Completed during the final year (1948) of Hopalong Cassidy feature film-making, this effort unsuccessfully blends humour with a customary action element, relating of quarrels among a crusty schoolteacher and two rival saloon owners, with Hopalong (William Boyd) and his two sidekicks, Lucky Jenkins (Rand Brooks) and California Carlson (Andy Clyde) finding themselves trying to mediate the various conflicts while Hoppy and California fill in for the schoolmarm (Anne O'Neal) who has been kidnapped as punishment for breaking saloon windows with apples. Produced by Boyd for United Artists and filmed in California's picturesque Inyo County, the work fails to maintain a consistent tone and, although the cast provides good performances from veteran supporting players Byron Foulger, Earle Hodgins and Cliff Clark, tepid direction from generally reliable George Archainbaud, along with very sloppy editing, leave their markings; there is, however, a nifty score by Darrell Calker who composed for many "B"s, and always adroitly.
10 Reviews
One feisty schoolteacher
bkoganbing16 May 2015
After selling off some Bar 20 cattle Hoppy, Lucky, and California run into some Borrowed Trouble when the rivalry between two saloon owners takes an interesting twist. Borrowed Trouble is stolen from our cowboy heroes by the performance of Anne O'Neal as one feisty schoolteacher who has it in for one of the saloon owners.
Seems as though his place during the daylight hours is quite the fascination for her pupils especially those just starting those pangs of puberty. She emphasizes to Hoppy that John Parrish's place is too much for her to deal with and she's going to close it one way or another. All while telling Hoppy that she's no kind of blue nosed reformer though she sure looks like she belongs in Carry Nation's army.
Can't go any farther because this story does take an interesting twist. Let's say that some forensic evidence tells the tale to Hopalong Cassidy who O'Neal insists upon calling William.
Some nice scenes with Hoppy and the school kids show why he was such an idol among America's youth and Andy Clyde teaching a bunch of kids all smarter than him is a hoot.
One of the better of the later Hopalong Cassidy films. All owing to Anne O'Neal.
Seems as though his place during the daylight hours is quite the fascination for her pupils especially those just starting those pangs of puberty. She emphasizes to Hoppy that John Parrish's place is too much for her to deal with and she's going to close it one way or another. All while telling Hoppy that she's no kind of blue nosed reformer though she sure looks like she belongs in Carry Nation's army.
Can't go any farther because this story does take an interesting twist. Let's say that some forensic evidence tells the tale to Hopalong Cassidy who O'Neal insists upon calling William.
Some nice scenes with Hoppy and the school kids show why he was such an idol among America's youth and Andy Clyde teaching a bunch of kids all smarter than him is a hoot.
One of the better of the later Hopalong Cassidy films. All owing to Anne O'Neal.
Hoppy Lends A Hand
boblipton25 August 2019
The 64th of 66 Hopalong Cassidy movies sees William Boyd as Hoppy intervening in a feud. John Parrish's saloon is right next door to Anne O'Neal's schoolhouse. She won't have her classes disrupted, so throws apples through the saloon windows. Then one morning, Miss O'Neal is missing, so Boyd puts Andy Clyde in charge of the school and heads off in search of clues.
It's a very funny mystery in the series, with Miss O'Neal prim and proper, insisting on addressing Hopalong not as Hoppy, not as Bill, but as William. Born in 1893, she entered films in the early 1930s. She toiled as an uncredited extra in more than 100 film appearances, with only the occasional listing. She did somewhat better in television. She retired after her last appearance in a 1962 TWILIGHT ZONE episode and died in 1971.
It's a very funny mystery in the series, with Miss O'Neal prim and proper, insisting on addressing Hopalong not as Hoppy, not as Bill, but as William. Born in 1893, she entered films in the early 1930s. She toiled as an uncredited extra in more than 100 film appearances, with only the occasional listing. She did somewhat better in television. She retired after her last appearance in a 1962 TWILIGHT ZONE episode and died in 1971.
A Matter of Taste
dougdoepke28 October 2010
This entry in the Hoppy series is pretty much a matter of taste. There's not much hard- riding or fast-shooting; however, the Lone Pine locations do provide some good big rock scenery. Also, the plot's a little different. Saloon owner Mawson is feuding with both rival saloon owner Davis and with schoolmarm Abott who can't teach with a saloon next door. When Abott mysteriously disappears, Hoppy and the boys investigate.
