England was in a terrible state in the late forties: the cost of the war had bankrupted the country, industry and employment was decimated and crime rates were through the roof. Not too different to America in the early thirties. So, to cheer us up - to give us some escapist entertainment Rank Films gave us this misery fest!
It's no GOLD DIGGERS OF 1933! Optimistic is not an adjective anyone would use to describe this but nevertheless it will keep you glued to the screen. It's not escapist fun, it's not sexy but it is beautifully made.
You'll be cringing as Gwen, 'the good time girl' played brilliantly by Jean Kent, makes stupid decision after stupid decision plunging her life spiralling down the toilet. Virtually every man she pairs up with is worst than the last one - indeed it doesn't paint a pleasant picture of men at all. What it does do is paint a picture of a land where the victory jubilation has given way to an utterly grim and cold reality.
If you've watched lots of pre-code Hollywood movies you'll be familiar with such plots but because it feels much more realistic than a lot of what Hollywood made during those lean years of the thirties, it feels more personal. You can really empathise with poor Gwen and think; there but by the grace of God go I.
Personally I think this would benefit from not having what feels like a morality lecture bolted on to the beginning and the end but the main body of this film is incredibly compelling. Unless you've just watched BICYCLE THIEVES, which manages to be even more relentlessly grim, you're not going to feel especially happy after watching this but it's very satisfying. It's a superbly well made film.
It's no GOLD DIGGERS OF 1933! Optimistic is not an adjective anyone would use to describe this but nevertheless it will keep you glued to the screen. It's not escapist fun, it's not sexy but it is beautifully made.
You'll be cringing as Gwen, 'the good time girl' played brilliantly by Jean Kent, makes stupid decision after stupid decision plunging her life spiralling down the toilet. Virtually every man she pairs up with is worst than the last one - indeed it doesn't paint a pleasant picture of men at all. What it does do is paint a picture of a land where the victory jubilation has given way to an utterly grim and cold reality.
If you've watched lots of pre-code Hollywood movies you'll be familiar with such plots but because it feels much more realistic than a lot of what Hollywood made during those lean years of the thirties, it feels more personal. You can really empathise with poor Gwen and think; there but by the grace of God go I.
Personally I think this would benefit from not having what feels like a morality lecture bolted on to the beginning and the end but the main body of this film is incredibly compelling. Unless you've just watched BICYCLE THIEVES, which manages to be even more relentlessly grim, you're not going to feel especially happy after watching this but it's very satisfying. It's a superbly well made film.