The Munarto family has recently lost its matriarch, and the teenage son Tomi (Fachrul Rozy) is not dealing with it very well. He is seeing visions of his late mother (Diana Suarkom) on the property, and soon his older sister Rita (Siska Widowati) is likewise experiencing strange, supernatural things. It becomes clear that there are unkind spirits on the property, and the arrival of a new housekeeper, Darminah (Ruth Pelupessi), will not ease anybody's concerns since the viewer can tell that she does not have the best interests of this family at heart.
Overlooked by the mainstream audience in North America, this intense Indonesian horror film would make a good double feature with another picture from that country, "Mystics in Bali". This one lives up to the word "horror", with plenty of spooky, sinister atmosphere to spare. It does not take long for the bad stuff to start happening. Fortunately, this family is likeable enough (W. D. Mochtar, who's also in "Mystics in Bali", plays the father / widower) that one can easily root for them. Most importantly, in a country where peoples' faith is often quite strong, this isn't a particularly religious family, so outside forces urge them to find God in a hurry.
The cast is good (Pelupessi is a standout), the imagery is creepy, there is some effective gore on occasion, and the story steadily builds to a fantastic climax. There is even some amusing humor on occasion that never detracts from the overall seriousness of the tale.
If one is looking to discover Asian genre cinema, I would definitely recommend this one to interested parties.
Eight out of 10.
Overlooked by the mainstream audience in North America, this intense Indonesian horror film would make a good double feature with another picture from that country, "Mystics in Bali". This one lives up to the word "horror", with plenty of spooky, sinister atmosphere to spare. It does not take long for the bad stuff to start happening. Fortunately, this family is likeable enough (W. D. Mochtar, who's also in "Mystics in Bali", plays the father / widower) that one can easily root for them. Most importantly, in a country where peoples' faith is often quite strong, this isn't a particularly religious family, so outside forces urge them to find God in a hurry.
The cast is good (Pelupessi is a standout), the imagery is creepy, there is some effective gore on occasion, and the story steadily builds to a fantastic climax. There is even some amusing humor on occasion that never detracts from the overall seriousness of the tale.
If one is looking to discover Asian genre cinema, I would definitely recommend this one to interested parties.
Eight out of 10.