The opening scene portends deeply disturbing notions by way of nasty, misogynist themes and violence. Thereafter the pacing is terribly slow - if we apply the model of conventional narrative structure, the "rising action" is mostly a flat plateau barely distinguishable from the "exposition," and more than half the runtime has eclipsed before it truly feels like the promised "horror-thriller" content is again showing up. This is rather troubling, but in addition: Is it just me? Did I have an abnormally unremarkable experience growing up in western Pennsylvania? Or are early scenes wholly unbelievable as the chief characters - high school students - drink alcohol and do drugs at massive parties, go out to clubs, apparently put all their personal information on social media, hang out with total strangers that they've only just met (online no less), and more?
In fairness, once the narrative does very belatedly pick up, 'Recovery' is duly engaging and executed pretty well. The cast is solid, the production design and art direction are splendid, and even lighting is employed notably well. I very much enjoy Giona Ostinelli's robust original music that lends strongly to the mood of any given scene. Director Darrell Wheat illustrates fine capability, especially in the latter half, and there are swell if grisly ideas in his story and the screenplay written with Kyle Arrington. The blood and gore look great, and the brutal violence, and I appreciate the hair and makeup work generally. Truthfully, at its best this is really well done, and I appreciate the obvious hard work that everyone put into it.
Would that the feature were a bit more mindful and balanced from the get-go. Half the runtime, about 40 minutes total, could probably be chopped up into only half its length without losing any substance. The excellence in the second half actually makes up a bit of ground for the weak start - a surprising "recovery," if you will. But the fact that there's anything to compensate for in the first place is an issue. When all is said and done this isn't half bad, and deserves a soft recommendation on account of its strengths. Bear in mind very necessary content warnings for not just significant violence, and specifically violence against women and associated themes that are all too real. Provided you don't mind when your horror-thriller entertainment is distinctly less than perfect, you could do a lot worse than 2016's 'Recovery.'
In fairness, once the narrative does very belatedly pick up, 'Recovery' is duly engaging and executed pretty well. The cast is solid, the production design and art direction are splendid, and even lighting is employed notably well. I very much enjoy Giona Ostinelli's robust original music that lends strongly to the mood of any given scene. Director Darrell Wheat illustrates fine capability, especially in the latter half, and there are swell if grisly ideas in his story and the screenplay written with Kyle Arrington. The blood and gore look great, and the brutal violence, and I appreciate the hair and makeup work generally. Truthfully, at its best this is really well done, and I appreciate the obvious hard work that everyone put into it.
Would that the feature were a bit more mindful and balanced from the get-go. Half the runtime, about 40 minutes total, could probably be chopped up into only half its length without losing any substance. The excellence in the second half actually makes up a bit of ground for the weak start - a surprising "recovery," if you will. But the fact that there's anything to compensate for in the first place is an issue. When all is said and done this isn't half bad, and deserves a soft recommendation on account of its strengths. Bear in mind very necessary content warnings for not just significant violence, and specifically violence against women and associated themes that are all too real. Provided you don't mind when your horror-thriller entertainment is distinctly less than perfect, you could do a lot worse than 2016's 'Recovery.'