Like a good panettone, but not a cine-panettone, is this unfortunate film by Marco Risi: The Last New Year. To be seen or reviewed for several interesting reasons: it is a tragicomic comedy with grotesque implications, a genre in which few Italic directors have ventured; it differs greatly from the film proposals of the period; it was an experiment by the director, who had distinguished himself, in his previous works, for the inconvenience of little treated social themes, which he wrote together with the pulp-writer Ammaniti from whose novel it was based; the production far exceeded the initial budget also for the use of effective special and digital effects that were little used until that moment; the state of acting grace of all the protagonists, including Bellucci who shows, in addition to her beauty, that she knows how to act when she wants and the presence of the singer Adriano Pappalardo (Mastiff of God) is also curious. The film had an unfortunate process, as it was said, because for a bad promotion the film failed at the box office, inducing the director to retire him.