Which is what you'll be wondering as Blood From The Mummy's Tomb concludes
with just about all the cast members meeting a grisly end.
Andrew Keir was the leader of an expedition to Egypt where the tomb of an evil sorceress Queen is uncovered and the body looks like it was fresh from the morgue, no wrappings on it at all. She was one beautiful queen with only a hand cut off and buried separately.
At the same time in the United Kingdom Keir's wife dies in childbirth and it turns out he gives birth to a bouncing baby sorceress though that's not known at the time.
When I say bouncing I mean that literally. Valerie Leon has some really ample bosoms which Hammer Studios took every opportunity to show off during the film. It was one way to keep the audience interested. Leon also does well as the sorceress and the modern role.
James Villiers and George Coulouris have good supporting parts. Villiers is our villain who has some cockeyed notion he can control the sorceress and guide her through the modern world. And Coulouris has a fine mad man act as a scientist locked in an asylum driven mad by what he's seen and unleashed.
It's a good horror flick without use of monsters by Hammer, a rare exception for them.
Andrew Keir was the leader of an expedition to Egypt where the tomb of an evil sorceress Queen is uncovered and the body looks like it was fresh from the morgue, no wrappings on it at all. She was one beautiful queen with only a hand cut off and buried separately.
At the same time in the United Kingdom Keir's wife dies in childbirth and it turns out he gives birth to a bouncing baby sorceress though that's not known at the time.
When I say bouncing I mean that literally. Valerie Leon has some really ample bosoms which Hammer Studios took every opportunity to show off during the film. It was one way to keep the audience interested. Leon also does well as the sorceress and the modern role.
James Villiers and George Coulouris have good supporting parts. Villiers is our villain who has some cockeyed notion he can control the sorceress and guide her through the modern world. And Coulouris has a fine mad man act as a scientist locked in an asylum driven mad by what he's seen and unleashed.
It's a good horror flick without use of monsters by Hammer, a rare exception for them.