surreal wonder near the start of Concrete Cowboy, the TIFF premiere co-starring Idris Elba, that is never equaled again, a sequence of unexpected radiance conjuring a sense of astonishment. A troubled teenager has been sent from Detroit to Philadelphia to spend the summer with his long-absent father. He arrives at night to a nearly empty, rather foreboding street. Eventually he finds his (seemingly) menacing father and is led into a ramshackle, messy home. Suddenly...
- 4/2/2021
- by Jordan Raup
- The Film Stage
Shaka King, the director and co-writer of Judas And The Black Messiah, shares some of his favorite movies.
Show Notes: Movies Referenced In This Episode
Judas And The Black Messiah (2021)
Goodfellas (1990)
Casino (1995)
Taxi Driver (1976)
The Friends Of Eddie Coyle (1973)
A Prophet (2009)
The Godfather (1972)
The Godfather Part II (1974)
The Pope Of Greenwich Village (1984)
Dog Day Afternoon (1975)
Network (1976)
Serpico (1973)
Prince Of The City (1981)
The Battle Of Algiers (1966)
Z (1969)
Animal House (1978)
King Of New York (1990)
Oldboy (2003)
Crooklyn (1994)
Memories Of Murder (2003)
Do The Right Thing (1989)
Capernaum (2018)
Chop Shop (2007)
Gloria (1980)
Dazed And Confused (1993)
Malcolm X (1992)
The Hospital (1971)
Little Murders (1971)
Newlyweeds (2013)
Other Notable Items
Fred Hampton
The Panther 21
Jamal Joseph
Akua Njeri, formerly Deborah Johnson
Ray Liotta
Martin Scorsese
Robert De Niro
I Love Lucy TV series (1951-1957)
Robert Mitchum
Jesse Plemons
Eric Clapton
Ryan Coogler
John Cazale
Burt Young
The Rocky franchise
Sidney Lumet
Al Pacino
Making Movies memoir by Sidney Lumet
Jackie Cooper
Jean Martin...
Show Notes: Movies Referenced In This Episode
Judas And The Black Messiah (2021)
Goodfellas (1990)
Casino (1995)
Taxi Driver (1976)
The Friends Of Eddie Coyle (1973)
A Prophet (2009)
The Godfather (1972)
The Godfather Part II (1974)
The Pope Of Greenwich Village (1984)
Dog Day Afternoon (1975)
Network (1976)
Serpico (1973)
Prince Of The City (1981)
The Battle Of Algiers (1966)
Z (1969)
Animal House (1978)
King Of New York (1990)
Oldboy (2003)
Crooklyn (1994)
Memories Of Murder (2003)
Do The Right Thing (1989)
Capernaum (2018)
Chop Shop (2007)
Gloria (1980)
Dazed And Confused (1993)
Malcolm X (1992)
The Hospital (1971)
Little Murders (1971)
Newlyweeds (2013)
Other Notable Items
Fred Hampton
The Panther 21
Jamal Joseph
Akua Njeri, formerly Deborah Johnson
Ray Liotta
Martin Scorsese
Robert De Niro
I Love Lucy TV series (1951-1957)
Robert Mitchum
Jesse Plemons
Eric Clapton
Ryan Coogler
John Cazale
Burt Young
The Rocky franchise
Sidney Lumet
Al Pacino
Making Movies memoir by Sidney Lumet
Jackie Cooper
Jean Martin...
- 3/9/2021
- by Kris Millsap
- Trailers from Hell
Fred Hampton was 21 years old when he was assassinated by the FBI, who coerced a petty criminal named William O’Neal to help them silence him and the Black Panther Party. But 50 years later, Hampton’s words about revolution still echo, maybe louder than ever. Shaka King’s “Judas and the Black Messiah” aims to tell his story.
Produced by Ryan Coogler, King’s second feature is unlike his first in terms of scope and scale, as he makes the leap from indie stoner comedy “Newlyweeds” to his first studio picture. But King’s original idea for the film was even more ambitious. The touchstone for him was Gillo Pontecorvo’s 1966 masterpiece “The Battle of Algiers,” telling a story that would’ve been broader, encompassing almost the entire Black Panther Party narrative.
“It would’ve had to be a TV series if we went that route, because it was just was too much and we tried,...
Produced by Ryan Coogler, King’s second feature is unlike his first in terms of scope and scale, as he makes the leap from indie stoner comedy “Newlyweeds” to his first studio picture. But King’s original idea for the film was even more ambitious. The touchstone for him was Gillo Pontecorvo’s 1966 masterpiece “The Battle of Algiers,” telling a story that would’ve been broader, encompassing almost the entire Black Panther Party narrative.
“It would’ve had to be a TV series if we went that route, because it was just was too much and we tried,...
- 2/5/2021
- by Tambay Obenson
- Indiewire
The star from Sid & Nancy, Terminator 2, Candyman, Gattaca, Leaving Las Vegas and the new chiller The Dark And The Wicked takes us on a journey through some of his favorite foreign films.
