With the enterprise having 1000 + people aboard --- I guess it is no surprise that they have a 19th century fiction expert aboard. You never know when that could prove useful.
I wouldn't call this episode good but the distinctive sets / costumes / language of the 1940's is a welcome change of pace.
The dixon hill plot is pretty bare bones. He's a detective, right? Shouldn't he being doing actual detective work to resolve this?
Credit to Patrick Stewart for going all in on making those ridiculous noises at the end of the episode. That's the stiff upper lipped british performer professionalism we all have come to expect.
Bev Crusher is the best part of this one with her comedy scene/timing --- I was generally worried about her falling.... is it easy to fake falling when wearing high heels?
I wouldn't call this episode good but the distinctive sets / costumes / language of the 1940's is a welcome change of pace.
The dixon hill plot is pretty bare bones. He's a detective, right? Shouldn't he being doing actual detective work to resolve this?
Credit to Patrick Stewart for going all in on making those ridiculous noises at the end of the episode. That's the stiff upper lipped british performer professionalism we all have come to expect.
Bev Crusher is the best part of this one with her comedy scene/timing --- I was generally worried about her falling.... is it easy to fake falling when wearing high heels?