One can see why 'Hamlet' is one of Shakespeare's best known and acclaimed plays with such memorable characters, some of the most deservedly famous in all literature, and text often quoted and referenced. It is long and not easy to perform at all (namely physchologically), but the characterisation, language and complex emotions and psychology have always riveted me and it has always been one of my favourites from Shakespeare. Royal Shakespeare Company's Shakespeare productions are always worth a peek, whether traditional or not.
Even if not every "live" production of theirs has completely worked. Despite preferring traditional productions myself, as there is less of a risk of distaste and unnecessary touches, that has not stopped me from appreciating things done differently as different can work. Whether this is the best filmed 'Hamlet' ever is up for debate. For me, although it isn't quite perfect, this 2009 production fares favourably and is not just the best 'Hamlet' seen in some while (since seeing the BBC Television Shakespeare production) but the best of all the viewed modern-dress productions of the play (better than both National Theatre Live performances).
Some people, well those not familiar with the play namely, may be at times perplexed by having some actors playing more than one character. This has been done more than once in Shakespeare and while it has always been interesting when it's done the execution has been variable.
Likewise with the CCTV style filming, which did confuse me at times and didn't always seem necessary. The production should have stuck with either doing it filmed play style or as a film, instead of seemingly trying to do both. There are times where it is very effectively atmospheric and clever, at others it's on the gimmicky side.
On the other hand, this was a modern dress Shakespeare production that actually looked appealing. The costumes look tasteful and aren't too much of a mishmash and the sets aren't drab or too simple with a shimmering look that is quite striking on film. The staging is always involving and the drama easy to follow, always worry in modern dress productions for anything that there would be gratuitous distaste going on or if there are things happening that don't make sense. Some of the National Theatre Live Shakespeare productions had this, such as 2018's 'Macbeth', but not so much here. The re-ordering of some of the text even makes sense, even moving the "to be or not to be" solliloquy to earlier.
The performances are on point. Some have criticised David Tennant as overacting, personally disagree respectfully. His interpretation is more manic than one usually sees from this difficult title role, but he balances inner turmoil and sarcasm movingly and intensely. Of the cast, Oliver Ford Davies is a big standout in one of the best interpretations of Polonious seen in a while, a very powerful performance that brings out every one of the character's characteristics. Patrick Stewart is a noble looking but suitably deadly Claudius, also effectively spooky as the Ghost. It was great to see Penny Downie again (it's been a while) and her Gertrude is touchingly conflicted and dignified. Mariah Gale's Orphelia, not an easy part to make interesting as it is potentially passive, is both brittle and affecting.
Concluding, very good and nearly great. 8/10
Even if not every "live" production of theirs has completely worked. Despite preferring traditional productions myself, as there is less of a risk of distaste and unnecessary touches, that has not stopped me from appreciating things done differently as different can work. Whether this is the best filmed 'Hamlet' ever is up for debate. For me, although it isn't quite perfect, this 2009 production fares favourably and is not just the best 'Hamlet' seen in some while (since seeing the BBC Television Shakespeare production) but the best of all the viewed modern-dress productions of the play (better than both National Theatre Live performances).
Some people, well those not familiar with the play namely, may be at times perplexed by having some actors playing more than one character. This has been done more than once in Shakespeare and while it has always been interesting when it's done the execution has been variable.
Likewise with the CCTV style filming, which did confuse me at times and didn't always seem necessary. The production should have stuck with either doing it filmed play style or as a film, instead of seemingly trying to do both. There are times where it is very effectively atmospheric and clever, at others it's on the gimmicky side.
On the other hand, this was a modern dress Shakespeare production that actually looked appealing. The costumes look tasteful and aren't too much of a mishmash and the sets aren't drab or too simple with a shimmering look that is quite striking on film. The staging is always involving and the drama easy to follow, always worry in modern dress productions for anything that there would be gratuitous distaste going on or if there are things happening that don't make sense. Some of the National Theatre Live Shakespeare productions had this, such as 2018's 'Macbeth', but not so much here. The re-ordering of some of the text even makes sense, even moving the "to be or not to be" solliloquy to earlier.
The performances are on point. Some have criticised David Tennant as overacting, personally disagree respectfully. His interpretation is more manic than one usually sees from this difficult title role, but he balances inner turmoil and sarcasm movingly and intensely. Of the cast, Oliver Ford Davies is a big standout in one of the best interpretations of Polonious seen in a while, a very powerful performance that brings out every one of the character's characteristics. Patrick Stewart is a noble looking but suitably deadly Claudius, also effectively spooky as the Ghost. It was great to see Penny Downie again (it's been a while) and her Gertrude is touchingly conflicted and dignified. Mariah Gale's Orphelia, not an easy part to make interesting as it is potentially passive, is both brittle and affecting.
Concluding, very good and nearly great. 8/10