The Harem (1967)
5/10
Carroll Baker's first Italian film
29 March 2022
Author/Director Ferreri's finale is 100% misogynistic, more mean-spirited than any number of Italian giallis, including Baker's giallis she made after this film, that tap into male hatred/revulsion of women. Instead of keeping the story a drama-comedy, the film leaves a terrible impression that lingers.
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