My review was written in May 1988 after a Cannes Film Festival Market screening.
"Mortuary Academy" is a genuinely amusing feature, getting a lot of laughs from black humor involving necrophilia. Specialized nature of this poor taste material naturally will limit audience saturation, but pic works very well on its own terms.
The "Eating Raoul" acting team of Paul Bartel and Mary Woronov adapts quite comfortably to similar roles as the manage and top lecturer at Grimm Mortuary and Academy, which has just been inherited by brothers Sam and Max Grimm (Perry Lang, Christopher Atkins) on the condition they graduate as morticians.
Rambunctious group of oddball students gets up to antics that would do the "Carry On" team proud, climaxing in the mechanical whiz in their midst (deadpan Tracey Walker) reanimating a dead heavy metal band to perform one last gig with the aid of animatronics, and thereby earn enough money to save the academy, which Bartel has bled dry.
Hilarious running gag has Bartel falling in love with a young cheerleader who choked on popcorn at a drive-in movie (corpse played by Cheryl Starbuck). This love affair goes far beyond the reaches of bad taste, but is a hoot, climaxing with an indescribable scene of the students using Tracey's mechanics to blackmail Bartel as he makes love to Starbuck. Coda has Bartel and his corpse honeymooning on a cruise ship with grotesque results and a tagline homage to "Some Like It Hot".
Aided by a very funny romantic score by David Spear, director Michael Schroede and writer William Kelman deliver fresh, uncensored material. Pacing is just right and Bartel's unctuous delivery (a la Vincent Price) hits just the right note of campiness without exaggeration.
Woronov's arch delivery again is the perfect foil for Bartel, supported by a solid ensemble. Of special note is the familiar saturnine-faced Anthony James, getting maximum laughs out of some of the script's best lines in his role as a parolee on a rehab program at the academy.
"Mortuary Academy" is a genuinely amusing feature, getting a lot of laughs from black humor involving necrophilia. Specialized nature of this poor taste material naturally will limit audience saturation, but pic works very well on its own terms.
The "Eating Raoul" acting team of Paul Bartel and Mary Woronov adapts quite comfortably to similar roles as the manage and top lecturer at Grimm Mortuary and Academy, which has just been inherited by brothers Sam and Max Grimm (Perry Lang, Christopher Atkins) on the condition they graduate as morticians.
Rambunctious group of oddball students gets up to antics that would do the "Carry On" team proud, climaxing in the mechanical whiz in their midst (deadpan Tracey Walker) reanimating a dead heavy metal band to perform one last gig with the aid of animatronics, and thereby earn enough money to save the academy, which Bartel has bled dry.
Hilarious running gag has Bartel falling in love with a young cheerleader who choked on popcorn at a drive-in movie (corpse played by Cheryl Starbuck). This love affair goes far beyond the reaches of bad taste, but is a hoot, climaxing with an indescribable scene of the students using Tracey's mechanics to blackmail Bartel as he makes love to Starbuck. Coda has Bartel and his corpse honeymooning on a cruise ship with grotesque results and a tagline homage to "Some Like It Hot".
Aided by a very funny romantic score by David Spear, director Michael Schroede and writer William Kelman deliver fresh, uncensored material. Pacing is just right and Bartel's unctuous delivery (a la Vincent Price) hits just the right note of campiness without exaggeration.
Woronov's arch delivery again is the perfect foil for Bartel, supported by a solid ensemble. Of special note is the familiar saturnine-faced Anthony James, getting maximum laughs out of some of the script's best lines in his role as a parolee on a rehab program at the academy.