What this low budget movie lacks in originality, it more than makes up for in sheer effort, and a refusal to abandon the classic ghost story. Its the kind of script that if Sam Raimi or James Wan had gotten their hands on, there would be a totally different discussion all around about this movie.
The focused, incredibly simple, mother-daughter premise is worthy of Japanese horror, translated through Lifetime's unique way of doing things. Jeri Ryan's luck as an iconic television actress is all over this project, with music, cinematography and other production values that make this a cut above most tv movies. Ryan as the mother to the two very smart, very pretty daughters seriously adds to the inspired simplicity of this story, which wisely chooses to obey every cliché, until their tragic little narrative point is made. Better than a lot of big budget horror nonsense from Hollywood these days.
The focused, incredibly simple, mother-daughter premise is worthy of Japanese horror, translated through Lifetime's unique way of doing things. Jeri Ryan's luck as an iconic television actress is all over this project, with music, cinematography and other production values that make this a cut above most tv movies. Ryan as the mother to the two very smart, very pretty daughters seriously adds to the inspired simplicity of this story, which wisely chooses to obey every cliché, until their tragic little narrative point is made. Better than a lot of big budget horror nonsense from Hollywood these days.