Show Notes: Movies Referenced In This Episode
Candyman (1992)
Frankenstein (1931)
Sid and Nancy (1986)
The Dark And The Wicked (2020)
The Wall of Mexico (2019)
La Dolce Vita (1961)
Il Bidone (1955)
Day For Night (1973)
The Good, The Bad And The Ugly (1967)
8 ½ (1963)
Le Cercle Rouge (1970)
Daredevils of the Red Circle (1939)
Rififi (1955)
Reservoir Dogs (1992)
Z (1969)
The Sleeping Car Murders (1965)
The Battle of Algiers (1966)
Burn! (1969)
Dr. Strangelove (1964)
The Italian Job (1969)
The Italian Job (2003)
The Magician (1958)
Wild Strawberries (1957)
Fanny and Alexander (1982)
Persona (1966)
The Grapes of Wrath (1940)
The Last House On The Left (1972)
The Virgin Spring (1960)
Paperhouse (1988)
The Strangers (2008)
The Monster (2016)
Andrei Rublev (1966)
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)
Nostalghia (1983)
Son of Frankenstein (1939)
The Best Years of Our Lives (1946)
Zorba The Greek (1964)
Pollyanna (1960)
Other Notable Items
Lon...
Show Notes: Movies Referenced In This Episode
Candyman (1992)
Frankenstein (1931)
Sid and Nancy (1986)
The Dark And The Wicked (2020)
The Wall of Mexico (2019)
La Dolce Vita (1961)
Il Bidone (1955)
Day For Night (1973)
The Good, The Bad And The Ugly (1967)
8 ½ (1963)
Le Cercle Rouge (1970)
Daredevils of the Red Circle (1939)
Rififi (1955)
Reservoir Dogs (1992)
Z (1969)
The Sleeping Car Murders (1965)
The Battle of Algiers (1966)
Burn! (1969)
Dr. Strangelove (1964)
The Italian Job (1969)
The Italian Job (2003)
The Magician (1958)
Wild Strawberries (1957)
Fanny and Alexander (1982)
Persona (1966)
The Grapes of Wrath (1940)
The Last House On The Left (1972)
The Virgin Spring (1960)
Paperhouse (1988)
The Strangers (2008)
The Monster (2016)
Andrei Rublev (1966)
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)
Nostalghia (1983)
Son of Frankenstein (1939)
The Best Years of Our Lives (1946)
Zorba The Greek (1964)
Pollyanna (1960)
Other Notable Items
Lon...
- 12/15/2020
- by Kris Millsap
- Trailers from Hell
In 1952, Warner Bros. released a version of “The Miracle of Our Lady of Fatima” that boasted, “To the best of human knowledge, and according to the testimony of 100,000 witnesses … This Is A True Story!” That film, hokey in some ways, inspirational in others, purported to be a fact-based account of a faith-based story, one that occurred in 1917 against the backdrop of a world war, wherein three Portuguese shepherd children experienced several visits by the Virgin Mary, who bestowed certain insights upon them before unleashing a spectacular solar light show so as to convince all those assembled.
Director Marco Pontecorvo revisits these events in the superficially suspicious “Fatima,” which arrives at a moment when faith and facts find themselves in direct opposition, when claims of “fake news” render the very notion of “a true story” all but meaningless. The film releases in theaters and on demand amid a global crisis — not just the pandemic,...
Director Marco Pontecorvo revisits these events in the superficially suspicious “Fatima,” which arrives at a moment when faith and facts find themselves in direct opposition, when claims of “fake news” render the very notion of “a true story” all but meaningless. The film releases in theaters and on demand amid a global crisis — not just the pandemic,...
- 8/27/2020
- by Peter Debruge
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe great maestro Ennio Morricone died on Monday at the age of 91. Morricone was best known for his acclaimed compositions in films like The Good, the Bad and the Ugly, The Untouchables, The Battle of Algiers, and so many more. His self-written obituary begins: “I, Ennio Morricone, am dead.”The 2020 invitees of the Academy of Motion Picture Arts and Sciences include a wide range of international artists, from Garrett Bradley and Terence Davies to Elle-Máijá Tailfeathers and Zhao Tao.Recommended Viewing This year, Japan Cuts, the annual festival organized by the Japan Society of New York City, is commemorating the life and work of the late Nobuhiko Obayashi. An exclusive video tribute to Obayashi by Shinya Tsukamoto, who describes seeing Obayashi's films for the first time as a student, can be found for free at the festival's online platform.
- 7/8/2020
- MUBI
“Music is an experience, not a science.” — Ennio Morricone
Hollywood is reeling at the death of composer Ennio Morricone, who died unexpectedly on July 6 at age 91. In the global film community, he’s as revered as any screen composer from Nino Rota and Bernard Herrmann to John Williams and Hans Zimmer, who credits “Once Upon a Time in the West” for inspiring him to become a film composer. “Ennio taught me that the simplest, purest and honest melody is the hardest,” tweeted Zimmer.
