Copyright 6 September 1940 by Edward Small Productions, Inc. Released through United Artists. Presented by Edward Small. New York release at Loew's State: 14 November 1940. U.S. release: 30 August 1940. Australian release: 29 May 1941. Sydney release at the Plaza: 23 May 1941. U.S. length: 11 reels. 8,676 feet. 96 minutes. Australian length: 8,714 feet. 97 minutes.
SYNOPSIS: Christopher "Kit" Carson (1809-1868) leads a wagon train through hostile Indian territory, encountering all the usual obstacles along the way.
COMMENT: I don't know where Fenin and Everson get the idea that the Indians are sympathetically treated in this film. Certainly it's shown they are put up to their attacks by the Mexicans, but otherwise there's not a single hint that Indians are anything but savages.
However, Fenin and Everson are right about the terrific Indian-attack action sequence in the middle of the film and the obvious running-out-of-money in the final reel where the action is truncated just as it begins to get under way. Fortunately, there's a nice bit of action at the beginning of the film and 2nd unit director Arthur Rosson has contrived some striking compositions of the wagon train moving slowly across the floor of Monument Valley.
When it comes to the efforts of the main unit, the film is much less interesting. The soundtrack is over-cluttered with banal dialogue and director Seitz indulges the actors from static camera positions while they ham away mightily. This fault is aggravated not only by the extremely mundane and clichéd nature of all the talk, but by the uninteresting players who are doing all the gum-washing. Hall just rattles off his lines like a mechanical automaton, Miss Bari is likewise a talking doll, and the third member of the triangle, Dana Andrews is as customarily stiff as a post (even though this was but his third outing before the cameras).
Bond, Huber and Hatton overact in their usual ripe fashion, while other character actors like Stanley Andrews and particularly Edwin Maxwell (who is seen merely in the background though he is portraying the famous Sutter of Sutter's Gold) have little to do. Charley (sic) Stevens gives his usual account of a villainous renegade and C. Henry Gordon soldiers away enthusiastically - but to little account as his lines have no point and are just so much padding.
In many ways, Kit Carson is a typical Edward Small production which promises more than it delivers. The producer has an obvious liking for the period historical epic filmed on a somewhat constrained budget. This one could easily be re-edited down to a reasonably lively 60 minutes. But at its present length, with the narrative sagging so badly in the last half-hour - such a let-down after the splendid, vigorously-staged action in the middle of the film - it offers in sum little more than passable entertainment. 2nd unit direction and photography are impressive, but other credits (including Edward Ward's music score derived from Stephen Foster's "I Dream of Jeannie" et al) are no more than routinely competent.
SYNOPSIS: Christopher "Kit" Carson (1809-1868) leads a wagon train through hostile Indian territory, encountering all the usual obstacles along the way.
COMMENT: I don't know where Fenin and Everson get the idea that the Indians are sympathetically treated in this film. Certainly it's shown they are put up to their attacks by the Mexicans, but otherwise there's not a single hint that Indians are anything but savages.
However, Fenin and Everson are right about the terrific Indian-attack action sequence in the middle of the film and the obvious running-out-of-money in the final reel where the action is truncated just as it begins to get under way. Fortunately, there's a nice bit of action at the beginning of the film and 2nd unit director Arthur Rosson has contrived some striking compositions of the wagon train moving slowly across the floor of Monument Valley.
When it comes to the efforts of the main unit, the film is much less interesting. The soundtrack is over-cluttered with banal dialogue and director Seitz indulges the actors from static camera positions while they ham away mightily. This fault is aggravated not only by the extremely mundane and clichéd nature of all the talk, but by the uninteresting players who are doing all the gum-washing. Hall just rattles off his lines like a mechanical automaton, Miss Bari is likewise a talking doll, and the third member of the triangle, Dana Andrews is as customarily stiff as a post (even though this was but his third outing before the cameras).
Bond, Huber and Hatton overact in their usual ripe fashion, while other character actors like Stanley Andrews and particularly Edwin Maxwell (who is seen merely in the background though he is portraying the famous Sutter of Sutter's Gold) have little to do. Charley (sic) Stevens gives his usual account of a villainous renegade and C. Henry Gordon soldiers away enthusiastically - but to little account as his lines have no point and are just so much padding.
In many ways, Kit Carson is a typical Edward Small production which promises more than it delivers. The producer has an obvious liking for the period historical epic filmed on a somewhat constrained budget. This one could easily be re-edited down to a reasonably lively 60 minutes. But at its present length, with the narrative sagging so badly in the last half-hour - such a let-down after the splendid, vigorously-staged action in the middle of the film - it offers in sum little more than passable entertainment. 2nd unit direction and photography are impressive, but other credits (including Edward Ward's music score derived from Stephen Foster's "I Dream of Jeannie" et al) are no more than routinely competent.