First of all, "Daha" is very very upper than I expected. Director Onur Saylak is, interestingly, a very popular actor in Turkey. Such popularity despite his filmography which mostly contains "art movies" is a consequence of Saylak's existence in popular Tv-series in addition to cinema.
Though I like his acting performances and most of movie projects he placed, I didn't expect such a susccesful experiment from his first director seat.
Daha is a very very stronge movie by meaning of character improvement, visual aesthetic, cinematography, political references, knitted plotting, balanced tension and connection way to reality.
The movie is inspired by a famous novel. I know the novelist Hakan Günday due to his first novel but I haven't read Daha, yet. So, I can't estimate any link between the movie and the novel. But, Daha is an inspired movie rather than novel adaptation. So, it's not false to evaluate this movie as an independent production.
Applaud to Onur Saylak, his team and actors/actresses!
Daha is a very very stronge movie by meaning of character improvement, visual aesthetic, cinematography, political references, knitted plotting, balanced tension and connection way to reality.
The movie is inspired by a famous novel. I know the novelist Hakan Günday due to his first novel but I haven't read Daha, yet. So, I can't estimate any link between the movie and the novel. But, Daha is an inspired movie rather than novel adaptation. So, it's not false to evaluate this movie as an independent production.
Applaud to Onur Saylak, his team and actors/actresses!