And boy did we find it. From the director of Bill and Ted's Excellent Adventure comes the sequel nobody wanted from a film that nobody liked. Into the Blue 2: The Reef is bad soap opera dialogue, plot and acting with the egregious tits and arse of a Fast and Furious movie. There's the same underwater shoot padded over six times throughout the entire movie and the glorious use of split screen editing and incongruous and sudden bursts of ear-splitting music from unknown bands so the director could fit a music video's worth of stock underwater footage or bikini volleyball in for several 4 minutes 37 seconds and prevent the entire running time from being 40 minutes and change of actual 'plot'.
Characters don't flinch after the people they love are killed, villains disappear, or instead end up acting with their mouths almost entirely shut, and none of it is engaging or interesting or makes a lick of sense.
But sandwiched in two parts between a viewing of Ultraviolet, this film looked like Citizen Kane by comparison. Bad but not abysmal. Cheap and crass but not offensive or studio-destroyed. All in all, I guess they all made the exact kind of film they wanted to make, which by that, I mean, a film that allowed everyone to go to the beachside for the entire shoot.