Rip. Morricone. An artist who changed everything. Yes, appropriating elements of jazz & rock & electronica in film scores but at the same time, asserting a level of romantic expression & assertiveness that had almost entirely vanished from soundtracks when he burst on scene. https://t.co/ybdKKuT34R
— Mangold (@mang0ld) July 6, 2020
Arguably Morricone’s greatest scores were for director Sergio Leone, with whom he went to elementary school.
Hollywood is reeling at the death of composer Ennio Morricone, who died unexpectedly on July 6 at age 91. In the global film community, he’s as revered as any screen composer from Nino Rota and Bernard Herrmann to John Williams and Hans Zimmer, who credits “Once Upon a Time in the West” for inspiring him to become a film composer. “Ennio taught me that the simplest, purest and honest melody is the hardest,” tweeted Zimmer.
Rip. Morricone. An artist who changed everything. Yes, appropriating elements of jazz & rock & electronica in film scores but at the same time, asserting a level of romantic expression & assertiveness that had almost entirely vanished from soundtracks when he burst on scene. https://t.co/ybdKKuT34R
— Mangold (@mang0ld) July 6, 2020
Arguably Morricone’s greatest scores were for director Sergio Leone, with whom he went to elementary school.
- 7/7/2020
- by Anne Thompson
- Thompson on Hollywood
“Music is an experience, not a science.” — Ennio Morricone
Hollywood is reeling at the death of composer Ennio Morricone, who died unexpectedly on July 6 at age 91. In the global film community, he’s as revered as any screen composer from Nino Rota and Bernard Herrmann to John Williams and Hans Zimmer, who credits “Once Upon a Time in the West” for inspiring him to become a film composer. “Ennio taught me that the simplest, purest and honest melody is the hardest,” tweeted Zimmer.
Rip. Morricone. An artist who changed everything. Yes, appropriating elements of jazz & rock & electronica in film scores but at the same time, asserting a level of romantic expression & assertiveness that had almost entirely vanished from soundtracks when he burst on scene. https://t.co/ybdKKuT34R
— Mangold (@mang0ld) July 6, 2020
Arguably Morricone’s greatest scores were for director Sergio Leone, with whom he went to elementary school.
Hollywood is reeling at the death of composer Ennio Morricone, who died unexpectedly on July 6 at age 91. In the global film community, he’s as revered as any screen composer from Nino Rota and Bernard Herrmann to John Williams and Hans Zimmer, who credits “Once Upon a Time in the West” for inspiring him to become a film composer. “Ennio taught me that the simplest, purest and honest melody is the hardest,” tweeted Zimmer.
Rip. Morricone. An artist who changed everything. Yes, appropriating elements of jazz & rock & electronica in film scores but at the same time, asserting a level of romantic expression & assertiveness that had almost entirely vanished from soundtracks when he burst on scene. https://t.co/ybdKKuT34R
— Mangold (@mang0ld) July 6, 2020
Arguably Morricone’s greatest scores were for director Sergio Leone, with whom he went to elementary school.
- 7/7/2020
- by Anne Thompson
- Indiewire
When I heard that Ennio Morricone had died, at 91, my first thought was that the cinema had lost one of the most romantic of all screen composers. Morricone, who worked with filmmakers from around the world but rarely left his native Rome (he insisted on not speaking in any language but Italian), wrote movie scores suffused with romance, with majestic waves of yearning and heartbreak and rapture and lyric melancholy. His most famous scores were the ones he composed for Sergio Leone’s spaghetti Westerns, and that music, so gorgeous and plaintive, with a kind of Grindhouse of the Old World incandescence, was the thing that elevated Leone’s grand, crude, stylized, nearly wordless hombre operas into a pulp dreamscape, a place where bursts of violence were set off by the lonely quavering sound of an ocarina, which seemed to be suspending time itself.
Yet when you think back on those films,...
Yet when you think back on those films,...
- 7/6/2020
- by Owen Gleiberman
- Variety Film + TV
Versatile film, avant-garde classical, jazz and pop composer Ennio Morricone died in a Rome hospital after falling and breaking his leg, his lawyer Giorgio Assumma announced, according to Variety. He was 91.
Known as “the Maestro,” Morricone is best known as the composer of the scores and themes of The Good, the Bad and the Ugly, Once Upon a Time in the West, and his Academy Award winning soundtrack for Quentin Tarantino’s The Hateful Eight. He also toured frequently, and expanded his sonic visions to reflect contemporary sounds. Besides his collaborations on the spaghetti Western films of Sergio Leone, Morricone composed for Bernardo Bertolucci, Dario Argento, Don Siegel, Brian De Palma, and John Carpenter. He composed for such diverse artists as Andrea Bocelli, Sting, k.d. lang, and Pet Shop Boys. Morricone never became fluent in English. When he won his 2007 honorary Oscar, his speech was translated by Clint Eastwood.
Morricone...
Known as “the Maestro,” Morricone is best known as the composer of the scores and themes of The Good, the Bad and the Ugly, Once Upon a Time in the West, and his Academy Award winning soundtrack for Quentin Tarantino’s The Hateful Eight. He also toured frequently, and expanded his sonic visions to reflect contemporary sounds. Besides his collaborations on the spaghetti Western films of Sergio Leone, Morricone composed for Bernardo Bertolucci, Dario Argento, Don Siegel, Brian De Palma, and John Carpenter. He composed for such diverse artists as Andrea Bocelli, Sting, k.d. lang, and Pet Shop Boys. Morricone never became fluent in English. When he won his 2007 honorary Oscar, his speech was translated by Clint Eastwood.
