Stage Door is mostly all yakety-yak. A boarding house, with loud females all talking over one another.
Too many of these girls yammering and not enough plot. The dialogue's mostly unmemorable, only Hepburn makes an impact and she doesn't exactly have ample screen-time. Her scenes with the stage producer in particular stand out, this may be her only film without a love interest, I think. Rogers is merely okay.
Too many of these girls yammering and not enough plot. The dialogue's mostly unmemorable, only Hepburn makes an impact and she doesn't exactly have ample screen-time. Her scenes with the stage producer in particular stand out, this may be her only film without a love interest, I think. Rogers is merely okay.