My review was written in December 1982 after a screening at Lyric theater on Manhattan's 42nd St.
Made during the horror production boom of 1980, "Scared to Death" is an unusual amalgam of the standard Earthbound killer on the rampage format with many elements lifted from the sci-fi hit "Alien". Never trade-screened, this thriller has already played off and is reviewed here for the record. Picture is unrelated to Ovidio Assonitis's "Scared to Death", aka "There Was Once a Child", also shot in 1980.
Monster on the loose in L. A. is a synthesized genetic organism, known as the Syngenor, the result of a genetic engineering experiment. While local police are searching for a maniac, it is the real killer, using its long tongue to live off its victims' spinal fluid.
Picture works best in atmospheric chases through the storm sewers, a favorite haunt of monsters dating back to "Them" and "The Snow Creature" in the early 1950s. Filmmaker William Malone's self-designed creature is effective when glimpsed briefly, but looks like a man in a rubber suit when shown too fully in the final reels. Besides the careful "Alien" imitation regarding the monster's appearances and attacks, pic's climax for dealing with the beast is taken from "The Fly".
Cast is okay, though little interest is created during the sluggish non-horror scenes. Credits are below par, with an adequate blowup from 16mm.
Made during the horror production boom of 1980, "Scared to Death" is an unusual amalgam of the standard Earthbound killer on the rampage format with many elements lifted from the sci-fi hit "Alien". Never trade-screened, this thriller has already played off and is reviewed here for the record. Picture is unrelated to Ovidio Assonitis's "Scared to Death", aka "There Was Once a Child", also shot in 1980.
Monster on the loose in L. A. is a synthesized genetic organism, known as the Syngenor, the result of a genetic engineering experiment. While local police are searching for a maniac, it is the real killer, using its long tongue to live off its victims' spinal fluid.
Picture works best in atmospheric chases through the storm sewers, a favorite haunt of monsters dating back to "Them" and "The Snow Creature" in the early 1950s. Filmmaker William Malone's self-designed creature is effective when glimpsed briefly, but looks like a man in a rubber suit when shown too fully in the final reels. Besides the careful "Alien" imitation regarding the monster's appearances and attacks, pic's climax for dealing with the beast is taken from "The Fly".
Cast is okay, though little interest is created during the sluggish non-horror scenes. Credits are below par, with an adequate blowup from 16mm.