The entry may be a little short of action, but the dialog and interplay between characters is better than usual. Anne O'Neal is excellent as the spinsterish schoolmarm with several good throwaway lines— (On their first meeting), Hoppy, "My name is Hopalong Cassidy". Schoolmarm, "That's not my fault. Maybe you should change it !".
The ending is also something of a departure and surprise. Then too, I suspect the series was aiming for both a change of pace and a story more directly involving kids (here, it's the amusing school kids). Lucky (Rand Brooks) has his usual mock romance, this time with a dimpled saloon girl (Chapman). Nonetheless, I think the series lost a lot when Russell Hayden withdrew from the cast as Lucky. He was so good at being moonstruck in these romantic situations.
Anyway, this rather offbeat 60-minutes in the Hoppy series is short on action but long in other departments, and remains largely a matter of taste.
The entry may be a little short of action, but the dialog and interplay between characters is better than usual. Anne O'Neal is excellent as the spinsterish schoolmarm with several good throwaway lines— (On their first meeting), Hoppy, "My name is Hopalong Cassidy". Schoolmarm, "That's not my fault. Maybe you should change it !".
The ending is also something of a departure and surprise. Then too, I suspect the series was aiming for both a change of pace and a story more directly involving kids (here, it's the amusing school kids). Lucky (Rand Brooks) has his usual mock romance, this time with a dimpled saloon girl (Chapman). Nonetheless, I think the series lost a lot when Russell Hayden withdrew from the cast as Lucky. He was so good at being moonstruck in these romantic situations.
Anyway, this rather offbeat 60-minutes in the Hoppy series is short on action but long in other departments, and remains largely a matter of taste.
An engaging and charming movie
Paularoc11 June 2012
Miss Abbott (Anne ONeal) is a schoolteacher who is having a running battle with saloon owner Steve Mawson (John Parrish) over the proximity of his saloon to the schoolhouse. Hoppy goes to see the teacher after he catches her breaking the windows in Mawson's saloon by heaving apples through them. Abbott is the stereotypical curmudgeonly, yet curiously likable old spinsterish teacher. Sometimes the supporting actors get all the best lines. After Hoppy introduces himself as Hopalong Cassidy, she tells him "I can't do anything about that, why don't you change it." He informs her that Hopalong is a nickname and that his real name is Bill, so of course she calls him "William" throughout the movie. She also gets in another zinger later when – after she has hit a bad guy – Lucky tells her "You sure knocked him out," she says, "That's nothing, he was unconscious fifteen years ago when he was a student of mine". After the apple-throwing incident, the teacher is kidnapped. Both California and Hoppy briefly look after the school children. Hoppy's scenes with the children are delightful and a highlight of the film. The ending of the film had a nice little twist to it. I agree there's not a lot of action in this film but it is an engaging, funny and quite charming film. As one reviewer said – it's all a matter of taste.
Not one of the brighter entries in the series!
JohnHowardReid8 February 2018
Warning: Spoilers
A United Artists rfelease, 1 July 1948, directed by George Archainbaud.
CAST: William Boyd, Andy Clyde, Rand Brooks, Elaine Riley, John Kellogg, Helen Chapman, John Parrish, Cliff Clark, Anne O'Neal, Earle Hodgins, Herbert Rawlinson, Don Haggerty, James Harrison.
Running time: 59 minutes. (Available on an excellent Platinum Disc or Echo Bridge DVD).
COMMENT: This one not only offers a plot line that's rather dull but cheats outrageously in order to bring about a "surprise" ending. Obviously aimed at a kiddies' audience, it wastes an enormous amount of time in the school room. True, Anne O'Neal does well by the typically spinsterish school marm, but Andy Clyde has obviously been encouraged to way over-act. Fortunately, Helen Chapman makes a dandy saloon girl, but she's not in the movie all that much. Admittedly, John Parrish does his best to fill in for Morris Ankrum as the villain and it's good to see barkeep Byron Foulger stooging for Clyde, as well as Earle Hodgins making the best of his running gag as an always-late sheriff. All told though, it's a disinterestedly directed entry that out-stays its welcome even at 59 minutes.
