I'll be honest, the second i saw the obviously out of place title card - my heart sank a little. I interpreted it as a sign of things to come, and i wasn't entirely wrong.
While i did enjoy some aspects of this film, it felt so tonally off, and it wasn't helped by certain cinematic choices. It feels like it tries too hard with the visual humour when the strong suit of The Munsters has always been subtle humour with an alternate take on modern life, but Rob Zombie's choice to structure the film as a cartoon come to life just feels like an unnecessary step to take since you're dealing with what're essentially Universal horror monsters. The transitions are incredibly jarring and they really take you out of the moment, and since they're so frequently spaced throughout the film and get worse with each one it really feels like the film never even has a chance to get going. Which is only made worse but the strange pacing of the plot and and a very sudden ending that comes out of nowhere.
As for the cinematic choices, not concerning transitions, the green lighting is so disheartening. It's unbelievably overused and it takes so much away from some of the more beautifully detailed sets. I can't really think of why it's used so much, other than perhaps as an homage to the green skin of the black and white characters that was always hinted to in the sixties show, but when you have actors caked in colourful makeup the lighting just comes across as another unnecessary presentation choice.
It's not always pleasant to look at and the jokes don't always land, but it does have it's enjoyable moments - such as Richard Brake's overly campy performance channelling Vincent Price from his B movie performances in the Roger Corman 'Poe' movies - yet it's hard to justify the film's existence on that basis since it doesn't have much to offer fans of the source material, and i honestly can't see this depiction of the characters appealing to a new generation of fans.
There have been numerous attempts to reboot this series since the 1960s (and not to doom this movie to failure just yet), but none of them have been successful in their attempt at rebooting the property. However, it still feels as though it has been done better, and on more than one occasion. In 1995, Fox's Halloween TV special "Here Come the Munsters," was a delightful reiteration of The Munsters which provided the family an origin and was effective in spawning another sequel and being as close to the original series as you could get. And more recently the Halloween special in 2012, "Mockingbird Lane," provided the family with a much darker edge that they desperately needed to settle into a new century, and sadly this reboot did fail. But in comparison - especially as Tim Burton's "Wednesday" series is soon to be released - i do think a more serious and darker take on The Munsters is what would have been needed in 2022 instead of a rehash of the original show which just exists as a queer vanity project for a hardcore fan of the show.
I am a huge fan of The Munsters and Rob Zombie's but sadly this just felt a little off to me. And maybe it's just because i really wanted to like it, but can't avoid it's abundantly obvious flaws.
I will give it another chance, since it does have a certain appeal, and i may bump it up to three stars depending on how i like the film when i watch it in black and white. Nevertheless, on a first watch for a big fan, I'm completely split down the middle.
While i did enjoy some aspects of this film, it felt so tonally off, and it wasn't helped by certain cinematic choices. It feels like it tries too hard with the visual humour when the strong suit of The Munsters has always been subtle humour with an alternate take on modern life, but Rob Zombie's choice to structure the film as a cartoon come to life just feels like an unnecessary step to take since you're dealing with what're essentially Universal horror monsters. The transitions are incredibly jarring and they really take you out of the moment, and since they're so frequently spaced throughout the film and get worse with each one it really feels like the film never even has a chance to get going. Which is only made worse but the strange pacing of the plot and and a very sudden ending that comes out of nowhere.
As for the cinematic choices, not concerning transitions, the green lighting is so disheartening. It's unbelievably overused and it takes so much away from some of the more beautifully detailed sets. I can't really think of why it's used so much, other than perhaps as an homage to the green skin of the black and white characters that was always hinted to in the sixties show, but when you have actors caked in colourful makeup the lighting just comes across as another unnecessary presentation choice.
It's not always pleasant to look at and the jokes don't always land, but it does have it's enjoyable moments - such as Richard Brake's overly campy performance channelling Vincent Price from his B movie performances in the Roger Corman 'Poe' movies - yet it's hard to justify the film's existence on that basis since it doesn't have much to offer fans of the source material, and i honestly can't see this depiction of the characters appealing to a new generation of fans.
There have been numerous attempts to reboot this series since the 1960s (and not to doom this movie to failure just yet), but none of them have been successful in their attempt at rebooting the property. However, it still feels as though it has been done better, and on more than one occasion. In 1995, Fox's Halloween TV special "Here Come the Munsters," was a delightful reiteration of The Munsters which provided the family an origin and was effective in spawning another sequel and being as close to the original series as you could get. And more recently the Halloween special in 2012, "Mockingbird Lane," provided the family with a much darker edge that they desperately needed to settle into a new century, and sadly this reboot did fail. But in comparison - especially as Tim Burton's "Wednesday" series is soon to be released - i do think a more serious and darker take on The Munsters is what would have been needed in 2022 instead of a rehash of the original show which just exists as a queer vanity project for a hardcore fan of the show.
I am a huge fan of The Munsters and Rob Zombie's but sadly this just felt a little off to me. And maybe it's just because i really wanted to like it, but can't avoid it's abundantly obvious flaws.
I will give it another chance, since it does have a certain appeal, and i may bump it up to three stars depending on how i like the film when i watch it in black and white. Nevertheless, on a first watch for a big fan, I'm completely split down the middle.