Netflix needs to get it green light approval process checked. I can't imagibe how someone reads this script and imagines this would need to be seen. By humans. With eyes. The narrative runs as if it were being told by a five year old recounting something that happened at school a week earlier. Completely without sense, sequence or purpose. And unlike a five year old, it doesn't even try, and it is devoid of any charm.
That Bowie's publisher allowed Life on Mars to be used in this celluloid shart is heartbreaking.
That Bowie's publisher allowed Life on Mars to be used in this celluloid shart is heartbreaking.