Morricone...
- 7/6/2020
- by Alec Bojalad
- Den of Geek
“If you scroll through all the movies I’ve worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies and so on,” said Ennio Morricone. “So in other words, I’m no specialist, because I’ve done everything. I’m a specialist in music.”
The specialist and legendary maestro has passed away at the age of 91, leaving behind an incredibly prolific body of work that included over 400 scores made for movies and television as well as classic work and many journeys across the world performing his music. While it’s impossible to encapsulate such a towering career––considering he began writing his first compositions at the age of six––if you’re looking to revisit or discover some of his finest scores in remembrance, we’ve gathered our twenty favorites below.
The round-up includes some of his most iconic scores,...
The specialist and legendary maestro has passed away at the age of 91, leaving behind an incredibly prolific body of work that included over 400 scores made for movies and television as well as classic work and many journeys across the world performing his music. While it’s impossible to encapsulate such a towering career––considering he began writing his first compositions at the age of six––if you’re looking to revisit or discover some of his finest scores in remembrance, we’ve gathered our twenty favorites below.
The round-up includes some of his most iconic scores,...
- 7/6/2020
- by Jordan Raup
- The Film Stage
Scoring over 500 movies and television shows, as well as over 100 classical works, film composer Ennio Morricone (who passed away at 91) wrote, orchestrated, and toured ceaselessly, refining and expanding his repertoire to accommodate different visions and the ever-shifting sounds of the day. Yet despite its eclecticism — or rather, because of it — the music of “the Maestro,” as many called him, was unmistakably Morricone after the first few bars. His name would become synonymous with the spaghetti Western, particularly his collaborations with director Sergio Leone on films like The Good, the Bad and the Ugly,...
- 7/6/2020
- by Scott Tobias
- Rollingstone.com
Legendary Italian composer Ennio Morricone has died in Rome following complications from a fall last week. He was 91.
The towering musical maestro composed more than 400 scores for cinema and TV, as well as more than 100 classical works. His score for The Good, The Bad And The Ugly (1966), one of a handful of successful collaborations with director Sergio Leone, is considered one of the most influential soundtracks in history.
His glittering filmography includes more than 70 award-winning films, including all Leone’s films, all Giuseppe Tornatore’s films from the much-loved Cinema Paradiso onwards, The Battle Of Algiers, Dario Argento’s Animal Trilogy, Days Of Heaven, The Thing, The Mission, The Untouchables, Bugsy and Ripley’s Game.
In 2016 he won an Oscar for his score for Quentin Tarantino’s film The Hateful Eight, at the time becoming the oldest person ever to win a competitive Oscar. He has been nominated for a further six Academy Awards.
The towering musical maestro composed more than 400 scores for cinema and TV, as well as more than 100 classical works. His score for The Good, The Bad And The Ugly (1966), one of a handful of successful collaborations with director Sergio Leone, is considered one of the most influential soundtracks in history.
His glittering filmography includes more than 70 award-winning films, including all Leone’s films, all Giuseppe Tornatore’s films from the much-loved Cinema Paradiso onwards, The Battle Of Algiers, Dario Argento’s Animal Trilogy, Days Of Heaven, The Thing, The Mission, The Untouchables, Bugsy and Ripley’s Game.
In 2016 he won an Oscar for his score for Quentin Tarantino’s film The Hateful Eight, at the time becoming the oldest person ever to win a competitive Oscar. He has been nominated for a further six Academy Awards.
- 7/6/2020
- by Andreas Wiseman
- Deadline Film + TV
Oscar winner Ennio Morricone, composer of “The Good, the Bad and the Ugly” and “The Mission” and among the most prolific and admired composers in film history, has died. He was 91.
Morricone died early Monday in a Rome clinic, where he was taken shortly after suffering a fall that caused a hip fracture, his lawyer Giorgio Asumma told Italian news agency Ansa.
Shortly after Morricone’s death was confirmed, Italian Prime Minister Giuseppe Conte tweeted: “We will always remember, with infinite gratitude, the artistic genius of the Maestro #EnnioMorricone. It made us dream, feel excited, reflect, writing memorable notes that will remain indelible in the history of music and cinema.”
The Italian maestro’s estimated 500 scores for films and television, composed over more than 50 years, are believed to constitute a record in Western cinema for sheer quantity of music.
At least a dozen of them became film-score classics, from the...
Morricone died early Monday in a Rome clinic, where he was taken shortly after suffering a fall that caused a hip fracture, his lawyer Giorgio Asumma told Italian news agency Ansa.
Shortly after Morricone’s death was confirmed, Italian Prime Minister Giuseppe Conte tweeted: “We will always remember, with infinite gratitude, the artistic genius of the Maestro #EnnioMorricone. It made us dream, feel excited, reflect, writing memorable notes that will remain indelible in the history of music and cinema.”
