Battaglia di Algeri, La (1966)

Director:

Gillo Pontecorvo

Writers:

Gillo Pontecorvo (writer)
Franco Solinas (writer)

Release Date:

20 September 1967 (USA)

Genre:

Drama | History | War

Tagline:

The French Colonel...who was forced even to torture! One of the many women...who stopped at nothing to win! The Algerian Street Boy...who became a rebel hero!

Plot:

A surprisingly unbiased account of the bloodiest revolution in modern history.

Plot Keywords:

Uniform | Battle | French Soldier | Kicked In Butt | French Army

Awards:

Nominated for 3 Oscars. Another 7 wins

Cast

Brahim Hadjadj	...	Ali La Pointe (as Brahim Haggiag)
Jean Martin	...	Col. Mathieu
Yacef Saadi	...	Djafar (as Saadi Yacef)
Samia Kerbash	...	One of the girls
Ugo Paletti	...	Captain
Fusia El Kader	...	Halima
Omar
rest of cast listed alphabetically:
Mohamed Ben Kassen	...	Petit Omar

Also Known As:

Maarakat madinat al Jazaer (Algeria: Arabic title)
The Battle of Algiers (USA)

Runtime:

121 min

Country:

Algeria | Italy

Language:

Italian | French | English | Arabic

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

USA:Not Rated | Norway:16 | Brazil:14 | Canada:14A (Ontario) | Canada:G (Quebec) | Finland:K-16 | France:(Banned) (1965-1971) | Spain:18 | Sweden:15 | UK:15 (video rating) (1993) | UK:X (original rating) | West Germany:16 | Australia:M

Filming Locations:

Algeria

Company:

Casbah Film

Trivia:

This film was shot like a documentary. It was banned in France, and the torture scenes were cut in the US and UK.

Goofs:

Continuity: The foot responsible for tripping Ali when running down the street changes from the right to the left foot between cuts.

Quotes:

Col. Mathieu: We aren't madmen or sadists, gentlemen. Those who call us Fascists today, forget the contribution that many of us made to the Resistance. Those who call us Nazis, don't know that among us there are survivors of Dachau and Buchenwald. We are soldiers and our only duty is to win.

Movie Connections:

Featured in Avocat de la terreur, L' (2007)

An unforgettable study of occupation and defeat.

In 1962 after more than 130 years of French colonial rule, Algeria became independent. Gillo Pontecorvo's `Algiers' shows the decade leading to that liberation in a powerful story about Muslims asserting their rights through violence, hiding, and plotting in the Kasbah, a demiworld of narrow, winding, seemingly endless alleys that are the only protection the rebels have from the eyes of the French. The re-release of the 1965 black and white film is a convincing story of a people who do not want to be occupied and will give their lives so their families can one day be free.

The story centers on a couple of Muslim leaders, the charismatic Col. of the French forces, and the bombings and shootouts that at one point averaged just over 4 per day. The film's sympathy is for the Muslims, but the Colonel has moments of reflection that could be sympathetic, especially with the revelation that he was a member of the resistance in WWII and may have suffered in a concentration camp. The director shows the influence of Italian neo-realists like Roberto Rossellini (`Paisan') by shooting in documentary style on location, using non-actors (except for the Colonel), and generally avoiding an agitprop angle.

But the film's sympathy in the end belongs to the occupied people. When 3 rebel women change appearance to look French, infiltrate, and plant bombs, the irony obvious to American audiences in their current struggle is a tribute to the strength of the narration and characterization and the universal dislike of occupation and subjugation.

The torture of the Muslim prisoners is the most poignant relevance to the recent scandal in Iraq. The Colonel's justification for the practice to gain life-saving information is classic `ends-justify-the-means' logic still being used by great nations. In fact, the Pentagon reportedly had seen this film during the first days of the second Iraq War; some say they learned nothing from the film, which is an unforgettable study of occupation and defeat.