I decided to watch the movie with mixed feelings. The plot seemed not intriguing enough, but Ozon's name is (or at least was) a certain guarantee. Alas, the disappointment prevailed. In 8 femmes, Ozon managed to keep an unforgiving and at the same time uncommenting eye into the human behavior. The behavior itself developed the characters, and brought them together into a whole. Eté 85 is a mixture of Ozon and a try to mimic Almadóvar's way of looking into tragedy, which unfortunately fails completely. The scenes are great, the actors true to their characters, but what comes out is a story swaying between a kitsch gay teenagers' love affair and a family drama. The ending is weird (I am referring to the court sentence), taking into account the fact that the subject of homosexuality was at the time socially unacceptable was extremely poorly part of the story to that point, with the exception of a vague reference to an uncle). None of the three main characters (Alexis, David and the mother, Mme Gorman) develop and their reactions throughout the film are irrational, somewhere between funny and stupid, in a combination which simply does not work. Kate's acting is miserable, same as Alexis' parents. The only convincing character, if any, is probably the social worker.
Concluding, this is a mediocre film to watch if you are into gay dramas and have nothing better to do. Matches up the standards of east asian gay drama series, but not the ones of main stream cinematography, and is definitely not Ozon's most brilliant accomplishment.
Concluding, this is a mediocre film to watch if you are into gay dramas and have nothing better to do. Matches up the standards of east asian gay drama series, but not the ones of main stream cinematography, and is definitely not Ozon's most brilliant accomplishment.