The Italian maestro’s estimated 500 scores for films and television, composed over more than 50 years, are believed to constitute a record in Western cinema for sheer quantity of music.
At least a dozen of them became film-score classics, from the...
- 7/6/2020
- by Jon Burlingame
- Variety Film + TV
Berlin’s Carlo Chatrian and Venice’s Alberto Barbera have also been invited.
Cannes Film Festival delegate general Thierry Frémaux, French actress and gender equality activist Adèle Haenel, and a number of the key cast and crew of Oscar-winning picture Parasite are among the some 400 international film industry professionals invited to join the Us’ Academy Of Motion Picture Arts and Sciences (AMPAS) on Tuesday June 30.
With 49% of the 819 invitees hailing from 68 countries outside of the Us, the latest round of invitees was one of the most international selections ever.
Frémaux is among a number of festival chiefs to be invited...
Cannes Film Festival delegate general Thierry Frémaux, French actress and gender equality activist Adèle Haenel, and a number of the key cast and crew of Oscar-winning picture Parasite are among the some 400 international film industry professionals invited to join the Us’ Academy Of Motion Picture Arts and Sciences (AMPAS) on Tuesday June 30.
With 49% of the 819 invitees hailing from 68 countries outside of the Us, the latest round of invitees was one of the most international selections ever.
Frémaux is among a number of festival chiefs to be invited...
- 7/1/2020
- by 1100388¦Melanie Goodfellow¦69¦
- ScreenDaily
Tate Taylor’s 2011 drama “The Help” is the No. 1 most-watched movie on Netflix (per the streamer’s June 4 chart), which isn’t sitting right with a handful of critics and journalists as the movie’s popularity in streaming coincides with the nationwide protests over the death of George Floyd. “The Help,” based on Kathryn Stockett’s 2009 novel of the same name, has been criticized for its white savior narrative and for sidelining the perspective of black characters like the maids Aibileen (Viola Davis) and Minny (Octavia Spencer). The film was a box office hit ($216 million worldwide), an Oscar nominee for Best Picture, and an Oscar winner for Spencer’s supporting performance.
That “The Help” is pulling in such streaming numbers to top Netflix’s charts amid the George Floyd protests has prompted notable writers such as Ashly Perez, Rebecca Theodore-Vachon, and Ira Madison III to speak out against the film’s surge in viewership.
That “The Help” is pulling in such streaming numbers to top Netflix’s charts amid the George Floyd protests has prompted notable writers such as Ashly Perez, Rebecca Theodore-Vachon, and Ira Madison III to speak out against the film’s surge in viewership.
- 6/4/2020
- by Zack Sharf
- Indiewire
The rage and anger at police violence and systemic racism is not just a week, a year, or even decades old. It is centuries in the making. And in order to understand and meaningfully contribute to the movement, audiences will need to educate themselves on the racist and socioeconomic inequities that nurture the environment that allows these injustices to thrive.
From Oscar Micheaux’s “Within Our Gates” (1920), to Jordan Peele’s “Get Out,” filmmakers have tackled this subject with tense and angry films made in reaction to the status quo. They unpack the onscreen racist ideology that began with D.W. Griffith’s incendiary “The Birth of a Nation” (1915), and highlight the realities of a society in which racial disparities permeate and undermine an entire system’s effectiveness.
These are bold and provocative films that serve as overdue tonic for a society that has long been saturated with incomplete depictions of black people,...
From Oscar Micheaux’s “Within Our Gates” (1920), to Jordan Peele’s “Get Out,” filmmakers have tackled this subject with tense and angry films made in reaction to the status quo. They unpack the onscreen racist ideology that began with D.W. Griffith’s incendiary “The Birth of a Nation” (1915), and highlight the realities of a society in which racial disparities permeate and undermine an entire system’s effectiveness.
These are bold and provocative films that serve as overdue tonic for a society that has long been saturated with incomplete depictions of black people,...
- 6/3/2020
- by Tambay Obenson
- Indiewire
One of Christopher Nolan’s filmmaking traditions is to gather his cast and crew before production starts and screen movies that serve as inspiration to the project they’re working on together. Before filming “The Dark Knight,” for instance, Nolan rounded up all of his crews’ department heads to watch Michael Mann’s “Heat.” Ahead of “Dunkirk,” Nolan shared films such as “All Quiet on the Western Front” and “The Battle of Algiers” with his cast. In a new interview with Total Film magazine, Nolan reveals he intentionally broke this longstanding tradition with “Tenet” because the goal was to break through any spy movie influence that might exist.
“Interestingly, this is one of the first films I’ve ever made where we didn’t do any screenings,” Nolan said. “And the reason was, I think we all have the spy genre so in our bones and in our fingertips. I...
“Interestingly, this is one of the first films I’ve ever made where we didn’t do any screenings,” Nolan said. “And the reason was, I think we all have the spy genre so in our bones and in our fingertips. I...
- 5/27/2020
- by Zack Sharf
- Indiewire
Giuseppe Tornatore is directing the film, Ennio: The Maestro, about the life and works of the legendary composer.
