There are thrillers I enjoy but rarely feel any desire to watch again; however, I find that those lighter on set-pieces but heavier on character interactions and atmosphere have a better replay value for me.
The Talented Mr. Ripley is a perfect example. The movie takes its time in the first act, allowing us to identify with ambitious liar Tom Ripley (Matt Damon in one of his best performances) who yearns for a better life and manages to ingratiate himself with wealthy heir Dickie Greenleaf (an electric Jude Law).
Dickie is enjoying an endless vacation in Italy; Tom starts to tag along. At first the narcissistic Dickie likes the company of this nice young man who obviously idolizes him; however, Tom develops an obsession with Dickie, who decides he is fed up with him...
The movie lets us share Ripley's point of view, entangles us in his web of lies. The bond we develop with him is crucial or the rest of the film, where his deceptions take a darker turn, simply wouldn't work.
Damon and Law are great, well supported by Gwyneth Paltrow, Cate Blanchett, Philip Seymour Hoffman and Jack Davenport. Minghella's direction is elegant, meticulous, crafting moments of great tension.
One of my favorite scenes is the first killing. I don't know whether it comes straight from the novel or was changed for the adaptation, but it's masterful, making use of a clever writing trick: setting a scene where you'd least expect it to take place. We are used to movie murders happening in dark, ominous locations, but this one unfolds in broad daylight on a boat rocking in the middle of a beautiful blue sea: when violence erupts, it's all the more shocking.
As a police investigation starts, Tom relies on his talent for lying and impersonating people, but there is a stark difference from the usual trope of the innocent man dragged into a crime against his will and who is just trying to survive. Tom clearly relishes the wealth and opportunities brought by his deception: he likes this game and is very good at it.
The bookend to the first murder is the ending (MAJOR SPOILERS), with the last killing in a ship's cabin. Once again Tom kills someone he loves, only this time, with cruel irony, the victim actually loves him back and the killing isn't a spur-of-the-moment reaction but deliberate, as Tom finds no other way to cover up his crimes. The Pyrrhic victory of the villanous protagonist, who has managed to fool everyone but is now broken and alone, is one of the most memorable movie endings of recent cinema.
8,5/10
The Talented Mr. Ripley is a perfect example. The movie takes its time in the first act, allowing us to identify with ambitious liar Tom Ripley (Matt Damon in one of his best performances) who yearns for a better life and manages to ingratiate himself with wealthy heir Dickie Greenleaf (an electric Jude Law).
Dickie is enjoying an endless vacation in Italy; Tom starts to tag along. At first the narcissistic Dickie likes the company of this nice young man who obviously idolizes him; however, Tom develops an obsession with Dickie, who decides he is fed up with him...
The movie lets us share Ripley's point of view, entangles us in his web of lies. The bond we develop with him is crucial or the rest of the film, where his deceptions take a darker turn, simply wouldn't work.
Damon and Law are great, well supported by Gwyneth Paltrow, Cate Blanchett, Philip Seymour Hoffman and Jack Davenport. Minghella's direction is elegant, meticulous, crafting moments of great tension.
One of my favorite scenes is the first killing. I don't know whether it comes straight from the novel or was changed for the adaptation, but it's masterful, making use of a clever writing trick: setting a scene where you'd least expect it to take place. We are used to movie murders happening in dark, ominous locations, but this one unfolds in broad daylight on a boat rocking in the middle of a beautiful blue sea: when violence erupts, it's all the more shocking.
As a police investigation starts, Tom relies on his talent for lying and impersonating people, but there is a stark difference from the usual trope of the innocent man dragged into a crime against his will and who is just trying to survive. Tom clearly relishes the wealth and opportunities brought by his deception: he likes this game and is very good at it.
The bookend to the first murder is the ending (MAJOR SPOILERS), with the last killing in a ship's cabin. Once again Tom kills someone he loves, only this time, with cruel irony, the victim actually loves him back and the killing isn't a spur-of-the-moment reaction but deliberate, as Tom finds no other way to cover up his crimes. The Pyrrhic victory of the villanous protagonist, who has managed to fool everyone but is now broken and alone, is one of the most memorable movie endings of recent cinema.
8,5/10