I didn't know what to make of Flatbush in the first episode - but the almost horizontally laidback vibe punctuated by high tension and moments of wild surrealism as well as the occasional inclusion abstract meta-subtitles won me over. Not to mention its sardonic and deft observations about the aimlessness of contemporary adulthood and the dark indifference of metropolitan American living. Oh also that the core of it a dissection of a toxic friendship. Kevin Iso's listless artist and Dan Perlman's perpetually anxious teacher are a great deadpan combo - and their wild spiralling involvement with the hypnotically erratic Drew (played brilliantly by Hassan Johnson of "The Wire" fame) and his bolshy niece Zayna is a great central arc.
Amazingly it got a second season which I wasn't expecting, and it strips out a lot of the more abstract elements which is to its benefit. Zoe Winters shines as the manically misguided arts benefactor in ways that hit harder and sharper than a lot of Flatbush's more dramatic contemporaries. There are still moments of clunky plot contrivance but it ends well and I find myself wondering if it'll have more of a legacy than we currently realise - the mash of the deadpan and the strange and the affecting was really intoxicating.
Amazingly it got a second season which I wasn't expecting, and it strips out a lot of the more abstract elements which is to its benefit. Zoe Winters shines as the manically misguided arts benefactor in ways that hit harder and sharper than a lot of Flatbush's more dramatic contemporaries. There are still moments of clunky plot contrivance but it ends well and I find myself wondering if it'll have more of a legacy than we currently realise - the mash of the deadpan and the strange and the affecting was really intoxicating.