The man who was in charge of assassinating Hitler now has a new mission: to hunt and eliminate the Bigfoot.
It's one of those films in which the title (almost) has nothing to do with the content.
The story uses the figures of Hitler and the Bigfoot practically as footnotes to explain a life of trauma and regret of a war veteran.
It can be read in a variety of ways, like the one that says that it's an allegory to the war against communism on American soil, or a criticism of the way ex-soldiers are treated by the state and the community.
For many, the duty of patriotism and of being instruments to fight the nation's enemies is present until their last days, and despite understanding this part of the message (in a certain way), it's not well incorporated in the narrative.
The editing is confusing, and bad in general, and the story is poor and nonsense.
The only good thing here is the relation between Sam Elliott's character and his faithful dog.
It's one of those films in which the title (almost) has nothing to do with the content.
The story uses the figures of Hitler and the Bigfoot practically as footnotes to explain a life of trauma and regret of a war veteran.
It can be read in a variety of ways, like the one that says that it's an allegory to the war against communism on American soil, or a criticism of the way ex-soldiers are treated by the state and the community.
For many, the duty of patriotism and of being instruments to fight the nation's enemies is present until their last days, and despite understanding this part of the message (in a certain way), it's not well incorporated in the narrative.
The editing is confusing, and bad in general, and the story is poor and nonsense.
The only good thing here is the relation between Sam Elliott's character and his faithful dog.