My review was written in March 1990 after watching the film on Vidmark video cassette.
"The Sleeping Car' is an above-average horror flick released theatrically Feb. 2 in regional markets such as Pittsburgh and Nashville ahead of it video debut in mid-May.
Effort by Vidmark aimed at theatrical audiences would probably have gotten a better shot several years ago before horror pics glutted the market.
It has a stronger plot and cast than usual in limning the familiar tale of haunting, in this case a railroad car that was the scene of sex and murder ten years earlier.
David Naughton is a little long in the tooth, but effective anyway, as the hero on the rebound from a failed marriage (with Dani Minnick) who goes back to school to study journalism with hip prof Jeff Conaway (a fun performance).
He rents the sleeping car as a cheap abode from goofy landlady Ernestinge Mercer and has '60s hippie leftover Kevin McCarthy as an even goofier neighbor. Thanks to interesting gore and makeup effects by John Carl Buechler (also doubling as actor in the ten-years-earlier segments), pic's depiction of poltergeist appearances has some novelty and drive.
Douglas Curtis pilots the picture with self-assurance, stumbling only in a series of false wakeup endings that are a direct lift from John Landis' "An American Werewolf in London", which also starred Naughton.
Greg O'Neill's flippant and unpretentious script is refreshing, giving Naughton plenty of tongue-in-cheek rejoinders to lighten up the film and establish a tone early on that's amplified by Conaway' "everything is everything" approach.
Judie Aronson, who made a nice impression in a small role in "Cool Blue", is an unusual looking beauty who is arresting as the sexually liberated romantic lead. Effects by Buechler and others are solid.
"The Sleeping Car' is an above-average horror flick released theatrically Feb. 2 in regional markets such as Pittsburgh and Nashville ahead of it video debut in mid-May.
Effort by Vidmark aimed at theatrical audiences would probably have gotten a better shot several years ago before horror pics glutted the market.
It has a stronger plot and cast than usual in limning the familiar tale of haunting, in this case a railroad car that was the scene of sex and murder ten years earlier.
David Naughton is a little long in the tooth, but effective anyway, as the hero on the rebound from a failed marriage (with Dani Minnick) who goes back to school to study journalism with hip prof Jeff Conaway (a fun performance).
He rents the sleeping car as a cheap abode from goofy landlady Ernestinge Mercer and has '60s hippie leftover Kevin McCarthy as an even goofier neighbor. Thanks to interesting gore and makeup effects by John Carl Buechler (also doubling as actor in the ten-years-earlier segments), pic's depiction of poltergeist appearances has some novelty and drive.
Douglas Curtis pilots the picture with self-assurance, stumbling only in a series of false wakeup endings that are a direct lift from John Landis' "An American Werewolf in London", which also starred Naughton.
Greg O'Neill's flippant and unpretentious script is refreshing, giving Naughton plenty of tongue-in-cheek rejoinders to lighten up the film and establish a tone early on that's amplified by Conaway' "everything is everything" approach.
Judie Aronson, who made a nice impression in a small role in "Cool Blue", is an unusual looking beauty who is arresting as the sexually liberated romantic lead. Effects by Buechler and others are solid.