According to popular European folklore, kindly Saint Niklas visits the homes of good children on December 5th, dropping gifts down their chimneys. In Sint, writer/director Dick Maas (Amsterdamned, Down) subverts this legend, his Saint Niklas shown to be a renegade, murderous, 15th century bishop who abducted children, but who was eventually confronted by angry villagers and burnt alive on his ship. Now, whenever a full moon occurs on December 5th, Saint Niklas leaves the netherworld and heads for the Netherlands, killing people and snatching kids in Amsterdam, aided in his work by his helpers, the 'Black Peters'.
When his ex-girlfriend is found dead, killed by the nasty saint, student Frank (Egbert Jan Weeber) is suspected of murder, and must try to prove his innocence, joined in his fight against Niklas by rogue policeman Goert Hoekstra (Bert Luppes), whose own family were slaughtered 32 years earlier.
Sint suffers from pacing issues, with some serious lulls between the action scenes, but when Maas is firing on all cylinders, the film is a lot of demented fun, with the malevolent bishop and his blackened cronies chopping and slicing and impaling their victims in gory fashion (with some excellent FX). The film looks great, boasting lovely cinematography, and there are some impressive set-pieces - a bloody attack on Frank and his friends, Saint Niklas riding his horse over the rooftops of Amsterdam (particularly good given the budget), and the massacre of a group of Special-ops - it's a shame, then, that the madness and momentum doesn't continue throughout the whole film, 'cos if it had this could've easily become a firm festive favourite (Elf has never been my style).
6/10.
When his ex-girlfriend is found dead, killed by the nasty saint, student Frank (Egbert Jan Weeber) is suspected of murder, and must try to prove his innocence, joined in his fight against Niklas by rogue policeman Goert Hoekstra (Bert Luppes), whose own family were slaughtered 32 years earlier.
Sint suffers from pacing issues, with some serious lulls between the action scenes, but when Maas is firing on all cylinders, the film is a lot of demented fun, with the malevolent bishop and his blackened cronies chopping and slicing and impaling their victims in gory fashion (with some excellent FX). The film looks great, boasting lovely cinematography, and there are some impressive set-pieces - a bloody attack on Frank and his friends, Saint Niklas riding his horse over the rooftops of Amsterdam (particularly good given the budget), and the massacre of a group of Special-ops - it's a shame, then, that the madness and momentum doesn't continue throughout the whole film, 'cos if it had this could've easily become a firm festive favourite (Elf has never been my style).
6/10.