CAST: William Boyd, Andy Clyde, Rand Brooks, Elaine Riley, John Kellogg, Helen Chapman, John Parrish, Cliff Clark, Anne O'Neal, Earle Hodgins, Herbert Rawlinson, Don Haggerty, James Harrison.
Running time: 59 minutes. (Available on an excellent Platinum Disc or Echo Bridge DVD).
COMMENT: This one not only offers a plot line that's rather dull but cheats outrageously in order to bring about a "surprise" ending. Obviously aimed at a kiddies' audience, it wastes an enormous amount of time in the school room. True, Anne O'Neal does well by the typically spinsterish school marm, but Andy Clyde has obviously been encouraged to way over-act. Fortunately, Helen Chapman makes a dandy saloon girl, but she's not in the movie all that much. Admittedly, John Parrish does his best to fill in for Morris Ankrum as the villain and it's good to see barkeep Byron Foulger stooging for Clyde, as well as Earle Hodgins making the best of his running gag as an always-late sheriff. All told though, it's a disinterestedly directed entry that out-stays its welcome even at 59 minutes.
"That sure was fast shootin' Hoppy!"
classicsoncall30 December 2014
Warning: Spoilers
This is a bit of a change of pace for a Western. A spinsterish schoolmarm (Anne O'Neal) declares a running feud with saloon owner Mawson (John Parrish) about to open a new establishment right across the street from her school. When Miss Abott breaks the windows of The Golden Mill, Mawson naturally assumes it was done by Davis (Cliff Clark) of the rival Big Dome Saloon. Right there a big old question mark arose in the story for me - why wouldn't Miss Abott be opposed to both gin mills instead of just Mawson's? The Big Dome was just down the street from the one about to open.
Well I guess one wasn't supposed to wonder about things like that. Hopalong Cassidy (William Boyd) and his pals Lucky Jenkins (Rand Brooks) and California Carlson (Andy Clyde) arrive in town just in time to help settle things down before they get too riled up. There's a nice scene of Hoppy interacting with the school kids, and the youngsters have a fine time propping up a dunce cap atop California's head when he falls asleep watching the classroom.
Meanwhile, Miss Abott is kidnapped by Davis's henchmen with the dual objective of blaming it on Mawson and getting his potential competitor to close down. As Hoppy gets to the bottom of the real high-jacker's identity, Miss Abott thwarts a shootout between Davis and Mawson when she targets one of her trusty apples at Davis's gun - talk about an apple a day!
Well it's always interesting to catch an old Western like this where the story doesn't revolve around your standard rustling or mineral rights issue. The inclusion of Miss Abott as a surprisingly refreshing comic figure was an added bonus, and I had to chuckle over the way she characterized the three R's the saloon owners brought to town - 'rye, rabble and roulette'.
Well I guess one wasn't supposed to wonder about things like that. Hopalong Cassidy (William Boyd) and his pals Lucky Jenkins (Rand Brooks) and California Carlson (Andy Clyde) arrive in town just in time to help settle things down before they get too riled up. There's a nice scene of Hoppy interacting with the school kids, and the youngsters have a fine time propping up a dunce cap atop California's head when he falls asleep watching the classroom.
Meanwhile, Miss Abott is kidnapped by Davis's henchmen with the dual objective of blaming it on Mawson and getting his potential competitor to close down. As Hoppy gets to the bottom of the real high-jacker's identity, Miss Abott thwarts a shootout between Davis and Mawson when she targets one of her trusty apples at Davis's gun - talk about an apple a day!
Well it's always interesting to catch an old Western like this where the story doesn't revolve around your standard rustling or mineral rights issue. The inclusion of Miss Abott as a surprisingly refreshing comic figure was an added bonus, and I had to chuckle over the way she characterized the three R's the saloon owners brought to town - 'rye, rabble and roulette'.
boring, slight story
chipe15 June 2015
This was the 64th of 66 Hoppy movies, and it was one of the worst, unfortunately. The few things to like in the movie are: (1) the neat title to the movie, "Borrowed Trouble;" I always liked that; (2) the wordless scenes at the start of the movie — the cowboys driving the cattle through the plains to the railhead; good mountain scenery; (3) Anne O'Neal's performance as the crusty, feisty old schoolmarm was at turns charming and tolerable; and (4) a surprising twist ending when the "mystery" was solved.
