....That makes you want to find the executive (-s) responsible and slap them upside the head with a frozen tuna.
Seriously, this is one of the best cop shows made ever. Right out of the gate, you've got a show stuffed with well-written and well-rounded characters, absurd humor, sensitively written drama, tense action, and several subplots deserving of exploration.
Let's talk about the casting. Even at the time, when so many of these names and faces would go on to even more amazing roles, this was an amazing cast. Amber Tamblyn, Jeremy Renner, Harold Perrineau, Adam Goldberg, Terry Kinney, Monique Curnen. Even the guest stars: Miles Teller, Corey Stoll, Joanna Gleason (a national treasure btw), Chris Sarandon (same). And we can't forget the voice of the show, Marisa Vural as "Dispatch." There was so much talent here, it's almost criminal. (Har har har.)
Next we have the series writers, which included: Sarah Watson (whose credits include About a Boy, Parenthood, Pure Genius, and That's So Raven), Danny Zucker (The Arsenio Hall Show, Evening Shade, Roseanne, Grace Under Fire, Modern Family), Melissa Byer (Stargate: Atlantis, Crossing Jordan, Reaper, CSI, The Gifted), Robert De Laurentiis (St. Elsewhere, Providence, The O. C., The Umbrella Academy, Fargo). And let's not forget the series creator, Noah Hawley who wrote for Bones, Legion, and Fargo, while producing and directing episodes of the same (among other series). I mean, the man has won an Emmy, a Golden Globe, a Peabody Award, he's a novelist, screenwriter, series creator, showrunner, director, and producer. He's accurately named an auteur.
So with so much goodness wrapped around a show like this, why the hell was it cancelled? Well, it had disappointing numbers, ones that started out low and dropped even further as the weeks went on. Yet shows such as The Dick Van Dyke Show, The Mary Tyler Moore Show, All in the Family, M*A*S*H, Family Ties, Cheers, Seinfeld, and Homicide were the same and I think we know how they turned out. So, then, ultimately, why was The Unusuals cancelled? Was it cop show burnout? Was it insufficient advertising? Was it impatience with a more complex storyline and characters? I'm thinking all of the above, along with the standard issue of executive ignorance and - the worst possible reason - bad luck. So many shows succeeded when they should've failed because they dropped at the right time and caught the right audience. So many other shows failed when they should've succeeded because of the opposite - they never found their footing or the audience, advertiser, and executive support. Sadly, The Unusuals fell into this last category, joining a far too long list of other "Cancelled Too Soon" shows. But a show totally worthy of rewatching, if only to enjoy what was and mourn what could've been.
Seriously, this is one of the best cop shows made ever. Right out of the gate, you've got a show stuffed with well-written and well-rounded characters, absurd humor, sensitively written drama, tense action, and several subplots deserving of exploration.
Let's talk about the casting. Even at the time, when so many of these names and faces would go on to even more amazing roles, this was an amazing cast. Amber Tamblyn, Jeremy Renner, Harold Perrineau, Adam Goldberg, Terry Kinney, Monique Curnen. Even the guest stars: Miles Teller, Corey Stoll, Joanna Gleason (a national treasure btw), Chris Sarandon (same). And we can't forget the voice of the show, Marisa Vural as "Dispatch." There was so much talent here, it's almost criminal. (Har har har.)
Next we have the series writers, which included: Sarah Watson (whose credits include About a Boy, Parenthood, Pure Genius, and That's So Raven), Danny Zucker (The Arsenio Hall Show, Evening Shade, Roseanne, Grace Under Fire, Modern Family), Melissa Byer (Stargate: Atlantis, Crossing Jordan, Reaper, CSI, The Gifted), Robert De Laurentiis (St. Elsewhere, Providence, The O. C., The Umbrella Academy, Fargo). And let's not forget the series creator, Noah Hawley who wrote for Bones, Legion, and Fargo, while producing and directing episodes of the same (among other series). I mean, the man has won an Emmy, a Golden Globe, a Peabody Award, he's a novelist, screenwriter, series creator, showrunner, director, and producer. He's accurately named an auteur.
So with so much goodness wrapped around a show like this, why the hell was it cancelled? Well, it had disappointing numbers, ones that started out low and dropped even further as the weeks went on. Yet shows such as The Dick Van Dyke Show, The Mary Tyler Moore Show, All in the Family, M*A*S*H, Family Ties, Cheers, Seinfeld, and Homicide were the same and I think we know how they turned out. So, then, ultimately, why was The Unusuals cancelled? Was it cop show burnout? Was it insufficient advertising? Was it impatience with a more complex storyline and characters? I'm thinking all of the above, along with the standard issue of executive ignorance and - the worst possible reason - bad luck. So many shows succeeded when they should've failed because they dropped at the right time and caught the right audience. So many other shows failed when they should've succeeded because of the opposite - they never found their footing or the audience, advertiser, and executive support. Sadly, The Unusuals fell into this last category, joining a far too long list of other "Cancelled Too Soon" shows. But a show totally worthy of rewatching, if only to enjoy what was and mourn what could've been.