Mary Nolan truly gives a wonderful tough performance in this pre-code crime drama about a gangster's moll, trying to reform herself and falling for writer Jason Robards Sr. whom she was seen attempting to rob in the opening sequence. Nolan is quite a tough young broad, and for a forgotten actress, she truly gives a passionate performance. In fact, the whole set-up of this film is quite good, from showing a bunch of rich carousers in a low rent dive being hoodwinked buy a Max Davidson who pretends to be the bartender to Nolan's desperation to get away from mob king Max Davidson. however, Davidson won't let her go with a fight and this leads to an action-packed shootout at the end. It is a bit creaky in its pacing, but the dialogue is good and a good majority of the performances are above average. This won't be arrival of the Warner Brothers gangster films, but with a female anti-hero, that's an interesting twist that makes this unique in this type of scenario.
Review of Docks of San Francisco
Docks of San Francisco
(1932)
Decent start, great ending, all over the place like Lombard Street in the middle.
15 April 2020
Warning: Spoilers