Block 2 Distribution, the sales arm of Wong Kar Wai’s Jet Tone Films, is handling international sales on Giuseppe Tornatore’s documentary, Ennio: The Maestro, about composer Ennio Morricone.
Wong Kar Wai was also a producer film, along with Peter De Maegd and San Fu Maltha, with Gianni Russo and Gabriele Costa as both producers and executive producers. Block 2 has worldwide rights outside of several territories that were pre-sold or set up as co-production territories and will commence sales at the European Film Market (Efm) in Berlin.
Block 2 Distribution, the sales arm of Wong Kar Wai’s Jet Tone Films, is handling international sales on Giuseppe Tornatore’s documentary, Ennio: The Maestro, about composer Ennio Morricone.
Wong Kar Wai was also a producer film, along with Peter De Maegd and San Fu Maltha, with Gianni Russo and Gabriele Costa as both producers and executive producers. Block 2 has worldwide rights outside of several territories that were pre-sold or set up as co-production territories and will commence sales at the European Film Market (Efm) in Berlin.
- 2/18/2020
- by 89¦Liz Shackleton¦0¦
- ScreenDaily
Giuseppe Tornatore is directing the film, Ennio: The Maestro, about the life and works of the legendary composer.
Block 2 Distribution, the sales arm of Wong Kar Wai’s Jet Tone Films, is handling international sales on Giuseppe Tornatore’s documentary, Ennio: The Maestro, about composer Ennio Morricone.
Wong Kar Wai was also a producer film, along with Peter De Maegd and San Fu Maltha, with Gianni Russo and Gabriele Costa as both producers and executive producers. Block 2 has worldwide rights outside of several territories that were pre-sold or set up as co-production territories and will commence sales at the European Film Market (Efm) in Berlin.
Block 2 Distribution, the sales arm of Wong Kar Wai’s Jet Tone Films, is handling international sales on Giuseppe Tornatore’s documentary, Ennio: The Maestro, about composer Ennio Morricone.
Wong Kar Wai was also a producer film, along with Peter De Maegd and San Fu Maltha, with Gianni Russo and Gabriele Costa as both producers and executive producers. Block 2 has worldwide rights outside of several territories that were pre-sold or set up as co-production territories and will commence sales at the European Film Market (Efm) in Berlin.
- 2/18/2020
- by 89¦Liz Shackleton¦0¦
- ScreenDaily
Unlike the Vietnam War, which spawned Apocalypse Now, The Deer Hunter, Full Metal Jacket and several other modern classics, the Algerian War, which was very much France’s Vietnam, did no such thing. In fact, beyond a few outliers like The Battle of Algiers (an Italian-Algerian production with a partial French cast) or the work of director René Vautier, many of whose movies were banned upon release, French cinema generally steered clear of a major 20th century conflict that would mark the end of its colonial empire. Or else, in films as diverse as Godard’s Le Petit soldat, Demy’s The Umbrellas of Cherbourg or ...
- 1/29/2020
- The Hollywood Reporter - Movie News
Unlike the Vietnam War, which spawned Apocalypse Now, The Deer Hunter, Full Metal Jacket and several other modern classics, the Algerian War, which was very much France’s Vietnam, did no such thing. In fact, beyond a few outliers like The Battle of Algiers (an Italian-Algerian production with a partial French cast) or the work of director René Vautier, many of whose movies were banned upon release, French cinema generally steered clear of a major 20th century conflict that would mark the end of its colonial empire. Or else, in films as diverse as Godard’s Le Petit soldat, Demy’s The Umbrellas of Cherbourg or ...
- 1/29/2020
- The Hollywood Reporter - Film + TV
Hotel Mumbai movie review is here. The action thriller directed by Anthony Maras is inspired by the 2009 documentary Surviving Mumbai which is based on the 2008 Mumbai attacks at the Taj Mahal Palace Hotel in India. Releasing in India on November 29, 2019, the movie stars Dev Patel, Armie Hammer and Anupam Kher in pivotal roles.
Hotel Mumbai was premiered at the Toronto International Film Festival and Adelaide Film Festival, does it makes the right noise?!, Let?s find out in the movie review of Hotel Mumbai.
Immediate reaction when the end credits roll
How can such disturbing global tragedies like the 26/11 in Mumbai, India, such human suffering can be called ?entertainment? in the disclaimer. Hotel Mumbai is a tense and explosive dramatization of The Taj Mahal seize in Mumbai, the makers should have said that it?s a dramatized ?homage? to the survivors of the inhumanly horrific incident, not something based on true events dramatized for ?entertainment?...
Hotel Mumbai was premiered at the Toronto International Film Festival and Adelaide Film Festival, does it makes the right noise?!, Let?s find out in the movie review of Hotel Mumbai.
Immediate reaction when the end credits roll
How can such disturbing global tragedies like the 26/11 in Mumbai, India, such human suffering can be called ?entertainment? in the disclaimer. Hotel Mumbai is a tense and explosive dramatization of The Taj Mahal seize in Mumbai, the makers should have said that it?s a dramatized ?homage? to the survivors of the inhumanly horrific incident, not something based on true events dramatized for ?entertainment?...
