Whether you are a fan of Cage, De Palma, Sinise or pulpy vintage thrillers, "Snake Eyes" has some goodies to offer. The guys are having all kinds of good fun, going about movie's biggest flaw, a plot that wants to be grounded, suspenseful, gritty, but loses plausibility and momentum the deeper we go. If You can turn a bit of a blind eye to that, welcome to Cage's world.
Brian De Palma has made Nicolas Cage into the admirably positive minded, flamboyant, deeply flawed hero Ricky Santoro, a hotshot police detective with the amount of energy only Nic can provide. The story takes place on one night during a boxing match taking place at Atlantic City Casino, which Ricky attends together with his friend and naval officer Kevin Dunne (Gary Sinise). Little did Ricky know, a massive criminal conspiracy is about to manifest itself with the murder of an important political figure right in the middle of the fight. Ricky, naturally, decides to uncover the mystery on his own and his own way.
"Snake Eyes" start enigmatically, beautifully, with the camera spinning up a 20 minute continuous dance, making first introductions and yet unknown connections between the variety of characters we'll see later on. Straight away it's more than apparent that fans of Cage like myself are in for a treat. Overacting it may be, I don't feel privileged enough to tell given the amusing character of Ricky, but take away Nicolas from the equation and, trust me, it looks worse now. A character like Santoro fits his energetic and amusing nature. As he's flowing around and interacting with an entertaining cast of familiar faces and good performances (Carla Gugino, Luis Guzman, Stan Shaw, Kevin Dunne), solving all kinds of little, pulpy, episodic, amusing problems, the bigger, more boring conspiracy is also uncovering. When the big cat's out of the bag, which is like half-way through the film, that's where "Snake Eyes" become slower, less exciting and a lot more predictable, or in other words, disappointing. The first half is a decent pulp dime novella, and the second an uninspired chase thriller.
Multiple perceptions of a singular event, relationships between them, and the audience, is what "Snake Eyes" is mostly about, and I wonder what would've come out of it with a richer story and a less lackluster ending. De Palmas relentless visual style, paired with Cage's unique charms and the lively, saturated setting of a huge event in an arena, provides enjoyable jolts of pulpy melodrama. But when all the tricks are played, we are left with a movie too typical to ascend above others... Visually, the intro sequence is not the only impressive part, so those aspects endure, despite some other minor technical flaws (or bad ideas), like almost cartoon-like swooshing sounds during the boxing scenes.
"Snake Eyes" is not a great movie, but I do have a good amount of appreciation for it, particularly Palma's direction and, you know, Cage for the win! As a mystery/thriller of the 90's, it should please the seekers of such flicks. As for Cage fans, assemble, it will please. My rating: 6/10.
Brian De Palma has made Nicolas Cage into the admirably positive minded, flamboyant, deeply flawed hero Ricky Santoro, a hotshot police detective with the amount of energy only Nic can provide. The story takes place on one night during a boxing match taking place at Atlantic City Casino, which Ricky attends together with his friend and naval officer Kevin Dunne (Gary Sinise). Little did Ricky know, a massive criminal conspiracy is about to manifest itself with the murder of an important political figure right in the middle of the fight. Ricky, naturally, decides to uncover the mystery on his own and his own way.
"Snake Eyes" start enigmatically, beautifully, with the camera spinning up a 20 minute continuous dance, making first introductions and yet unknown connections between the variety of characters we'll see later on. Straight away it's more than apparent that fans of Cage like myself are in for a treat. Overacting it may be, I don't feel privileged enough to tell given the amusing character of Ricky, but take away Nicolas from the equation and, trust me, it looks worse now. A character like Santoro fits his energetic and amusing nature. As he's flowing around and interacting with an entertaining cast of familiar faces and good performances (Carla Gugino, Luis Guzman, Stan Shaw, Kevin Dunne), solving all kinds of little, pulpy, episodic, amusing problems, the bigger, more boring conspiracy is also uncovering. When the big cat's out of the bag, which is like half-way through the film, that's where "Snake Eyes" become slower, less exciting and a lot more predictable, or in other words, disappointing. The first half is a decent pulp dime novella, and the second an uninspired chase thriller.
Multiple perceptions of a singular event, relationships between them, and the audience, is what "Snake Eyes" is mostly about, and I wonder what would've come out of it with a richer story and a less lackluster ending. De Palmas relentless visual style, paired with Cage's unique charms and the lively, saturated setting of a huge event in an arena, provides enjoyable jolts of pulpy melodrama. But when all the tricks are played, we are left with a movie too typical to ascend above others... Visually, the intro sequence is not the only impressive part, so those aspects endure, despite some other minor technical flaws (or bad ideas), like almost cartoon-like swooshing sounds during the boxing scenes.
"Snake Eyes" is not a great movie, but I do have a good amount of appreciation for it, particularly Palma's direction and, you know, Cage for the win! As a mystery/thriller of the 90's, it should please the seekers of such flicks. As for Cage fans, assemble, it will please. My rating: 6/10.