The "social-message drama" is a smug and inherently Indian cousin of the social-commentary drama. The latter is an actual storytelling genre. But the former is erroneously considered one. Instead of diagnosing a culture and trusting the audience to identify the ailment, the film-makers insist on delivering the verdict, the prescription as well as the medicine themselves. The whole film then exists in service of its message - which is conveyed in bold and blindingly bright letters, in the self-righteous tone of a teacher, a parent, a sage and an orator at once. Some might say this is noble, but I personally think it reeks of intellectual arrogance. A movie's job is to engage, not to turn entertainment into a multimedia classroom. Shaadisthan, directed by Raj Singh Chaudhary, is an example of why education should best be left to moral science textbooks.
Review of Shaadisthan
Shaadisthan
(2021)
Shaadisthan, On DisneyPlus Hotstar, Is A Sterile Classroom Camouflaged As A Film
14 June 2021
Warning: Spoilers