- 11/27/2019
- GlamSham
100 year ago today in Pisa, Italy, the director Gillo Pontecorvo was born.
He only made five narrative features in his career, which is surely one of the reasons that he's overshadowed in cultural memory by the far more prolific mid 20th century Italian giants Vittorio de Sica and Federico Fellini. Still Pontecorvo's two best known films were both nominated for the Best Foreign Film at the Academy Awards, the concentration camp drama Kapò (1960) and the resistance/war drama The Battle of Algiers (1966). The latter, which won the Golden Lion at Venice in its year, is still revered as a masterpiece. Have you seen either of these classics?...
He only made five narrative features in his career, which is surely one of the reasons that he's overshadowed in cultural memory by the far more prolific mid 20th century Italian giants Vittorio de Sica and Federico Fellini. Still Pontecorvo's two best known films were both nominated for the Best Foreign Film at the Academy Awards, the concentration camp drama Kapò (1960) and the resistance/war drama The Battle of Algiers (1966). The latter, which won the Golden Lion at Venice in its year, is still revered as a masterpiece. Have you seen either of these classics?...
- 11/19/2019
- by NATHANIEL R
- FilmExperience
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Museum of the Moving Image
A particularly outstanding weekend for “See It Big! Action” offers Big Trouble in Little China on Friday, a John Woo double-bill of Hard Boiled and Face/Off on Saturday, and Die Hard this Sunday.
A Carlos Reygadas series is underway, with all of his pre-Our Time features screening through Sunday.
Museum of the Moving Image
A particularly outstanding weekend for “See It Big! Action” offers Big Trouble in Little China on Friday, a John Woo double-bill of Hard Boiled and Face/Off on Saturday, and Die Hard this Sunday.
A Carlos Reygadas series is underway, with all of his pre-Our Time features screening through Sunday.
- 6/6/2019
- by Nick Newman
- The Film Stage
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Film Forum
“Decolonizing Cinema” has features from Sembène and The Battle of Algiers.
Last Year at Marienbad has been restored, while The Dybbuk screens on Sunday.
A League of Their Own plays this Saturday and Sunday.
Film at Lincoln Center
An Ester Krumbachová retrospective brings Czechoslovak New Wave classics.
The new restoration of War and Peace returns.
Film Forum
“Decolonizing Cinema” has features from Sembène and The Battle of Algiers.
Last Year at Marienbad has been restored, while The Dybbuk screens on Sunday.
A League of Their Own plays this Saturday and Sunday.
Film at Lincoln Center
An Ester Krumbachová retrospective brings Czechoslovak New Wave classics.
The new restoration of War and Peace returns.
- 5/24/2019
- by Nick Newman
- The Film Stage
Captive State could very well be set in an alternate timeline of Arrival, one where the communication tactics of Louise Banks (Amy Adams) failed and the aliens stayed put to govern over humans. While this has happened worldwide, Rupert Wyatt’s grounded new sci-fi thriller specifically hones in on Chicago, where top government officials work with the alien forces in hopes of eventually getting off the “dying rock” that is Earth. Meanwhile, nearly-eradicated factions of the resistance aim to hold on to a semblance of hope that humanity will prevail as they fight back. With the kind of world-building that seems better suited for the pilot of a TV series, Wyatt peppers intriguing details throughout but gets too tripped up in a deluge of timely messages that he loses sight of his characters in this jumbled, peculiarly-structured narrative.
The first sign of disaster comes with the clunky prologue, in which...
The first sign of disaster comes with the clunky prologue, in which...
- 3/14/2019
- by Jordan Raup
- The Film Stage
Captive State could very well be set in an alternate timeline of Arrival, one where the communication tactics of Louise Banks (Amy Adams) failed and the aliens stayed put to govern over humans. While this has happened worldwide, Rupert Wyatt’s grounded new sci-fi thriller specifically hones in on Chicago, where top government officials work with the alien forces in hopes of eventually getting off the “dying rock” that is Earth. Meanwhile, nearly-eradicated factions of the resistance aim to hold on to a semblance of hope that humanity will prevail as they fight back.
We spoke with the director–who broke out in Hollywood with another sci-fi film, Rise of the Planet of the Apes–about crafting this sci-fi world, being influenced by Jean-Pierre Melville and Gillo Pontecorvo, how the film looks at timely issues, some ingenious casting, the film’s unusual structure, and more.
The world-building in this film is impressive.
We spoke with the director–who broke out in Hollywood with another sci-fi film, Rise of the Planet of the Apes–about crafting this sci-fi world, being influenced by Jean-Pierre Melville and Gillo Pontecorvo, how the film looks at timely issues, some ingenious casting, the film’s unusual structure, and more.
The world-building in this film is impressive.
- 3/13/2019
- by Jordan Raup
- The Film Stage
To celebrate the 100th anniversary of the American Society of Cinematographers (Asc) this year, they’ve polled their members to determine 100 milestone films in the art and craft of cinematography of the 20th century. Topping the list is David Lean’s epic Lawrence of Arabia, shot by Freddie Young. Also in the top ten is Blade Runner (Jordan Cronenweth), The Conformist (Vittorio Storaro), Days of Heaven (Néstor Almendros), and more.