Those are all minor good points and are weighted down by the many many minutes of bad aspects: tedious repetitive scenes; lack of action; and California's stupid humor that would try the patience of a child. The plot was no great shakes, relied on coincidences (gifts from heaven). The main story line lacked much interest — the noise from a saloon disrupting the teaching of children in the near-by school house.
Those are all minor good points and are weighted down by the many many minutes of bad aspects: tedious repetitive scenes; lack of action; and California's stupid humor that would try the patience of a child. The plot was no great shakes, relied on coincidences (gifts from heaven). The main story line lacked much interest — the noise from a saloon disrupting the teaching of children in the near-by school house.
A HUGE change of pace for Hoppy and the gang...and I liked it!
planktonrules5 October 2020
Some time ago, the old Hopalong Cassidy films were fully restored to original length and with lovely pristine prints. Fortunately, they were then uploaded to YouTube...where you can see these films for free. I strongly recommend it, as the Cassidy films are at least the equals of Roy Rogers and Gene Autry.
"Borrowed Trouble" is a very, very unusual installment in the Hopalong Cassidy series. While I really wanted to score it 7.5, I'll round up to 8...because it did dare to be so very different. This is a great thing, as it's one of the last films in the series and instead of just retreading old plots, this one is wholly original...and quite funny.
Hoppy and his two pals arrive in town. Then, something strange happens....the local school teacher begins throwing apples through the windows of the saloon that is smack next to her school! She's tossing apples because the saloon owner promised to build elsewhere...but the noise and crowd inside make teaching the kids difficult to say the least. Hoppy sees this and tries his best to mediate...but to no avail. Soon, the teacher is kidnapped...and all the signs point to this saloon-keeper. What's next? See the film.
I love the slow, leisurely pace of this one. I also loved seeing California trying to fill in for the teacher...even though he practically knows nothing! Very clever and with an amazingly violent finale where the teacher herself delivers some justice! Well worth your time.
"Borrowed Trouble" is a very, very unusual installment in the Hopalong Cassidy series. While I really wanted to score it 7.5, I'll round up to 8...because it did dare to be so very different. This is a great thing, as it's one of the last films in the series and instead of just retreading old plots, this one is wholly original...and quite funny.
Hoppy and his two pals arrive in town. Then, something strange happens....the local school teacher begins throwing apples through the windows of the saloon that is smack next to her school! She's tossing apples because the saloon owner promised to build elsewhere...but the noise and crowd inside make teaching the kids difficult to say the least. Hoppy sees this and tries his best to mediate...but to no avail. Soon, the teacher is kidnapped...and all the signs point to this saloon-keeper. What's next? See the film.
I love the slow, leisurely pace of this one. I also loved seeing California trying to fill in for the teacher...even though he practically knows nothing! Very clever and with an amazingly violent finale where the teacher herself delivers some justice! Well worth your time.
Borrowed Trouble
coltras3515 February 2024
Finishing a trail drive, Hoppy and the boys head to town and immediately get caught up in the conflict between school teacher Miss Abott and next door saloon owner Mawson. When Miss Abott disappears, Hoppy gets a clue to her location and rescues her from Mawson's cabin. It looks like Mawson is the man he wants, but Hoppy finds an item that indicates otherwise.
Anne O Neal is amusing as a school Mark who throws apples at the saloon, which was meant to be a store but the owner reneged on his promise and built a saloon. She's quite feisty in the role and calls Hoppy William. There's some chortling one liners, an unusual slant in regard to this being saloon keeper vs a school teacher. Not a striking episode, the plot is thin, but it has interesting bits.
Anne O Neal is amusing as a school Mark who throws apples at the saloon, which was meant to be a store but the owner reneged on his promise and built a saloon. She's quite feisty in the role and calls Hoppy William. There's some chortling one liners, an unusual slant in regard to this being saloon keeper vs a school teacher. Not a striking episode, the plot is thin, but it has interesting bits.
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