Few names in comedy are as iconic as those of Stan Laurel and Oliver Hardy. Though not all their works were equal, by and large they stood alongside contemporaries like Buster Keaton, Harold Lloyd, and The Three Stooges with a steady stream of gags, physical comedy, situational humor, witty repartee, and not least the terrific dynamics between the stars. It speaks well to this 1942 title that it starts strong with a good few laughs, and at its best 'A-haunting we will go' is right on par with the duo's best films. It's not necessarily entirely perfect compared to others among their oeuvre, but it's hard to go wrong with Laurel and Hardy, and this ample demonstration of why they continue to be held in such esteem.
The shenanigans are reliably delightful at all times, and the nature of the plot in this instance allows for some flavors that are unique from those the legends' other pictures. One problem that this feature does distinctly have is that it's a tad imbalanced, for there is a lot of story packed into these sixty-six minutes as two hobos get mixed up with gangsters, and then a touring illusionist. Wherever that narrative receives focus the pacing is dragged down a bit, and the entertainment in turn, all the way through to the very end. On a like note, there's no disputing that "Dante the Magician" is a great showman and a fine addition to the roster for this flick; nevertheless, devoting a bit of the short runtime to his own antics further diminishes the screen time for Stan and Ollie. One consequence of our stars being shoved into a corner is that 'A-haunting we will go' feels less and less like a Laurel and Hardy flick, and more ordinary, alongside other 40s fare.
In fairness, these issues are less prominent in the back end as all the facets converge, and with that especially in mind - overall the movie is so fun, with the latter half making up for earlier issues, that we begin to forget about any troubles we recognized in the first place. All those stunts and effects that are employed are fantastic across the board, with some being even more complicated than what we've seen elsewhere with these two. Aspects like the sets, costume design, and hair and makeup are lovely, too, as they help flesh out the whole. Writers Lou Breslow and Stanley Rauh whipped up a swell tale to propel the silliness, and all the scene writing and bits are terrifically sharp and smart. Alfred L. Werker's direction ties all the moving parts together well, with some buzzing energy - though his task is certainly made easier with a splendid ensemble who do much of the heavy lifting themselves. Laurel and Hardy carry much of the title, by all means, but the big supporting cast easily rises to the occasion, with Dante and George Lynn easily standing out, among others.
All told I'd stop short of calling this a total must-see; in the very least, there are other films from the pair that I'd suggest more highly, including 'Saps at sea' and 'Swiss miss.' Even at that, whatever subjective faults one might reasonably assess against this ultimately turn out to seem pretty minor relative to how fabulously enjoyable it is otherwise. Whether you're a fan of the stars or really just looking for a good time you'll unmistakably find it here, and for the level at which the icons mostly operated, the minutiae don't particularly matter. 'A-haunting we will go' is another classic comedy from Laurel and Hardy, and I'm pleased to give it my hearty recommendation!
The shenanigans are reliably delightful at all times, and the nature of the plot in this instance allows for some flavors that are unique from those the legends' other pictures. One problem that this feature does distinctly have is that it's a tad imbalanced, for there is a lot of story packed into these sixty-six minutes as two hobos get mixed up with gangsters, and then a touring illusionist. Wherever that narrative receives focus the pacing is dragged down a bit, and the entertainment in turn, all the way through to the very end. On a like note, there's no disputing that "Dante the Magician" is a great showman and a fine addition to the roster for this flick; nevertheless, devoting a bit of the short runtime to his own antics further diminishes the screen time for Stan and Ollie. One consequence of our stars being shoved into a corner is that 'A-haunting we will go' feels less and less like a Laurel and Hardy flick, and more ordinary, alongside other 40s fare.
In fairness, these issues are less prominent in the back end as all the facets converge, and with that especially in mind - overall the movie is so fun, with the latter half making up for earlier issues, that we begin to forget about any troubles we recognized in the first place. All those stunts and effects that are employed are fantastic across the board, with some being even more complicated than what we've seen elsewhere with these two. Aspects like the sets, costume design, and hair and makeup are lovely, too, as they help flesh out the whole. Writers Lou Breslow and Stanley Rauh whipped up a swell tale to propel the silliness, and all the scene writing and bits are terrifically sharp and smart. Alfred L. Werker's direction ties all the moving parts together well, with some buzzing energy - though his task is certainly made easier with a splendid ensemble who do much of the heavy lifting themselves. Laurel and Hardy carry much of the title, by all means, but the big supporting cast easily rises to the occasion, with Dante and George Lynn easily standing out, among others.
All told I'd stop short of calling this a total must-see; in the very least, there are other films from the pair that I'd suggest more highly, including 'Saps at sea' and 'Swiss miss.' Even at that, whatever subjective faults one might reasonably assess against this ultimately turn out to seem pretty minor relative to how fabulously enjoyable it is otherwise. Whether you're a fan of the stars or really just looking for a good time you'll unmistakably find it here, and for the level at which the icons mostly operated, the minutiae don't particularly matter. 'A-haunting we will go' is another classic comedy from Laurel and Hardy, and I'm pleased to give it my hearty recommendation!