A few years ago, I saw the modern remake of this same film. Now it's finally time for this one, which I just saw a few minutes ago. Made in 1976, the film became a classic and has survived the test of time. In fact, I would say that it is one of those old horror films that any fan of the genre must see.
I will not go on too long to describe the story, I think it is well known. It was inspired by an original Stephen King novel (according to the information available here, the writer really liked this film, and even considered the ending to be better than the one he had originally written), tells the story of Carrie White, a young teenager who is extremely naive and who has lived all her life under the supervision of her mother, overprotective and religious fanatic, obsessed with the sin of the flesh and the weakness of the female sex. She is the target of mockery from schoolmates and it gets worse after she panics with her first menstruation, in the gym locker room. She simply knew nothing about her own body and sexuality because the mother was sure that a sinless woman (as her daughter had to be) would never be "tainted" by the blood that, for her, was the mark of Eva's original sin. Well, things get worse from there, with Carrie discovering that she has telekinetic powers amplified by fear or anger, and an anthological ending in a prom that goes terribly wrong.
The secret to the success of this film is largely due to the main character. For us, it is clear that Carrie is a victim: victim of a wicked and crazy mother who mistreats her and carries on a permanent psychological terror; victim of cynical and selfish schoolmates who never think of the reasons why she behaves that way and never give her a chance to integrate; and finally victim of an extremely rare mental power that she doesn't know well or know how to control. Carrie is never truly a bad person or a wicked being. She has no pleasure in the pain of others, she is the one who is suffering. It moves us, it causes a strong empathy with the character, which we would like to help. The way it all ends seems filled with a poetic justice that also satisfies us, despite feeling for Carrie, and seeing that she will never be understood by anyone.
Sissy Spacek was extraordinary in her work and obtained, in this film, her great work as an actress. Despite continuing and making other films, it is Carrie who immortalizes Spacek and makes her memorable. She gave the character a lot of psychological depth and drama, as well as having the strength for some nude scenes so brutal, due to their harshness, that other actresses with more experience would surely refuse them without thinking twice. The film also features the participation of Piper Laurie (in the role of Carrie's mother), Amy Irving and John Travolta.
Directed by Brian De Palma, a director recognized for his meticulous spirit and attention to detail, its a film with good production values and an excellent pace, with time for everything, without haste or speed. Cinematography deserves a close look with a series of truly successful moments, from the use of colors (white and red, as at the prom) to the work of the camera (the scenes at the prom, the kaleidoscope, the punctual resource to division of the screen), everything was extremely thought out and done with great care. For more than one occasion, the film "blinks the eye" to Hitchcock, the most evident feature being the famous sound effect of the film "Psycho", used here by De Palma. The sound, visual and special effects worked perfectly, even though the fire in the house, at the end of the film, makes it quite evident that the house is a miniature and not a real building, all it takes is a certain sense of scale. The costumes also deserve applause, they fit perfectly into the big picture. The soundtrack, by Pino Donaggio, is one of the most beautiful in classic horror cinema. Truly a magnificent melody that is in the ear.
I will not go on too long to describe the story, I think it is well known. It was inspired by an original Stephen King novel (according to the information available here, the writer really liked this film, and even considered the ending to be better than the one he had originally written), tells the story of Carrie White, a young teenager who is extremely naive and who has lived all her life under the supervision of her mother, overprotective and religious fanatic, obsessed with the sin of the flesh and the weakness of the female sex. She is the target of mockery from schoolmates and it gets worse after she panics with her first menstruation, in the gym locker room. She simply knew nothing about her own body and sexuality because the mother was sure that a sinless woman (as her daughter had to be) would never be "tainted" by the blood that, for her, was the mark of Eva's original sin. Well, things get worse from there, with Carrie discovering that she has telekinetic powers amplified by fear or anger, and an anthological ending in a prom that goes terribly wrong.
The secret to the success of this film is largely due to the main character. For us, it is clear that Carrie is a victim: victim of a wicked and crazy mother who mistreats her and carries on a permanent psychological terror; victim of cynical and selfish schoolmates who never think of the reasons why she behaves that way and never give her a chance to integrate; and finally victim of an extremely rare mental power that she doesn't know well or know how to control. Carrie is never truly a bad person or a wicked being. She has no pleasure in the pain of others, she is the one who is suffering. It moves us, it causes a strong empathy with the character, which we would like to help. The way it all ends seems filled with a poetic justice that also satisfies us, despite feeling for Carrie, and seeing that she will never be understood by anyone.
Sissy Spacek was extraordinary in her work and obtained, in this film, her great work as an actress. Despite continuing and making other films, it is Carrie who immortalizes Spacek and makes her memorable. She gave the character a lot of psychological depth and drama, as well as having the strength for some nude scenes so brutal, due to their harshness, that other actresses with more experience would surely refuse them without thinking twice. The film also features the participation of Piper Laurie (in the role of Carrie's mother), Amy Irving and John Travolta.
Directed by Brian De Palma, a director recognized for his meticulous spirit and attention to detail, its a film with good production values and an excellent pace, with time for everything, without haste or speed. Cinematography deserves a close look with a series of truly successful moments, from the use of colors (white and red, as at the prom) to the work of the camera (the scenes at the prom, the kaleidoscope, the punctual resource to division of the screen), everything was extremely thought out and done with great care. For more than one occasion, the film "blinks the eye" to Hitchcock, the most evident feature being the famous sound effect of the film "Psycho", used here by De Palma. The sound, visual and special effects worked perfectly, even though the fire in the house, at the end of the film, makes it quite evident that the house is a miniature and not a real building, all it takes is a certain sense of scale. The costumes also deserve applause, they fit perfectly into the big picture. The soundtrack, by Pino Donaggio, is one of the most beautiful in classic horror cinema. Truly a magnificent melody that is in the ear.