Organized by Steven Fierberg, he said “Asc members wanted to call attention to the most significant achievements of the cinematographer’s art but not refer to one achievement as ‘better’ than another. The selected films represent a range of styles, eras and visual artistry, but most importantly, it commemorates films that are inspirational or influential to Asc members and have exhibited enduring influence on generations of filmmakers.”
See the top 10 below, along with the full list.
1. Lawrence of Arabia (1962), Freddie Young,...
Organized by Steven Fierberg, he said “Asc members wanted to call attention to the most significant achievements of the cinematographer’s art but not refer to one achievement as ‘better’ than another. The selected films represent a range of styles, eras and visual artistry, but most importantly, it commemorates films that are inspirational or influential to Asc members and have exhibited enduring influence on generations of filmmakers.”
See the top 10 below, along with the full list.
1. Lawrence of Arabia (1962), Freddie Young,...
- 1/9/2019
- by Jordan Raup
- The Film Stage
The American Society of Cinematographers, in celebration of the organization’s 100th anniversary, has revealed its list of 100 milestone films in the art and craft of cinematography from the 20th century. The list culminates with a top 10, topped by Freddie Young’s lensing of David Lean’s Oscar-winning 1962 epic “Lawrence of Arabia.”
Jordan Cronenweth’s work on Ridley Scott’s 1982 sci-fi standard “Blade Runner” came in at number two. Celebrated cinematographer Roger Deakins finally won an Oscar last year for the film’s sequel, “Blade Runner 2049.”
Vittorio Storaro rounded out the top three for Francis Ford Coppola’s 1979 Vietnam odyssey “Apocalypse Now.” He, Conrad Hall and Gordon Willis each appeared on the overall list five times, leading the pack. John Alcott, Caleb Deschanel and Haskell Wexler each lensed four.
Organized by Steven Fierberg, Asc (“The Affair”) and voted on by Asc members, the milestones list is the first of...
Jordan Cronenweth’s work on Ridley Scott’s 1982 sci-fi standard “Blade Runner” came in at number two. Celebrated cinematographer Roger Deakins finally won an Oscar last year for the film’s sequel, “Blade Runner 2049.”
Vittorio Storaro rounded out the top three for Francis Ford Coppola’s 1979 Vietnam odyssey “Apocalypse Now.” He, Conrad Hall and Gordon Willis each appeared on the overall list five times, leading the pack. John Alcott, Caleb Deschanel and Haskell Wexler each lensed four.
Organized by Steven Fierberg, Asc (“The Affair”) and voted on by Asc members, the milestones list is the first of...
- 1/8/2019
- by Kristopher Tapley
- Variety Film + TV
FilmsSpeaking to Tnm earlier, Pa Ranjith had confirmed the news and said that the film would begin shooting in May 2019.Tnm StaffAce Tamil film director Pa Ranjith has announced his Bollywood debut with a film on the life of Birsa Munda, a tribal leader from Jharkhand who stood up to British colonial oppressors in the 19th century. The announcement came on November 15, which is also commemorated as Birsa Munda Jayanti or the birth anniversary of the leader. Namah Pictures, the makers of the film, said in a tweet on Friday, “On the occasion of Birsa Munda Jayanti, Namah Pictures proudly announces a film based on the life of the revolutionary leader to be directed by filmmaker @beemji . #BirsaMunda - a real life hero who single handedly raised an army of tribals and fought against the British.” On the occasion of Birsa Munda Jayanti, Namah Pictures proudly announces a film based...
- 11/16/2018
- by Manasa
- The News Minute
The BBC Culture annual critics’ poll has become one of the most anticipated film lists over the last three years. After asking critics to weigh in on the best American films (“Citizen Kane” topped the list), the best films of the 21st century (“Mulholland Drive” in first), and the best comedy movies (“Some Like It Hot” crowned the best), the BBC Culture has turned this year to the 100 greatest achievements in foreign-language film.
This year’s list was curated from top 10 lists from 209 film critics across 43 countries, including IndieWire’s own Kate Erbland and Christian Blauvelt. BBC Culture awarded 10 points to each critics’ first-ranked film, 9 for the second-ranked, and so on down to one. The finalized top 100 list was curated based on this point system.
Sitting on the top of the BBC Culture list is Akira Kurosawa’s “Seven Samurai.” The film’s breathtaking scope and intimate character work has...
This year’s list was curated from top 10 lists from 209 film critics across 43 countries, including IndieWire’s own Kate Erbland and Christian Blauvelt. BBC Culture awarded 10 points to each critics’ first-ranked film, 9 for the second-ranked, and so on down to one. The finalized top 100 list was curated based on this point system.
Sitting on the top of the BBC Culture list is Akira Kurosawa’s “Seven Samurai.” The film’s breathtaking scope and intimate character work has...
- 10/30/2018
- by Zack Sharf
- Indiewire
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