Elia continues his brand of cinematic stream of consciousness. This one is an extremely subtle film that's hiding under obvious comedic veil.
I don't have many words to express how good this actually is, and I don't feel an urge to discuss my explanation of some of the scenes because that would be a waste of time.
It's a very "meta" film, from a true voyeur in an image-obsessed world. Homage from Elia to himself, Jacques Tati, and imperfect symmetry. Imperfect symmetry has been the visual key in a seemingly random collage of a story.
Oh, and people are absolutely clueless. And Elia probably hates Twitter and notifications.
The soundtrack is amazing as usual, but the editing is something else; unbelievably good.
Thanks Elia of Nazareth, with all the conclusions a word might have.
I don't have many words to express how good this actually is, and I don't feel an urge to discuss my explanation of some of the scenes because that would be a waste of time.
It's a very "meta" film, from a true voyeur in an image-obsessed world. Homage from Elia to himself, Jacques Tati, and imperfect symmetry. Imperfect symmetry has been the visual key in a seemingly random collage of a story.
Oh, and people are absolutely clueless. And Elia probably hates Twitter and notifications.
The soundtrack is amazing as usual, but the editing is something else; unbelievably good.
Thanks Elia of Nazareth, with all the conclusions a word might have.